stroopwafel said:
I loved the Dark Knight Rises. Though I seem to be the only person on the internet.
Yeah it took some liberties with consistency and what would be realistically expected behavior. But its a movie about someone dressed like a bat, what do you expect? I do think people tend to 'read' too much into these kind of movies.
I'm with you on this one. People really didn't get the purpose of it, and so they raged on it. The Nolan series, starting with Batman Begins, is supposed to be a political thriller set in the comic book world. The first movie focuses more on vigilante-ism and what "right" and "wrong" actually mean. TDK focuses on order vs Chaos, and the reliability of the public in chaotic situations. TDK's story wouldn't be out of place in the Assassin's Creed series, based solely on the struggles put in to play. TDKR is based more on classism (rich vs poor) and draws more inspiration from the modern "Occupy Wallstreet" vs "Tea-Party Movement" scenes going on at the time of production.
Essentially, most people didn't get what they wanted from the movie; a good batman brawler. What they got was a slower, political hash with an obviously just thrown in villain (probably due to Ledger's death and WB insisting on Nolan wrap up Dent's story in TDK) that didn't make sense to the comic fans, and the comic-based cover didn't draw in the PolSci crowds [http://tvtropes.org/pmwiki/pmwiki.php/Main/AudienceAlienatingPremise]. It was far less noticeable with TDK, as the Joker was always about order vs chaos, so the plotline fit well with the comics.
frizzlebyte said:
Salon.com's Andrew O'Hehir called it a "fascist film," [http://www.salon.com/2012/07/18/the_dark_knight_rises_christopher_nolans_evil_masterpiece/] and I'm inclined to agree. It almost feels like Statist propaganda, in fact. Oddly enough, Nolan's brother developed CBS's Person of Interest, which is a fun little show about how state-sponsored surveillance isn't all bad, since the "good guys" can use it to prevent crime that the gub'ment deems "irrelevant."
How is TDKR a fascist film in the slightest? Do you know what that term even means? Reading the article linked, it's obvious that Salon writer does not. Fascism is a mentality that is strictly pro-government to the point of near-total control, based on the fact that humans are soulless pigs who will tear each other's hearts out in an instant if their creature comforts are taken away. I don't know if you noticed the whole bloody point of the movie, but between TDK and TDKR the moral is that people CAN be good, and when pushed can fight for themselves and those around them just fine.
The only two fascist things I can come up with are A) the Dent act, which was treated as Gordon's biggest failure and one he sought to undo, and B) the police were treated as the heroes and the only ones capable of standing up to the bad guys. The truth behind that one is that the cops would be the best armed and best trained, considering Bane has commandeered all of Batman's military-grade equipment, and if Gotham really is like New York very few people have a handgun, let alone anything really powerful enough to fight with.