Probably not. Creating a vocal jazz arrangement of a pop song isn't a particularly complicated process, but JC wrote a straight-out BALLAD. It's not a question of having a similar chord progression or a suspiciously similar melody, JC's arrangement is explicitly a pardoy of an up-tempo song, FAR from what Glee usually does with its covers and pretty far from what any vocal jazz arranger would usually arrive at when doing Baby Got Back. This is pretty explicitly a case of plagiarism (though, like the Escapist lawyer crew, I don't know whether or not it's technically copyright infringement to rip off a cover; I think it would probably have to depend on whether or not the cover arrangement itself was registered or not).Thunderous Cacophony said:OT: Not very cool, Glee. Just out of curiosity, are there any musicians who can tell me whether or not the Glee songwriters might have accidentally stumbled into the same arrangement (i.e. whether it is the logical choice for turning "Baby Got Back" into an acapella pop song)?
(Qualifications: Organ Performance major at the University of Michigan, way too many years of choir, composition, and two unfortunate seasons viewed of Glee)
EDIT: For comparison, here's the original. [http://www.youtube.com/watch?v=kY84MRnxVzo]. If you were to do an arrangement you'd have to base it off the Mix-a-Lot's bass riff, which is C-C-Eb-Eb-Db-Db-Eb-Db (repeat), in straight eighth notes. The song's entire harmonic content is that bass riff and the quick synth chords, which are all C-minor, so as an arranger you have available to you C-minor with a lowered second. Now, I could come up with a pretty sweet vocal jazz arrangment of Baby Got Back out of that, but it is NOTHING like the Coulton arrangement and you would have to go through several wormholes to get to the same place; Coulton's is EXPLICITLY a musical parody.