I'm glad you are making the best out of a bad situation at least by referencing community.DVS BSTrD said:But they didn't have time to ask his permission: If they win regionals then it's straight on to sectionals and then a week later is semis, then semi-regionals, then regional-semis, then national lower-zone semis.
OT: I really hope they cancel this show soon.
Who hates Glee? Listen to how that sounds. Glee literally means, glee.Chairman Miaow said:I'm glad you are making the best out of a bad situation at least by referencing community.DVS BSTrD said:But they didn't have time to ask his permission: If they win regionals then it's straight on to sectionals and then a week later is semis, then semi-regionals, then regional-semis, then national lower-zone semis.
OT: I really hope they cancel this show soon.![]()
except of course you want to stream an episode of one of their series when suddenly copyright turns into the holiest thing EVAR and justifies suing a hapless person's pants off.likalaruku said:The American entertainment industry doesn't care about the rights of intellectual property owners & creators, especially if they're not copyrighted or patented.
What the hell are regionals?DVS BSTrD said:But they didn't have time to ask his permission: If they win regionals then it's straight on to sectionals and then a week later is semis, then semi-regionals, then regional-semis, then national lower-zone semis.
OT: I really hope they cancel this show soon.
Covarr said:Not by a long shot. The original was a rap, so the melody, guitar part, etc. were all 100% Coulton's original work. Pretty much the only thing intact from Sir Mix-A-Lot's original song is the lyrics.Thunderous Cacophony said:Just out of curiosity, are there any musicians who can tell me whether or not the Glee songwriters might have accidentally stumbled into the same arrangement (i.e. whether it is the logical choice for turning "Baby Got Back" into an acapella pop song)?
For a comparison point, imagine if someone decided to paint a picture of Jesus and the apostles at the last supper. The chances of them accidentally recreating Leonardo Da Vinci's The Last Supper without being familiar with it are about the same as accidentally recreating Coulton's arrangement.
P.S. Thanks
Thank you ladies and/or gentlemen. Now that I know it's stolen for sure, I can vent my rage wholeheartedly.Eppy (Bored) said:Probably not. Creating a vocal jazz arrangement of a pop song isn't a particularly complicated process, but JC wrote a straight-out BALLAD. It's not a question of having a similar chord progression or a suspiciously similar melody, JC's arrangement is explicitly a pardoy of an up-tempo song, FAR from what Glee usually does with its covers and pretty far from what any vocal jazz arranger would usually arrive at when doing Baby Got Back. This is pretty explicitly a case of plagiarism (though, like the Escapist lawyer crew, I don't know whether or not it's technically copyright infringement to rip off a cover; I think it would probably have to depend on whether or not the cover arrangement itself was registered or not).
(Qualifications: Organ Performance major at the University of Michigan, way too many years of choir, composition, and two unfortunate seasons viewed of Glee)
EDIT: For comparison, here's the original. [http://www.youtube.com/watch?v=kY84MRnxVzo]. If you were to do an arrangement you'd have to base it off the Mix-a-Lot's bass riff, which is C-C-Eb-Eb-Db-Db-Eb-Db (repeat), in straight eighth notes. The song's entire harmonic content is that bass riff and the quick synth chords, which are all C-minor, so as an arranger you have available to you C-minor with a lowered second. Now, I could come up with a pretty sweet vocal jazz arrangment of Baby Got Back out of that, but it is NOTHING like the Coulton arrangement and you would have to go through several wormholes to get to the same place; Coulton's is EXPLICITLY a musical parody.
The logic is in the fact that Glee apparently has a consistently large enough number of viewers tuning in every week to keep the advertising dollars rolling in. Firefly was cripple by Fox airing it out of order and screwing with the schedule, but even then it had a fairly large following when it was canceled. But then again, Fox has a poor track record when it comes to science fiction shows. Arrested Development never interested me, but I assume it had reached a point where it was becoming a tired premise since I know it had a good sized following as well.Beautiful End said:What's worrying is that I think kids are getting dumber. When I was a kid and I watched shows like that, I figured that they couldn't possibly create new songs each week, songs that other artists are singing on the radio, songs that just sound different from their style; there were just so many things that made me figure it out by logic. Also, my parents didn't allow me to be that dumb.darksakul said:I am also raging mad over the fact teens think Established Artist stole from Glee.
Example "Why is Barbra Streisand singing a song from Glee"?
You stupid sad child, that video was recorded before you where born, before the briths of the cast of that show.
That there was the original song that Glee Stole.
I'm beginning to sound like an old man but you get the point. We weren't that dumb.
Also...
Oh, glob. I'd PAY them to get rid of Glee and bring back Firefly!Can we just write a petition to wipe out Glee and bring back a show that was good like Arrested Development of Fire Fly.
Seriously, how does that make any sense! Glee keeps going but Firefly didn't even last two seasons?! Where's the logic in that?
That was a really good episode, as well. The Pilot.zdog jr said:They also never aired the pilot, you know, the episode that introduces all the main characters and other trivial things. Fox is stupid with all their good shows.fapper plain said:I think that was because Firefly didn't have nearly as many viewers and Glee is (rightly or wrongly) more accessible. It's mindless, simplistic fun. Firefly, on the other hand, is a Sci-Fi 'space cowboy' show with darker themes, a well written plot, and interesting and well-developed characters.
Also, if memory serves, when it debuted it was often changed to different times and days, and was competing with popular, well-established shows.
He didn't just cover the song, he just used the lyrics and put them to a different tune which he wrote himself. So he did more than just rehash the original.Rawne1980 said:I find it hard to abuse Glee when it takes a song done by someone else who took the song from someone else.
It's not as if Coulton wrote the song or even put much effort into it ... it's a cover.
Had it been an original song it would have been different.
But I suppose the people here are right. Let's abuse a TV show for being unoriginal and stealing an unoriginal song off guy who covered the song of someone else because covering a song is original right? ..... RIGHT?
Nope, it's not.
But, according to a poll that popped up on this very forum last year, a hell of a lot of people here class themselves as having above average intelligence....
It truly shows, honest.
Just so you know, what you just said makes NO sense.likalaruku said:The American entertainment industry doesn't care about the rights of intellectual property owners & creators, especially if they're not copyrighted or patented.
Actually, I think you CAN enforce a copyright claim on an arrangement. Let me make an example from a different artistic industry: theatre. I once saw a theatre group do a performance of Shakespeare's MacBeth. This performance was a bit different though, because they re-imagined the plots and themes of MacBeth and set it against the backdrop of the modern Rwandan genocide, and everything was re-interpreted to fit in with this new modern setting.TJC said:except of course you want to stream an episode of one of their series when suddenly copyright turns into the holiest thing EVAR and justifies suing a hapless person's pants off.likalaruku said:The American entertainment industry doesn't care about the rights of intellectual property owners & creators, especially if they're not copyrighted or patented.
in any case, iirc you can't enforce a copyright on just an arrangement (aka just the progression of chords or instruments used). It's painfully obvious that Glee ripped joco off with a perverted glee (pun not intended) but I'm not sure how much there is that legally can be done. Of course, human decency would dictate to give the original artist (even if he covered the song himself) proper credit and compensation but that would imply that anyone in Hollywood had any human decency :C
also, apparently I'm the only one who enjoyed glee at least a little bit before disliking it for being boring, badly-written tripe. Still, the hate is surprising.
All I can say to you is this: actually LISTEN to both songs and then come back and say that again... JoCo's version is a completely different arrangement, pace, and sound and was meant as a parody. I dont personally LIKE his arrangement of the song, but only someone who hasn't even heard both songs can come here and say "Joco just did a lazy cover and now he's pissed someone stole it from him?!"Rawne1980 said:I find it hard to abuse Glee when it takes a song done by someone else who took the song from someone else.
It's not as if Coulton wrote the song or even put much effort into it ... it's a cover.
Had it been an original song it would have been different.
But I suppose the people here are right. Let's abuse a TV show for being unoriginal and stealing an unoriginal song off guy who covered the song of someone else because covering a song is original right? ..... RIGHT?
Nope, it's not.
But, according to a poll that popped up on this very forum last year, a hell of a lot of people here class themselves as having above average intelligence....
It truly shows, honest.