Debating Chris on Game of Thrones, a User's Guide
or;
A Song of Spite and Ire.
OK, Kyle. Listen up. Chris has made a reasonable entrance in this debate but he's left himself wide open for a lot of attacks. To win this, you're going to need to concede ground where he's strong and fight where he's weak, thus pushing the debate onto the ground you want him to be on. You will need to, dare I say it, Robb Stark this debate while steering clear of pretty nurses. Got it? OK, let's do this. Chris really only made four points. One is strong as hell, one is kinda middling, two are pretty weak. Let's rock.
Chris's Strong Point
1. The Whole Sex Thing: OK. Here, you're going to give up the fight. Look, Chris is right on this one. There's basically no defence available to you. When Honest Trailers has pointed out how much the show basically tries to sidetrack you with boobs [https://www.youtube.com/watch?v=SVaD8rouJn0], you know you're beat. It's called "Honest" Trailers. Why would they lie? Don't try to get into the 'sexposition' defence; it's crap and everyone knows it. Just ... concede this one. He has the show dead to rights on it. Above all else, avoid fighting here. He will win. Cede the ground and try to score points elsewhere.
Chris's Middling Points
2. Structure. This one is where you want to kind of half-retreat if you have to, but push back where it's most important. See, Chris is right that the show has some... structural issues. Episodes don't really happen here. There's no in-episode arcs that emerge and resolve in the same episode, even thematic ones. Shit, they seem to actively avoid that kind of stuff ? Is there any reason Theon's fateful decision in season 2 couldn't have been dealt with in one episode? So, if he decides to argue episodic arcs, gracefully accept defeat, although point out stuff like The Wire also tended to allow for pretty amorphous boundaries for episodic arcs.
You will, however, push the hell back on his wider argument of seasonal arcs, which are actually very neatly defined. Season 1 charts the course what caused the War of Five Kings. Boom. Done. That is an accurate depiction of season one, and that's as sensible a seasonal arc as any. If he argues against this, turn it on him. Argues, "OK, so what about Daenerys?" You turn around and point out, "The attempted assassination on her created the initial rift between Ned and Robert, indirectly leading to Robert's death." He tries to argue, "What's Jon Snow got to do with all of it then, huh?" You turn around and point out that The Wall's importance to the North and unimportance to the South is one of the rifts that shapes the war. Etc. etc. Season 2 charts the beginning of The War of the Five Kings until the end of its greatest battle: The Battle of Blackwater. So on, and so forth. (Just SAYING what Season Three charts would be a spoiler.)
With that in place, it's able to play the long game. Why are the White Walkers pointed out as quickly as possible, then let to sleep in the background? For the same reason Norway is constantly being mentioned in Hamlet but never allowed to come to the forefront: It's the threat everyone's ignoring while the personal politics engulf all, the thing that will doom everybody for the sake of their own personal pettiness. That's fucking classic, it is. Foreshadowing, motherfuckers, and seriously, comparing Heroes to this show is insulting to Game of Thrones. Heroes was a show whose theme was practically non-existent and whose narrative arc was deliberately clipped. Oh look, it's the end of season one and there's a giant fight between Peter and Sylar and Peter's and Nathan have sacrificed themselves to save everyone! LOL JK he's fine and we reset his power level because it was becoming problematic. Fuck Heroes, seriously. At least when people DIE on Game of Thrones they stay fucking DEAD.
Chris's Weak Points
3. So Many Characters OK, yes, it's true. Game of Thrones somewhat suffers from an abundance of characters. But geeze, complaining about their names? If he does that shit again, just point out that yeah, Tyrion's a weird name! Not like, I dunno, Tyrone. (Yes, Tyrion and Tyrone actually share a derivative.) It's a fantasy universe. There's going to be some weird names. Also, Ned was somehow short for Eddard.
You can again fight back a bit here in a few ways. Point out that other shows have done lots of characters and nobody's bitched about ... again... The Wire. Point out that really, all the older men thing is hardly true. Joffrey is totally an older white guy. Cersei? Older white guy, there. Bran Stark? Such an older white dude! Khal Drogo! Totally an older white dude! (I kinda wish he'd been less white, actually, but eh.) And if you can't tell Ned from Robert from Littlefinger, I have no idea what to do with you. THEY LOOK NOTHING ALIKE. What the heck?
So yes, agree there's a lot of characters to keep track of. But seriously, just ask him: Can he really not tell the difference between, say, Stannis Baratheon and Tywin Lannister? Because if you can't tell one from the other at a glance, then the problem is with you, not the show.
4. Theme and Thesis: Here you will attack. You will attack and attack and attack. This is Chris's weak flank, and he's exposed completely. RIP INTO HIS BUTTOCKS WITH YOUR TEETH.
Wait, that came out wrong. Let's try again.
Chris charges that Game of Thrones lacks thematic unity or a clear thesis statement. Is it a high fantasy show? Is it a dark ages version of House of Cards? Is it a personal drama about the dynamics between unlikely allies and enemies? Yes. Yes it is! Counter with Breaking Bad. Was Breaking Bad a social satire highlighting the failings of America's health-care system? Was it a dark character study of a man who tasted evil and found he liked it? Was it an exploration of how we all break the rules to get our own ends, that anyone can 'break bad'? Yes, yes it was! Man, it sucks when shows can't decide what they want to be!
Game of Thrones clearly understands what it's about: It's about honor, and the lack thereof. It asks whether honor is a failing, always to die at the hands of those prepared to exploit it. If there were enough noble men in the realm, then they'd support the Watch and the Wall would easily hold the White Walkers off. But as we see for two full seasons, honorable men get beheaded in the Sept of Baelor. Small wonder there are few honorable men.
Everything else comes out of this. The show spends a lot of time showing the suffering inflicted on the 'pieces' in the Game: Talisa highlights the men dying on the battlefield for Robb's sense of honor, Sansa shows the suffering of women married off and treated as chattel for the sake of a political plot. The show refuses to let all the politics be bloodless, people suffer for honor and the lack thereof.
Hammer Chris here, Kyle. He's left himself wide open by claiming the show lacks clear theme. Bring up honor (or ideals as a close cousin) as that theme and chart it on any character. The Starks, Robb and Ned and Catelyn? How honor leaves you wide open to treachery. The Lannisters? How a LACK of honor breeds dissent and infighting. The link between duty and honor is a key theme. Again and again, the show revolves around questions of honor. That's the theme. That's the word to play by. If he tries to back out of this, destroy him.
You have this, Kyle. Chris has left himself more open than not. Don't respond to the sex point, it's a trap. Spar with him a little on the issue of structure if you have to, you can win there.
or;
A Song of Spite and Ire.
OK, Kyle. Listen up. Chris has made a reasonable entrance in this debate but he's left himself wide open for a lot of attacks. To win this, you're going to need to concede ground where he's strong and fight where he's weak, thus pushing the debate onto the ground you want him to be on. You will need to, dare I say it, Robb Stark this debate while steering clear of pretty nurses. Got it? OK, let's do this. Chris really only made four points. One is strong as hell, one is kinda middling, two are pretty weak. Let's rock.
Chris's Strong Point
1. The Whole Sex Thing: OK. Here, you're going to give up the fight. Look, Chris is right on this one. There's basically no defence available to you. When Honest Trailers has pointed out how much the show basically tries to sidetrack you with boobs [https://www.youtube.com/watch?v=SVaD8rouJn0], you know you're beat. It's called "Honest" Trailers. Why would they lie? Don't try to get into the 'sexposition' defence; it's crap and everyone knows it. Just ... concede this one. He has the show dead to rights on it. Above all else, avoid fighting here. He will win. Cede the ground and try to score points elsewhere.
What's weird is that the books don't have this flaw. I can think of, like, two really explicit sex scenes in the books, and one of them is explicitly done to be a full on gross out. The show really amps up the sex and tones down the thing that all the readers come for: The lengthy, near pornographic descriptions of food.
Chris's Middling Points
2. Structure. This one is where you want to kind of half-retreat if you have to, but push back where it's most important. See, Chris is right that the show has some... structural issues. Episodes don't really happen here. There's no in-episode arcs that emerge and resolve in the same episode, even thematic ones. Shit, they seem to actively avoid that kind of stuff ? Is there any reason Theon's fateful decision in season 2 couldn't have been dealt with in one episode? So, if he decides to argue episodic arcs, gracefully accept defeat, although point out stuff like The Wire also tended to allow for pretty amorphous boundaries for episodic arcs.
You will, however, push the hell back on his wider argument of seasonal arcs, which are actually very neatly defined. Season 1 charts the course what caused the War of Five Kings. Boom. Done. That is an accurate depiction of season one, and that's as sensible a seasonal arc as any. If he argues against this, turn it on him. Argues, "OK, so what about Daenerys?" You turn around and point out, "The attempted assassination on her created the initial rift between Ned and Robert, indirectly leading to Robert's death." He tries to argue, "What's Jon Snow got to do with all of it then, huh?" You turn around and point out that The Wall's importance to the North and unimportance to the South is one of the rifts that shapes the war. Etc. etc. Season 2 charts the beginning of The War of the Five Kings until the end of its greatest battle: The Battle of Blackwater. So on, and so forth. (Just SAYING what Season Three charts would be a spoiler.)
With that in place, it's able to play the long game. Why are the White Walkers pointed out as quickly as possible, then let to sleep in the background? For the same reason Norway is constantly being mentioned in Hamlet but never allowed to come to the forefront: It's the threat everyone's ignoring while the personal politics engulf all, the thing that will doom everybody for the sake of their own personal pettiness. That's fucking classic, it is. Foreshadowing, motherfuckers, and seriously, comparing Heroes to this show is insulting to Game of Thrones. Heroes was a show whose theme was practically non-existent and whose narrative arc was deliberately clipped. Oh look, it's the end of season one and there's a giant fight between Peter and Sylar and Peter's and Nathan have sacrificed themselves to save everyone! LOL JK he's fine and we reset his power level because it was becoming problematic. Fuck Heroes, seriously. At least when people DIE on Game of Thrones they stay fucking DEAD.
Lady Stoneheart? I've never even heard of her!
Chris's Weak Points
3. So Many Characters OK, yes, it's true. Game of Thrones somewhat suffers from an abundance of characters. But geeze, complaining about their names? If he does that shit again, just point out that yeah, Tyrion's a weird name! Not like, I dunno, Tyrone. (Yes, Tyrion and Tyrone actually share a derivative.) It's a fantasy universe. There's going to be some weird names. Also, Ned was somehow short for Eddard.
You can again fight back a bit here in a few ways. Point out that other shows have done lots of characters and nobody's bitched about ... again... The Wire. Point out that really, all the older men thing is hardly true. Joffrey is totally an older white guy. Cersei? Older white guy, there. Bran Stark? Such an older white dude! Khal Drogo! Totally an older white dude! (I kinda wish he'd been less white, actually, but eh.) And if you can't tell Ned from Robert from Littlefinger, I have no idea what to do with you. THEY LOOK NOTHING ALIKE. What the heck?
So yes, agree there's a lot of characters to keep track of. But seriously, just ask him: Can he really not tell the difference between, say, Stannis Baratheon and Tywin Lannister? Because if you can't tell one from the other at a glance, then the problem is with you, not the show.
4. Theme and Thesis: Here you will attack. You will attack and attack and attack. This is Chris's weak flank, and he's exposed completely. RIP INTO HIS BUTTOCKS WITH YOUR TEETH.
Wait, that came out wrong. Let's try again.
Chris charges that Game of Thrones lacks thematic unity or a clear thesis statement. Is it a high fantasy show? Is it a dark ages version of House of Cards? Is it a personal drama about the dynamics between unlikely allies and enemies? Yes. Yes it is! Counter with Breaking Bad. Was Breaking Bad a social satire highlighting the failings of America's health-care system? Was it a dark character study of a man who tasted evil and found he liked it? Was it an exploration of how we all break the rules to get our own ends, that anyone can 'break bad'? Yes, yes it was! Man, it sucks when shows can't decide what they want to be!
Game of Thrones clearly understands what it's about: It's about honor, and the lack thereof. It asks whether honor is a failing, always to die at the hands of those prepared to exploit it. If there were enough noble men in the realm, then they'd support the Watch and the Wall would easily hold the White Walkers off. But as we see for two full seasons, honorable men get beheaded in the Sept of Baelor. Small wonder there are few honorable men.
Everything else comes out of this. The show spends a lot of time showing the suffering inflicted on the 'pieces' in the Game: Talisa highlights the men dying on the battlefield for Robb's sense of honor, Sansa shows the suffering of women married off and treated as chattel for the sake of a political plot. The show refuses to let all the politics be bloodless, people suffer for honor and the lack thereof.
Hammer Chris here, Kyle. He's left himself wide open by claiming the show lacks clear theme. Bring up honor (or ideals as a close cousin) as that theme and chart it on any character. The Starks, Robb and Ned and Catelyn? How honor leaves you wide open to treachery. The Lannisters? How a LACK of honor breeds dissent and infighting. The link between duty and honor is a key theme. Again and again, the show revolves around questions of honor. That's the theme. That's the word to play by. If he tries to back out of this, destroy him.
You have this, Kyle. Chris has left himself more open than not. Don't respond to the sex point, it's a trap. Spar with him a little on the issue of structure if you have to, you can win there.