Nice show idea, guys. It's sad that so many posters seem all butthurt over it. I'm a die-hard Thrones fan, as well as a huge fan of the books the show is based on, and I take no offense to your points. In fact, I agree with some of them.
Some rebuttals to what Chris said:
-Sex. Yeah, there's a lot of it, and yeah, there could be less. However, most of the sex scenes are in fact inspired expository moments. They basically enable one or more participants to essentially break the fourth wall and deliver lines that inform the viewer of character motivations and viewpoints. For example, Theon's encounter with the captain's daughter near the beginning of Season 2 gave us a valuable view inside his mind regarding his place in the world and his expectations of the coming months, not to mention his opinion of women. This informs on his actions when he is reunited with his sister and father.
-Plot. I agree with you to an extent. The plot is all over the place. I think it works, though. I see three major plot points converging as the basis for the overarching story: The War of Five Kings in Westeros, the reemergence of White Walkers in the North, and the resurrection of Dragons (and apparently, all stuff magic) in the East. While any of the three could work as its own story, the three stories told in parallel allow the viewer a fascinating sight of how all three plotlines will eventually converge. We understand far more than Tyrion how ultimately pointless the war for King's Landing is, we know more than Dany what challenges she will face when she returns to Westeros, and Jon... well, Jon knows nothing.
-The Red Wedding. This would never have worked for you, because you never liked the show. The reason why TRW was so hyped up and is still a hot topic almost a year after it happened is because people that actually like the show were heavily invested in the characters. See, even though we knew from the end of season 1/book 1 that no character's life is sacred and this wasn't your average Hero's Journey fairy tale, we still expected a happy ending on familiar territory. The Starks fit into the good guy role, so we're rooting for them, and their hopes hinged on Robb's war. Every book or movie in this setting that the average GoT viewer had ever read or watched would lead us to believe that Robb was going to shove his sword down Joffrey's throat some day. We believed in justice. And the Red Wedding shattered that belief.
I view Game of Thrones as a defiance of conventional writing. It is an ambitious project, with way more characters, settings, and plotlines than any sane writer would ever consider workable. Yet, for the scores of rabid fans that the show and books have, it works. Sorry that you don't enjoy it the way we do. I hope Kyle crushes you into a fine paste and then feeds it to a bear.
Some rebuttals to what Chris said:
-Sex. Yeah, there's a lot of it, and yeah, there could be less. However, most of the sex scenes are in fact inspired expository moments. They basically enable one or more participants to essentially break the fourth wall and deliver lines that inform the viewer of character motivations and viewpoints. For example, Theon's encounter with the captain's daughter near the beginning of Season 2 gave us a valuable view inside his mind regarding his place in the world and his expectations of the coming months, not to mention his opinion of women. This informs on his actions when he is reunited with his sister and father.
-Plot. I agree with you to an extent. The plot is all over the place. I think it works, though. I see three major plot points converging as the basis for the overarching story: The War of Five Kings in Westeros, the reemergence of White Walkers in the North, and the resurrection of Dragons (and apparently, all stuff magic) in the East. While any of the three could work as its own story, the three stories told in parallel allow the viewer a fascinating sight of how all three plotlines will eventually converge. We understand far more than Tyrion how ultimately pointless the war for King's Landing is, we know more than Dany what challenges she will face when she returns to Westeros, and Jon... well, Jon knows nothing.
-The Red Wedding. This would never have worked for you, because you never liked the show. The reason why TRW was so hyped up and is still a hot topic almost a year after it happened is because people that actually like the show were heavily invested in the characters. See, even though we knew from the end of season 1/book 1 that no character's life is sacred and this wasn't your average Hero's Journey fairy tale, we still expected a happy ending on familiar territory. The Starks fit into the good guy role, so we're rooting for them, and their hopes hinged on Robb's war. Every book or movie in this setting that the average GoT viewer had ever read or watched would lead us to believe that Robb was going to shove his sword down Joffrey's throat some day. We believed in justice. And the Red Wedding shattered that belief.
I view Game of Thrones as a defiance of conventional writing. It is an ambitious project, with way more characters, settings, and plotlines than any sane writer would ever consider workable. Yet, for the scores of rabid fans that the show and books have, it works. Sorry that you don't enjoy it the way we do. I hope Kyle crushes you into a fine paste and then feeds it to a bear.