No, but it is a good indication of what classical music constitutes in the public/layman's mind. Like it or not, when you say the words "classical music", the listener is going to assume that you're talking about the symphonies and not the centuries of bards' tales that were written and promptly forgotten.trooper6 said:A "classical favourites" CD is in no way a good indicator of what was going on in the realm of classical music.Jonluw said:I knew someone was going to call me out on that.
What I meant was "Most of the great classics from the baroque and out that we still listen to to this day are instrumental".
If you go out and buy an album like "classical favourites" or something, pretty much the only pieces with lyrics will be Händel's messiah, Carmina burana, Pomp and circumstance and certain versions of In the hall of the mountain king.
I'm not saying western art music is mostly instrumental though.But that doesn't work. Opera is Western Art Music. Heck, the beloved Beethoven even wrote an Opera...as did Mozart...and Bach wrote Oratorios. If you mean to say only instrumental western art music, then say that...but you can't say that western art music (i.e. "classical music") is mostly instrumental.Jonluw said:I'm not really counting opera in that statement. I've always seen opera as its own genre that I just don't feel like touching on too much.
I'm saying the works that people who don't study the subject think of when you say "classical music" (i.e. the works you should be referring to if you're using the term and not trying to be deliberately confusing), are mostly instrumental.
Yes, it is more precise to refer to the works as "the classical symphonies" or whatever, but that's not how the term is used in ordinary conversation.
Let's not revert to using the original etymological meanings of words. I'm sure you understand what I'm actually trying to say. I'm using terms in the way they are most commonly used.First things first. Lyrics are part of the music. If you look at a standard Music History textbook like the "History of Western Music" by Grout/Palisca/Burkholder, you will note they begin the story with the music of the Ancient Greeks. The word "music" is an ancient greek word...and in that word there is no difference between music and poetry. It is the same word.Jonluw said:What I meant was that in instrumental music, the only thing that is presented to the listener is the music. No lyrics. As a consequence, the melody and harmony or groove or otherwise just plain musical aspects of a piece are normally afforded more attention and more carefully crafted. i.e. I don't like the kind of music that only exists to accentuate the writer/composer's poetry.
'Music' in the way I'm using the word in this thread is sounds that are normaly arranged to provoke a certain emotion (unless you want to get really artsy about it and tape your office chair squeaking for a minute and call it music). It may often contain lyrics. If a piece does not utilize the component of lyrics, the music does not contain spoken language.
Lyrics are pieces of text that are made to be performed with a melody or accompanying music.
I thought I noted that not all music that accompanies lyrics is poor.And also the idea that the presence of text meant the other musical aspects are not as carefully crafted is not accurate. Are you saying that the sonic elements of Beethoven's 9th Symphony are not as carefully crafted because text exists?[ Are you saying that the very care word painting and relationship between text and piano in Schubert's lieder are evidence on careless crafting of the sonic elements? Also note: there is lots and lots of instrumental music that is hastily and carelessly put together. The presence or absence of text is not an indicator of how much care was put into crafting the sonic elements of piece of music.
All I've said is that instrumental music, due to its nature, generally has more interesting melodies, harmonies etc., whereas a real lot of lyrical music ends up really boring if you force the singer to hum instead of saying the words.
From what post of mine do you get the idea that I think music containing lyrics automatically makes it bad?
What I'm saying is that the words in a given song are unimportant to me, so for me to listen to a piece, the 'musical' aspect of it (The word 'music' here used as a term for the aspects of a piece that do not include spoken language.) needs to be good. In an instrumental piece, chances are it is, as the piece was made with only 'music' in mind, while in a given lyrical piece, there's a good chance that leaving out the words will leave the piece rather uninteresting.
It's vocal music, yes, but it's not lyrical.I reject that as weasel. If there are voices, then it is vocal music.Do note that I still call music instrumental if the voice is used something other than performing lyrics.
I don't see the vibrating strings in your neck as any different from the vibrating strings on your guitar when it comes to 'musical' purposes. They can both be utilized as instruments, and just because one instrument is located inside a person, that doesn't make the piece any less instrumental in my mind.
It's when the focus of the vocals becomes to perform a piece of poetry instead of being part of a great piece of music that I get annoyed, since I seldom bother to pay attention to the poetry in the first place.
There are lots of lyrical pieces where the vocals are great 'musically' and still perform lyrics. But there are also a lot of lyrical pieces that are boring, 'musically', because the focus of the composer was the lyrics.
Concerning your edit: It seems you might have gotten my point. Which was that music where the composer/arranger's main concern is to make a 'musically' engaging piece (Beethoven's 9th) is "better" than music that's made with something else in mind (like carrying lyrics or filling the vacuum in an elevator).