Silentpony said:
Well I mean you are very correct in that variables, X, Y, and Z do change, 200 hundred years ago it was fuck the black man, 100 years ago it was fuck women, 50 years ago it was fuck gays.
TBH, a lot of those attitudes are still around today.
as is, I dunno, a gay man in the MCU.
We haven't had a single gay lead in an MCU film yet.
I mean, just saying, things are undoubtedly better now than they were 50 years ago, but it's not exactly utopia either.
Samtemdo8 said:
The T-1000 in Human Disguise is way more sociable then T-800 who acts like a Frankenstein monster, which I guess was the point.
It was.
Samtemdo8 said:
So everything is now more or less in context.
Skynet created itself in the past?
The First T-800 dead body and arm was found by a computer company that becomes Cyberdyne and Dyson used the arm and chip to make his AI program? So Skynet only existed because it sent a part of itself in the past. Which makes me wonder the whole Self Awareness thing when it launched those Nukes?
That's pretty much the premise.
I mean, you could argue that at some point Skynet came into existence regardless, and that John originally had a different father, and it was through time travel that Reese became his father and all that, but we're getting way too far down the rabbit hole for that.
T1 has a closed loop as a premise. T2 has the loop being broken. Both still feel congruent with each other though, because "no fate" remains the theme in both, it's just expressed in different ways.
So what was Terminator 3's excuse for making Judgement Day inevitable?
It doesn't.
People can explain it as JD being inevitable, but the film makes no explanation, only "JD is inevitable, deal with it."
T3 isn't just copying itself from a much better movie (T2), it actively undercuts the movie it's ripping off from. Heck, even T1. Because if the theme of T1/T2 is "no fate," the theme of T3 is "yes fate."
Gorfias said:
I just went with it. T3 was darker than T2.
Um, where?
metaphorically kicked over the chess board (why just chase Sarah around when you can pick off John Connor's partners?)
That isn't a pro in the film's favour.
The premise of T1 was that Skynet's attempt at time travel was a last ditch effort. Time travel, at least initially, wasn't meant to be common in the Terminator universe. T2 does pull the "actually, two Terminators were sent back," but okay, I can live with that. Like Arnie coming back, it gets to pull that trick once, especially since T2 really closed the doors on a sequel. T3 however, depicts a setting where time travel is apparently common - so common that a Terminator can be sent to assassinate nobodies. It's a premise that's generally infected the rest of the franchise, where time travel is this thing that happens every Tuesday (cough: SCC) rather than a last, desparate attempt from an AI on the verge of defeat.
Gorfias said:
I think that Feminism is cancer and that Hollywood has been drafted into its cause. To see 3 women on the first promo pic for the movie is, after Star Wars with Admiral Gender Studies helping to destroy the series, very disquieting.
Women on a poster that had a female protagonist in its first film?
Oh God, the horror! Judgement Day is here! Feminists have launched nukes! These are the end of times! Repent, repent!
Gorfias said:
You can have terrific, strong female characters in movies, including Sarah Conner in T1 and 2 without them wrecking the thing with Feminist politics. But Star Wars, Ghost Busters 3 and now Captain Marvel? They have a message and it is toxic.
Yeah...no.
Palindromemordnilap said:
Why? The series has always been about the struggles of a woman, something that you yourself admit. Why is the series continuing to do what its been doing since the 80s bad?
I'm actually going to come round a bit here and say that it hasn't "always" been about the struggles of a woman.
I think it was around SCC that it was stated that Sarah was the 'true protagonist' of the series or somesuch. Now, that I despise SCC aside, I actually disagree with this premise - John Connor is the true protagonist. It's always been about him, either as the catalyst for the plot (T1), or a major part of the plot itself (T2-T4). In fact, you could say it's kind of anti-feminist that in T1, Sarah isn't the saviour of mankind, she's just destined to squirt out the saviour. Like, thank goodness the Tiki Motel didn't have condoms available or something.
But it's such a moot point. Oh shock, the horror, a poster with three female characters on it. I mean, I've got little hope for Dark Fate at all, but for all the reasons that is, that three of the protagonists have boobs isn't one of them.