Jonluw said:
I knew someone was going to call me out on that.
What I meant was "Most of the great classics from the baroque and out that we still listen to to this day are instrumental".
If you go out and buy an album like "classical favourites" or something, pretty much the only pieces with lyrics will be Händel's messiah, Carmina burana, Pomp and circumstance and certain versions of In the hall of the mountain king.
A "classical favourites" CD is in no way a good indicator of what was going on in the realm of classical music. Those are marketing compilations like "Mozart for Lovers" or "Baby on Beethoven"--they are in no way informed by music history. Many people consider Beethoven's 9th Symphony as the greatest piece of classical music ever (a sort of title I find irritating and don't personally endorse generally)--heck, it is now the national anthem of the European Union...and that symphony has a choral section at its climax. People think it is great because of its marriage of text and sonics. The realm of Western Art Music if full of vocal music. Ignoring it is ahistorical.
Jonluw said:
I'm not really counting opera in that statement. I've always seen opera as its own genre that I just don't feel like touching on too much.
But that doesn't work. Opera is Western Art Music. Heck, the beloved Beethoven even wrote an Opera...as did Mozart...and Bach wrote Oratorios. If you mean to say only instrumental western art music, then say that...but you can't say that western art music (i.e. "classical music") is mostly instrumental.
**Note: for the purpose of these posts I'm using "classical music" as I think you are, to mean Western Art Music as opposed to how it should be used, to refer to Western Art Music from 1750-1820.
Jonluw said:
What I meant was that in instrumental music, the only thing that is presented to the listener is the music. No lyrics. As a consequence, the melody and harmony or groove or otherwise just plain musical aspects of a piece are normally afforded more attention and more carefully crafted. i.e. I don't like the kind of music that only exists to accentuate the writer/composer's poetry.
First things first. Lyrics are part of the music. If you look at a standard Music History textbook like the "History of Western Music" by Grout/Palisca/Burkholder, you will note they begin the story with the music of the Ancient Greeks. The word "music" is an ancient greek word...and in that word there is no difference between music and poetry. It is the same word.
And also the idea that the presence of text meant the other musical aspects are not as carefully crafted is not accurate. Are you saying that the sonic elements of Beethoven's 9th Symphony are not as carefully crafted because text exists? Are you saying that the very care word painting and relationship between text and piano in Schubert's lieder are evidence on careless crafting of the sonic elements? Also note: there is lots and lots of instrumental music that is hastily and carelessly put together. The presence or absence of text is not an indicator of how much care was put into crafting the sonic elements of piece of music.
Do note that I still call music instrumental if the voice is used something other than performing lyrics.
I reject that as weasel. If there are voices, then it is vocal music.
ETA: As for your examples of the two versions of "Baby" --any one can do that. I could turn around and say,
"Are you honestly trying to say that elevator music is better than Beethoven's 9th Symphony?!"
That is disingenuous argumentation.