StriderShinryu said:Bladerunner, while a great film and one of my favourites of all time, was more sci-fi than cyberpunk. It also dealt more thematically with the concept of artificial intelligence as intelligence than most cyberpunk does. Cyberpunk is more based in the themes of future day class systems and street VS corporate. It's also more heavily rooted in a digitally enhanced contemporary day (or contemporary as seen in the 80s/90s anyway) rather than a future world as seen in Bladerunner.
j-e-f-f-e-r-s said:Lastly, the most important reason I'd say Bladerunner is cyberpunk is becuase it helped create it. Don't believe me? William Gibson's Neuromancer came out in 1984, and is widely regarded as one of the defining Cyberpunk novels. Bladerunner came out in 1982, and William Gibson has freely admitted that when he saw it, he was afraid to release Neuromancer in case people thought he'd plagiarised it. Bladerunner pre-dates most, if not nearly all, examples of cyberpunk literature, yet has many of the same elements. Does that not make it a progenator of the cyberpunk movement?
Well the novel and the film feature futures that are not clean at all. The world is quite distopian and has most of the biosphere extinct due to pollution and global nuclear war, which has also severely damaged the world economies and caused a global health crisis.A-D. said:For the record, Blade Runner was intended to have a much cleaner sci-fi Look. Basicly think sterile clean ala Mirror's Edge "Future". The dirty Version was done due to cost. So yeah, totally unintentional and yet that made it so popular. Or rather, made it cyberpunk as opposed to merely being sci-fi. By Default Cyberpunk is a Sci-Fi Genre, since its always set in the "world of tomorrow" as it were.
Society is based around feeling 'empathy', (the 'android test' is a test to measure empathy) through relationships with artificial, bionic animals (the Android Sheep), and a religion (or Cult of Personality) in which followers merge in collective consciousness via 'Empathy Boxes' to share the pain of their self-sacrificing 'god'. There is additionally a rival religious movement based on Consumerism and broadcast via TV.
Neither leader of these two religions are actually human
Compare to Gibson's themes and you will find several similarities and parallels. For example, users, via Neural Interface Machines, find A.I. gods on Cyberspace. The world has also been ravaged by war, been made synthetic with machines and simulacrums, suffered long exploitation by corporations and private interests, and it is facing the rise of true intelligence from synthetic beings. Also, in Count Zero, Bobby's mother, like millions of people globally, is not only hooked on a kind of pan-religious consumerism, but also 'stims' - neural interface soap-operas - which allow viewers to 'feel'.
So anyway, none of the things we call 'cyberpunk' were called so when they were released. They were just 'new', 'interesting', 'groundbreaking', etc. It is only in retrospect that we try to cram all these things into current genre labels. Whether Blade Runner (Or Do Androids ...) is Cyberpunk or not, doesn't matter to me. It is a tradition unto itself, just as Neuromancer, Count Zero and Mono Lisa Overdrive are. The themes they are explore are for the most part the same - consumerism, corporatism, war, pollution, religiosity, the nature of the soul, the loss of the 'natural' for the synthetic, the rise non-human intelligence via technology, the meshing of human and machine, organic and synthetic, etc.