I like how you have to reference stuff that's over 2 decades old in order to claim this as unoriginal. I guess if it were up to you they'd be making the next Shrek, instead. Talk about being a cynic for the sake of being a cynic. Then again I don't know, maybe you're gunning for a job at Fox News and you're trying to keep in practice.The_root_of_all_evil said:Not exactly a new story is it?
And before that [http://www.penny-arcade.com/2010/10/27/]:Tycho: Today's idea: The New Kid. It was The New Kid that catalyzed this round of offerings, and I think that (under the right conditions) The New Kid as it is presently conceived could be the biggest thing we ever do. Agree? Disagree? One more concept to go; when the voting booth goes up, let us know.
Gabe: Being the new kid is hard, being the new kid in a school full of aliens is harder. Tycho mentioned that this one could be the biggest thing we ever do and I think he?s right. My fantasy is to see Dreamworks, Disney or Nickelodeon make an animated feature or a Saturday morning cartoon out of this one. Who knows maybe they will see it and give me a call!
They wanted this to be huge, and I think their idea was right. Not only is this the story about a kid who's transitioning to a new school, but about a kid whose dad is constantly moving, not allowing him ever to adjust and grow roots. This contrasts rather sharply with Galaxy High, about a two kids who go to a magnet school.Tycho mentioned that both of these ideas are going on to bigger and better things outside the confines of the comic. I wish I could say more about what is happening with these projects but both are still in the early stages and I don?t want to jinx anything.
So, essentially, I know that it's going to be taken apart by Hollywood when they make it, and I voted for it for that reason.A note for any CW execs who may be reading this: I knocked the overproduced style of the strip, but I recognize that there has to be some stylistic compromise to give it mass appeal. I've learned to ignore the overproduced style and look at what's behind it (usually, it reveals that there's nothing behind it and the style is meant to cover that fact up). But I can see that The New Kid will be great, regardless of the style.
Really? You cited one of Heinlein's fascist wet dreams? All the more reason for this to be done right. Or at least without as much fascism.The_root_of_all_evil said:But yes, it's far more likely that a Paramount movie will take a completely original direction to a story that's been around since 1948 [http://en.wikipedia.org/wiki/Space_Cadet].
A comic from some children's magazine doesn't make for much better evidence than a 20-year-old TV show.comingrightforus said:*Snip*
Forget I said anything. You're right.WhiteTigerShiro said:A comic from some children's magazine doesn't make for much better evidence than a 20-year-old TV show.
I went for it but they said they wanted someone who attacked other people's opinions instead of giving one of their own. Know anyone like that?WhiteTigerShiro said:Then again I don't know, maybe you're gunning for a job at Fox News and you're trying to keep in practice.
Aww, how cute. He's attacking a movie idea for being unoriginal, then using the most cliche "defense" on the internet. Well, I'm sorry, but there's very little opinion to be had about your statement. You claim that the idea is unoriginal, but your evidence is very weak. This isn't something ambiguous like music or a movie where you can claim that you like it despite popular opinion. This is you making a claim about something, and I'm saying your claim is erroneous at best. Present evidence of something from popular media within the past 5 years that comes even close to The New Kid, and no, your "Harry Potter in Space" doesn't cut it.The_root_of_all_evil said:I went for it but they said they wanted someone who attacked other people's opinions instead of giving one of their own. Know anyone like that?WhiteTigerShiro said:Then again I don't know, maybe you're gunning for a job at Fox News and you're trying to keep in practice.
Present evidence of opinion? And within a very short time frame where there's only been around 50 Space based television series that even Wiki knows about?WhiteTigerShiro said:Present evidence of something from popular media within the past 5 years that comes even close to The New Kid, and no, your "Harry Potter in Space" doesn't cut it.
k.The_root_of_all_evil said:Present evidence of opinion? And within a very short time frame where there's only been around 50 Space based television series that even Wiki knows about?
It's kinda funny that you should link TV Tropes given how much your posts remind me of an article that MovieBob wrote [http://www.escapistmagazine.com/articles/view/columns/moviebob/7190-Trope-a-Dope] a while back. So are these examples that you actually thought of at the top of your head, or are you just a trope monkey akin to the aliens in Bob's little story here?The_root_of_all_evil said:RECYCLED...IN SPACE! [http://tvtropes.org/pmwiki/pmwiki.php/Main/Ptitlekt6mtovm4vne]
Third Ad hominem in a row. See ya. Thanks for playing!WhiteTigerShiro said:are you just a trope monkey akin to the aliens in Bob's little story here?
Hey, give me something tangible to work with and I'll work with it. All you're doing is quoting TV Tropes to dismiss an interesting idea as "unoriginal" because you can very thinly compare it to completely unrelated stories. If you don't wanna be called a trope monkey, you probably shouldn't act like a trope monkey. I mean, honestly, you're comparing the idea of The New Kid to Smallville and Voyager? I mean, I'll grant that Voyager is at least the same general genre, but it's still a completely absurd comparison. Heck, the basic break-down of the plot doesn't even work. Your "Harry Potter in Space" was more apt.The_root_of_all_evil said:Third Ad hominem in a row. See ya. Thanks for playing!WhiteTigerShiro said:are you just a trope monkey akin to the aliens in Bob's little story here?
Are you accusing me of ad hominem attacks?The_root_of_all_evil said:Third Ad hominem in a row. See ya. Thanks for playing!
http://tvtropes.org/pmwiki/pmwiki.php/Main/FishOutOfWatersuperluser said:Similarly, please tell us what is recycled in space.
So, Ordinary High School Student [http://tvtropes.org/pmwiki/pmwiki.php/Main/OrdinaryHighSchoolStudent] Recycled in Space [http://tvtropes.org/pmwiki/pmwiki.php/Main/ptitlekt6mtovm4vne]The Ordinary High School Student, frequently his friends, and sometimes his enemies are all transported (often summoned) to another world ? distant planet, a Magical Land, Alternate Universe, the past, The Future ? where they find they have an important role to play in Events of Significance that are occurring at the same time as (or sometimes because of) their arrival. Usually there is no hope of their finding a means to return home until after the great threat facing them has been defeated; occasionally, they will then question whether they even ''want'' to leave (they typically do).
That's it? Seriously? So because Odysseus spent a bunch of time with Circe, no one can ever do a fish out of water plot anymore?The_root_of_all_evil said:http://tvtropes.org/pmwiki/pmwiki.php/Main/FishOutOfWater
Dude's not trapped in another world, anymore than I'm trapped in the 21st century. His dad had to move to another planet. There are plenty of stories like that. Where this one is different is that he has to move frequently.The_root_of_all_evil said:or more specifically
http://tvtropes.org/pmwiki/pmwiki.php/Main/TrappedInAnotherWorld
Well, he looks more middle school than anything.The_root_of_all_evil said:The Ordinary High School Student
Nope.The_root_of_all_evil said:frequently his friends, and sometimes his enemies are all
No and no. Unless you want to call the family vehicle transported.The_root_of_all_evil said:transported (often summoned)
OK, fair enough.The_root_of_all_evil said:to another world ? distant planet, a Magical Land, Alternate Universe, the past, The Future
Negative, good sir.The_root_of_all_evil said:? where they find they have an important role to play
Once again, that's a no.The_root_of_all_evil said:in Events of Significance that are occurring at the same time as (or sometimes because of) their arrival.
Until Dad takes the family back to visit?The_root_of_all_evil said:Usually there is no hope of their finding a means to return home until
Oh. Still, I was close. I mean, you only have to invent a great threat, and presume that they'll be trying to defeat it.The_root_of_all_evil said:after the great threat facing them has been defeated;
No.The_root_of_all_evil said:occasionally, they will then question whether they even ''want'' to leave (they typically do).
You're telling me that because one story had a high school student as a protagonist, no other story can ever have one?The_root_of_all_evil said:So, Ordinary High School Student [http://tvtropes.org/pmwiki/pmwiki.php/Main/OrdinaryHighSchoolStudent] Recycled in Space [http://tvtropes.org/pmwiki/pmwiki.php/Main/ptitlekt6mtovm4vne]
You're saying that because Jim Henson isn't involved, it's doomed? You are aware that Jim Henson is dead, right? And that all created works in the future will forever be horrible abortions of ideas, because the almighty Jim Henson can no longer create them? Or possibly Heinlein?The_root_of_all_evil said:Looking at it from a casting POV, you have two long-running characters - which focuses on the main character getting kicked around all the time. By things he doesn't understand. Jim Henson could possibly get a season out of it, anyone else? It's dead in the water.
One character to converse with. This phrase confuses me. You're usually not supposed to talk back to the characters, and they usually don't talk back. If you mean one character that the kid can speak with, he's probably going to have quite a few that he bonds with.The_root_of_all_evil said:From a viewer POV, you have one character to converse with (Maybe two if there's some damn good writers), who are constantly confused until the rules change and then he's confused again. So like Lost with one character.
Because we're fighting the fruit fucker? What?The_root_of_all_evil said:From Gabe/Tycho's PoV, Rainslicked Precipice in Space.
Well, maybe.The_root_of_all_evil said:From Hollywood's view, a chance to re-use all of the Saved By the Bell scripts with a modicum of special effects.
What I'm saying is that the Fish Out Of Water is a cliche plot - pointing back to my original statement. Fish Out Of Water - In Space is the basis behind Red Dwarf, Farscape and many many other films. New Day At A New School has been used in most child protagonist stories. Addams Family Values does it. Simpsons does it. The singular difference is that it's in Space. And that's just re-using another cliche.superluser said:That's it? Seriously? So because Odysseus spent a bunch of time with Circe, no one can ever do a fish out of water plot anymore?
But he can't. That's the real problem with Gabe's baby.Where this one is different is that he has to move frequently.
[/quote]? where they find they have an important role to play
So it HAS to be a Coming of Age story - In SPACE!A classic story of a kid coping with moving to a new school ... IN SPAAAACE!!!
Because without that, there's no story. There's no story at the moment. Simply a motivation for the protagonist. That's mainly the problem. Without a way for the child to deal with the threat (Even if it's his own confidence) then there's no story at all.I mean, you only have to invent a great threat, and presume that they'll be trying to defeat it.
Nope, I'm saying that it's a very well worn safe road for an adaption. Something that Disney have done again and again and again.You're telling me that because one story had a high school student as a protagonist, no other story can ever have one?
I'm saying that Henson is the only person (or his production team) that have shown a consistent way of making non-humans that are understandable.You're saying that because Jim Henson isn't involved, it's doomed?
The main protagonist often serves as a Viewer point character. We see things through his eyes and understand them through how he understands them. The only potential for that is the child - which means we'll be seeing everything from his POV only.One character to converse with. This phrase confuses me.
No, because Precipice really got to Gabe/Tycho. It was cancelled due to being far more work than they originally intentioned with a lot of their stuff being re-written. It was also pretty damn boring - though pretty.Because we're fighting the fruit fucker? What?
I'll put money on it.Well, maybe.The_root_of_all_evil said:From Hollywood's view, a chance to re-use all of the Saved By the Bell scripts with a modicum of special effects.
Experimental test pilot accidentally gets sucked into a parallel universe and kid keeps getting shuffled to new schools are exactly the same story? Man in suspended animation gsurvuves an accident and is set to a distant galaxy? Same thing, too?The_root_of_all_evil said:What I'm saying is that the Fish Out Of Water is a cliche plot - pointing back to my original statement. Fish Out Of Water - In Space is the basis behind Red Dwarf, Farscape and many many other films.
Remember authors, since Thomas Hughes published a book about that in 1857, no one can ever write about it again.The_root_of_all_evil said:New Day At A New School has been used in most child protagonist stories. Addams Family Values does it. Simpsons does it. The singular difference is that it's in Space. And that's just re-using another cliche.
Right. The character, however, has had different experiences in the past rather than what you see on the screen. This sort of experience can have very serious effects on you. How serious?The_root_of_all_evil said:But he can't. That's the real problem with Gabe's baby.Where this one is different is that he has to move frequently.
As I've explained before, for the audience to have any sort of interaction with the secondary characters, they need to be set up (usually in the first 10 minutes of the film) - if you're then jumping him from school to school, you're going to have to come up with a myriad of setups for each school - and that will kill the film.
Yes, it can kill you a decade after you leave school. This kid is going to have some problems that an ordinary kid who has only moved once or twice will not have.We tested the relation between residential mobility and well-being in a sample of 7,108 American adults who were followed for 10 years. The more residential moves participants had experienced as children, the lower the levels of well-being as adults. As predicted, however, the negative association between the number of residential moves and well-being was observed among introverts but not among extraverts. We further demonstrated that the negative association between residential mobility and well-being among introverts was explained by the relative lack of close social relationships. Finally, we found that introverts who had moved frequently as children were more likely to have died during the 10-year follow-up. Among extraverts, childhood residential mobility was unrelated to their mortality risk as adults. These findings indicate that residential moves can be a risk factor for introverts and that extraversion can be an interpersonal resource for social relationships and well-being in mobile societies.
Has to be a story about kids finding the legend of Curly's Gold? Why? Can't it be a story about a kid trying to fit in and find his place in the universe?The_root_of_all_evil said:But he has to. That has to be the story question.Negative, good sir.? where they find they have an important role to play
Do yourself a favor. Next time you're at the Best Buy, look at the other film sections out there. There are whole shelves devoted to films that aren't action films.The_root_of_all_evil said:Because without that, there's no story. There's no story at the moment. Simply a motivation for the protagonist. That's mainly the problem. Without a way for the child to deal with the threat (Even if it's his own confidence) then there's no story at all.I mean, you only have to invent a great threat, and presume that they'll be trying to defeat it.
Okay. This is being done by Paramount. Who also did Zodiac, The Truman Show, A Civil Action, and Saving Private Ryan. All of which are also terrible films, because they are all very similar fish out of water stories, I suppose.The_root_of_all_evil said:Nope, I'm saying that it's a very well worn safe road for an adaption. Something that Disney have done again and again and again.
In fact, most of Disney stories are "Fish Out Of Water" - In Wonderland/Feudal Japan/Space (WALL-E)...
What evidence do you have that there will be any non-humans in this?The_root_of_all_evil said:I'm saying that Henson is the only person (or his production team) that have shown a consistent way of making non-humans that are understandable.You're saying that because Jim Henson isn't involved, it's doomed?
Ah. Again, the story will probably focus on only one move. The character, again, will be the shortened lifespan kid who differs greatly from the kid who doesn't move frequently.The_root_of_all_evil said:The main protagonist often serves as a Viewer point character. We see things through his eyes and understand them through how he understands them. The only potential for that is the child - which means we'll be seeing everything from his POV only.One character to converse with. This phrase confuses me.
Yes! I'll bet you two tickets to see this film that it won't contain any of the following:The_root_of_all_evil said:In fact, I'll put a bet down of a free cinema ticket to see it if the following aren't included.
If it does, I'll purchase both tickets and give you one, otherwise, you'll purchase both and give me one.The_root_of_all_evil said:A Love Affair that goes Disastrously Wrong.
Learning a Valuable Lesson that Different doesn't mean Bad.
First person he runs into becomes his best friend, or sends him on a wild goose chase.
A Bully who hates his sort, but learns to get on with him.