maninahat said:
Well well well, well well well well well. After what feels like a decade of bickering, the reviews are finally coming in for the new Ghostbusters and it looks like the critics like it.
I'll be the voice of dissent here for shits n' giggles. A 70-80% film on Rotten Tomatoes isn't exactly glowing acclaim. It's "alright". Usually territory occupied by middling inoffensive slop, or polarizing films. Of further concern, the film is currently sitting just above 50% among Top Critics, picking up most of its acclaims from less reliable/experienced outlets (I'll let the local conspiracy widgets speculate about which ones, and why, I'd like to think I have more dignity than that). This is more in keeping with the 62% on Metacritic, which uses weighted scores.
Even a 60% should be considered a win for the film considering the woeful (and merited) reception of the first two trailers, and it's more evidence of a "meh" reaction then the cinematic scarring a lot of the film's detractors were expecting, but I wouldn't wrap a bow around it and say "the critics like it" any more than I agreed with the last thread suggesting they hated it. I anticipate a rather tepid comedic outing that is carried...when it works...by the charisma of its leads, and workmanlike direction from Feig.
As pointed out in the previous thread, the original film only carries a 67% on Metacritic. This is based on a terribly small sample size of only 7 critics, but it's worth noting that films history remembers as cultural touchstones/unassailable classics aren't always as highly regarded in their day. This was touched on briefly during the furor over Force Awakens, when it was pointed out that "Empire Strikes Back" was raked by critics upon release for being "derivative" of the original film.
None of that is to suggest Feig's Ghostbusters is going to be remembered 30 years from now as being some kind of genre classic, merely to point out that simply throwing numbers around gleaned off a review aggregate site or a couple of choice review quips doesn't add up to a whole lot if you're genuinely trying to parse community response to a particular piece of media. RT especially is known to be problematic due to its binary method of determining "quality" and the fact it's owned by a company whose sole purpose for existing is selling film tickets.