Here Comes Tomorrow said:
Looked interesting, I hope its more of a character study than an bish bosh comic film. I'll probably not see it in the theatre cause the wife won't care to see it but I'll definitely watch it.
The weird backlash about it being a white male incel fantasy is also hilarious.
Is it? Is it really? Because let me tell you, it's a movie that's been done so often from the exact same angle and it's an angle that I find highly... it it cliche to say "problematic"? Am I finally becoming the living stereotype I was alwas afraid of being? Going around complaining about how "problematic" a superhero movie is?
Fuck it, hear me out. That story, the story of the alienated lower middle class man turned spree killer that Taxi Driver did and King of Comedy did and Falling Down did and God Bless America did and Super did and, sorta, Fight Club did, it had it's place, once upon a time, when these were isolated incidents of a small number of individuals that lended themselves to be fictionalized and serve as character studies of a specific type of person. From a modern perspective it's a best a highly sensationalist and unapologetically cynical portrayal of mental illness and at worst a reductionist view of social alienation and the stress it puts on peoples mental health. And adding onto that an additional layer of artifice, by making it about a comic book villain, as if to say "The only way to get people to care about this story nowadays is to make it about a literal cartoon villain" makes it even more frustrating.
There's nothing quaint about a downtrodden loser seeking catharsis in violence anymore, that story has run its course, stopped being fun a decade ago. Just once I want to see a movie about a bitter, lonely, mentally ill man at the edge of poverty getting help from a society that cares about him and feeling loved and appreciated. How's that for a "white, male, incel fantasy"? Not nearly as sexy as the story of yet another "tragic villain" lashing out at a world that has always treated him with indifference.
Or, hell, you know what was a good movie? A Clockwork Orange, though god knows it wasn't any less cynical. Alex is yet another violent teenage psychopath, an absolutely nasty person, a robber, gang member, a rapist and a murderer, certainly not a sympathetic protagonist by any means, but instead of focussing on how tortured he is, the movie serves as a showcase on the society that created him. And desite it's campy, psychedelic late 60s visual style that, ironically enough, makes it resemble the 60s Batman show on occasion, it still an incredibly potent portrayal of the social conditions that beget violence and cruelty.