Oh no, somebody hates something popular, and here in the Escapist forums of all places. God forbid.
Thaluikhain said:I'm going to be predictable and say "You can always not watch it."
bastardofmelbourne said:Look, if it's not your thing, it's not your thing, and it's not likely to become your thing in the future.
I really hate these kinds of responses.[footnote]Yes, there is more to your posts that I've snipped out. I'm taking issue with the sentiment quoted only[/footnote] They come across as dismissive, condescending, obvious, and don't contribute anything to the discussion. Of course OP realizes that he is allowed not to watch the show, he says as much in the first paragraph "I have watched a few seasons with friends who like the show, and now I have to flatly refuse."Fiz_The_Toaster said:It's really not that hard to ignore it.
Wait, these are opinions?? I'm shocked! SHOCKED!! I was under the impression it was pure hard fact. OP you lied to me!!Happyninja42 said:You don't like it, fine. However what you've described are simply opinions. You don't think the acting is good, others do. You don't like it, others do. Don't watch the show, go do something else for that incredibly short time period of 1 hour a week that the show is on. Go watch porn or something, it's hardly a massive investment of your time.
But Game of Thrones doesn't live up to these standards for me - at all.
To me, it seems like George R R Martin is taking lots of different histories...
...It's more of a vibe I get from reading other fantasy novels than anything else but something feels really off about it all to me.
Maybe it's just me, but this show feels almost completely devoid of joy.
Okay...?Drathnoxis said:Thaluikhain said:I'm going to be predictable and say "You can always not watch it."bastardofmelbourne said:Look, if it's not your thing, it's not your thing, and it's not likely to become your thing in the future.I really hate these kinds of responses.[footnote]Yes, there is more to your posts that I've snipped out. I'm taking issue with the sentiment quoted only[/footnote] They come across as dismissive, condescending, obvious, and don't contribute anything to the discussion. Of course OP realizes that he is allowed not to watch the show, he says as much in the first paragraph "I have watched a few seasons with friends who like the show, and now I have to flatly refuse."Fiz_The_Toaster said:It's really not that hard to ignore it.
People should be allowed to criticize shows that they don't like, if others disagree they should argue against the points on their own merits. Not dismiss the criticism out of hand because the person "doesn't have to watch the show." OP has watched several seasons of the show, that is a significant time investment in which many thoughts and emotions can arise. It's better to hash it out and then move on, rather than bottling it all up forever.
Can we complain about MLP? I feel like that topic never got addressed here.Kolby Jack said:Oh no, somebody hates something popular, and here in the Escapist forums of all places. God forbid.
I mean, the show totally went to shit around season 2! I mean 3! No, 4! 5?Redlin5 said:Can we complain about MLP? I feel like that topic never got addressed here.Kolby Jack said:Oh no, somebody hates something popular, and here in the Escapist forums of all places. God forbid.
I really hate these kinds of responses. [footnote]Yeah, there is probably more to your post than I've snipped out. I'm taking issue with the sentiment quoted only[/footnote]Drathnoxis said:Thaluikhain said:I'm going to be predictable and say "You can always not watch it."bastardofmelbourne said:Look, if it's not your thing, it's not your thing, and it's not likely to become your thing in the future.I really hate these kinds of responses.Fiz_The_Toaster said:It's really not that hard to ignore it.
Some of the things in this list: fair enough. But sometimes I feel like you are missing things or misjudging some characters alltogether. Secondly, I don't always hate simplified characters. Sometimes characters are mostly a way to explore certain character traits and are therefore represented in simplistic extremes. I'd like to go by the list you gave one by one to give at least some of the reasons why I think those characters have more to them than you think. Not all of them, in the case Jaime, Ramsey or Daario amongst others I basically agree that they are kind of boring or don't really work.dscross said:1. The acting is awful
Every single actor (and therefore every single character) on this show is good at one thing. If they happen to be blessed by both the Old Gods and the New, they might be good at two things.
Jon knowing nothing represents his arrogant behaviour early on as a young adult with an inflated ego, it represents the fact that the peoples north of the wall of whom he knows nothing will generally go unremembered when most of them die, despite how much their differing cultures mean to them, and it is a motif in his relation to the woman he loves. There defenitely is some narrative content there.dscross said:Kit Harington/Jon Snow: mopes. Alternatively: shivers. Alternatively alternatively: knows nothing, which isn't really a narrative or personal asset.
That isn't really her shtick. She is the hateful, vengeful one. The one who takes all the unfairness she sees and wants to become a kind of angel of death to cruelly avenge it all. Secondly, her questions go unanswered because a lot of them adress the systemic unreasonableness of the world she lives in. Generally there are no easy anwers to her questions, not for the charactars inside that world at least, who don't want to fully admit to how awful the world they participate in really is. As a side note, I used to like her character very much, though I have been somewhat disappointed in her plot, character and arc in recent seasons. I find her new incarnation as an actually succesful angel of vengeful death to be rather dull and inhuman.dscross said:Maisie Williams/Arya: asks annoying questions that somehow have managed to go unanswered while aggressively grows her hair out from that super awk bowlcut.
Cercei is a bit of a onedimensional character but I think that is on purpose. Her inability to have personal growth, to learn from her mistakes or to reasonably assess her own power and abilities are part of her character. It being onedimensional is a result of that and is deliberate.dscross said:Lena Headey/Cersei: throws shade/bitches about bitches.
I don't know how far you got but this definitely does change. She becomes a lot more willful somewhere from season 5 onwarth and if you remember, she was just a bit of a ***** in season one. In a sense this does swap out one somewhat simple character for another but there is at least some growth and change there.dscross said:Sophie Turner/Sansa: floats through her admittedly very hard life with doe eyes and a long-expired na'vet
While true, that somewhat oversimplifies the character. He is the smart talker, always has a witty response. He is also the relatively decent/squeamish person amongst the lannisters and in kingslanding in general. Lastly, he is a clever manager.dscross said:Peter Dinklage/Tyrion: drinks. Alternatively: complains about being a dwarf.
Fair enough. I personally don't think Jaime was that well done. What I find interesting about him is, in my opinion, already done better by the hound.dscross said:Nikolaj Coster-Waldau/Jaime: Pre-handlessness: patronises. Post-handlessness: bumbles.
I didn't hate that, but yes.dscross said:Gwendoline Christie/Brienne: is so earnest it physically hurts to watch.
His character is also just not that important. He is often a bit of a last moment unexpected trump card and that's it. I don't think it is entirely fair to expect this character to have that much depth.dscross said:Daniel Portman/Pod: is so earnest it physically hurts to watch.
Is also in love with Cathelyn Stark/Tully.dscross said:Aidan Gillen/Littlefinger: schemes/plots.
Well yes, but that somewhat hides that he is that in a not entirely simplistic way.dscross said:Alfie Allen/Theon: human personification of the World's Smallest Violin.
That is his job, not his character. He is the one that has a lot of abstract talks about the nature of power. More importantly, he is one of the very few people who seems to take a view towards the common good. He plays the game of Thrones perhaps but he doesn't have a house and more importantly, doesn't care about having a house. He doesn't want his name to last but peace, hapiness and all that stuff. This is mixed with an understandable hatred for fire sorcerers and priests.dscross said:Conleth Hill/Varys: drops knowledge.
True, but partial. He is also the straight guy. The one who wants Daenerys to get results and reminds her of the practical problems the faces.dscross said:Iain Glen/Jorah: pines for Daenerys.
So from your desribtion she already isn't just one thing. I do find it weird to describe her as 'she don't need no man because she's an independent woman'. She is married quickly and is very reliant on her husband to the point that when he dies the aftermath nearly gets her killed in multiple ways. She also has a relationship with Daario later.dscross said:Emilia Clarke/Daenerys: she don't need no man because she's an independent woman but also she can't control her children/dragons and is really clueless about how the world works but has great intentions!
Agreed. I would like to note that Daario's first actor did a much better job. First Daario was a considered hedonist with standards of his own, who had no problem with being weird for his principles. This gave him a sort of mysterious charisma. The second Daario is just a bimbo.dscross said:Michiel Huisman/Daario: pines for Daenerys while looking hot.
What I find interesting about her is that she represents a strangely humane way of playing the game of thrones. Yes, she wants to be the queen and she doesn't shy back from being manipulative but she hardly ever actively hurts anyone. Whatever her precise motives for helping the poor, the poor are still helped more by her than by Cercei or anyone else.dscross said:Natalie Dormer/Margaery: snatches weaves.
That is what, one scene? He is insecure, friendly and manipulable. Though with this one, I agree he is a bit overly simple and obvious.dscross said:Dean-Charles Chapman/Tommen: plays with Ser Pounce.
Hodor is also weirdly benevolent. In any case, I think it is somewhat unfair to ask too much depth from a character that is not that important and mentally handicapped to the point where he can't speak and has an obviously very limited understanding of the world around him.dscross said:Kristian Nairn/Hodor: Hodors.
Yeah, basically.dscross said:Iwan Rheon/Ramsay Bolton: rapes, murders, tortures, you know. Just your garden variety sociopath.
Well, yes but this has a rather large impact on the plot. Remember that I mentioned how 'you know nothing' can also be read as a statement about Jons lack of knowledge of the wildlings. Similarly the northerners keep saying things like 'the north remembers' and 'the king in the north'. These aren't just nice sounding phrases. There are large cultural differences in this world and it helps further fuel the antagonism between the differing factions. The northerners, wildings and dornish are all very different from eachother and from the more central kingdoms of Westeros. This has been sustained by slow travel times. I also find this interesting because it is different from the thousand other shows where everyone just has a cellphone. The lack of communications in the past really made a difference and I find it interesting to see that in the show. Another effect of this, is that characters don't always believe one another about important plot points like the zombie army. If Jon or one of the lord commanders could just send around some pictures of these zombies on whatsapp, or more realistically, invite some important nobles to look beyond the wall on short notice, he'd have a much easier time convincing everyone to help them fight that menace.dscross said:This show is exhausting. Westeros is Medieval/Renaissance Europe in a parallel universe. What this adds to the world - a rustic frame of reference and lots and lots of mud and petticoats - is far surpassed by what it detracts - expediency and efficiency. Everything takes three times the effort and infinity times the time to accomplish.
I have to admit, I am not convinced that the fantasy elements do that much in the show. Besides these problems you mention I find the fantasy strangely half-hearted. Sometimes I almost forget it is there and other times charactars are suddenly hundreds of years old. This may be kind of the point. Half of the characters keep forgetting that magic exists and they systematically undersestimate its importance. This is why nobody bothered to get Dany killed properly and why most of the characters don't believe the white walkers exist. But for me it serves to make the magic feel strangely disconnected and thematically impotent.dscross said:To me, it seems like George R R Martin is taking lots of different histories, mythologies and fantasies from different time periods meshing them together in an unorganised way and then americanising them all.
This complaint is also not without merit. Even if the joylessness of it all is part of the point, after watching it for season after season it becomes too bitter or too dull for a lot of people. I was a bit put off by some of the torture scenes myself. Then again, it isn't joyless by accident, I think. It is joyless as a result of the pointless and reckless game of thones and the inability of the players to consider any sort of greater good.dscross said:Maybe it's just me, but this show feels almost completely devoid of joy. Every time I watched it, I found myself sitting and staring at the screen and questioning why I just subjected myself to such misery. No one ever wins in this show. Every single character is sad, either because the world they live in has made them that way or because they themselves are living the consequences of their shitty choices. The kingdom of the Iron Throne is a bleak, bitter, and hateful place where, personally, I find the people to be of commensurate character.
I'm not sure what other response I could possibly give. The man doesn't like the show. I do like the show, or I like most of it. What else am I to say other than "guess it's not your thing?" Am I supposed to tell him that he's wrong and has bad taste? Am I supposed to suddenly up-end my own opinion of the show I like and go "no, you're right, it's terrible?"Drathnoxis said:I really hate these kinds of responses.
Well, we can talk about our tastes and tastes can change. I like some thing more than when I first saw or read them and some things less. Sometimes this is because of the interpretations of other people who have pointed out themes, motifs, etc to me. If somebody is being a dick about disliking something, your response would be in order but orderwise we can discuss these things beyond stating how much we like them. We can talk about how and why we like them. I've seen people, including myself, completely miss the point of certain stories or parts thereof. Explaining why these things made sense has helped them enjoy it more.bastardofmelbourne said:I'm not sure what other response I could possibly give. The man doesn't like the show. I do like the show, or I like most of it. What else am I to say other than "guess it's not your thing?" Am I supposed to tell him that he's wrong and has bad taste? Am I supposed to suddenly up-end my own opinion of the show I like and go "no, you're right, it's terrible?"Drathnoxis said:I really hate these kinds of responses.
Like, what response is better than "your opinion is valid, as is my opinion, because tastes vary and no-one is forcing anyone to like anything?"
I feel compelled to respond because you wrote such a long well thought out rebuke to most of my points. Cheers for taking the time.Pseudonym said:snip
Then don't watch it any more. I am utterly sick of jabbing myself in the eye with this pointy stick covered in salt, I'll admit I was smart enough to see this pointy sticky eye interaction getting a bit boring three years ago but you know what I just had to keep on jabbing that stick in my eye and you know what I am gonna keep on doing it for a wee bit longer just to see if it gets any more enjoyable and guess what each and every time I jab this stick in my eye I am gonna turn up here and tell everyone just how annoying and tedious it's getting.I'm utterly sick of Game of Thrones
I don't think that's particularly witty in the context of what I said. I don't watch it anymore but I gave the show more than a fair chance as I said in my OP. It's more that I'm sick of intelligent people talking about it to me as if it's a good show and that I should like it. I hate the show for what people think is. To me, it's just as bad as reality TV. I don't mind my friends watching stuff like that as long as they admit that it's garbage and it's a guilty pleasure (like they do with reality TV). But they won't with Game of Thrones. They talk about it like it's a good, intelligently put together show. It's not good. Please refer to OP for my reasoning.Laughing Man said:Then don't watch it any more. I am utterly sick of jabbing myself in the eye with this pointy stick covered in salt, I'll admit I was smart enough to see this pointy sticky eye interaction getting a bit boring three years ago but you know what I just had to keep on jabbing that stick in my eye and you know what I am gonna keep on doing it for a wee bit longer just to see if it gets any more enjoyable and guess what each and every time I jab this stick in my eye I am gonna turn up here and tell everyone just how annoying and tedious it's getting.I'm utterly sick of Game of Thrones
Probably because the Kingkiller Chronicles are garbage led by the stupidest Mary Sue I've ever seen outside of internet fanfiction.Arnoxthe1 said:Honestly, I don't know how Game of Thrones is even a thing in a universe with the Kingkiller Chronicles in it. Patrick Rothfuss does a grimdark fantasy universe incredibly right but also does it without feeling the need to stab you in the heart every bloody chapter. It also has beauty in it to beautifully contrast the dark it shows.
Well, God knows I do like bitching about things I like. And bitching about things I don't like.Pseudonym said:But this sort of equalising 'everything is equally valid' does nothing but make everything equally unvalid, unshared and not worth discussing.
Arnoxthe1 said:Honestly, I don't know how Game of Thrones is even a thing in a universe with the Kingkiller Chronicles in it. Patrick Rothfuss does a grimdark fantasy universe incredibly right but also does it without feeling the need to stab you in the heart every bloody chapter. It also has beauty in it to beautifully contrast the dark it shows.