I'm glad I'm not the only one who noticed that. It's interesting to see the comparison of popular American and British sci-fi. If you look again, both Star Wars and Star Trek have happy, bright undertones about thow everything is better in the future. The Federation is essentially a paradise for it's citizens, and Star Wars, at least the movies, has the good guys winning through friendship and similar.j-e-f-f-e-r-s said:Togs said:Maybe, but you've got a thoroughbred brit here who is as confused as the OP- a childhood spent playing the game and thinking it one big hilarious joke has recently been called into question- the recent Space Marine game being of the reasons, along with the fluff in the 5th edition codexes.
Actually, Star Wars and Star trek kind of exemplify what I was talking about in regards to Americans and Brits. Trek and Wars are both sci-fi series that are fundamentally American, and as a result they're both very earnest and serious. They both involve large-scale warfare, ridiculous sci-fi mumbo-jumbo, etc, but everything is played absolutely dead straight. Mass Effect is another one, even though it's more Canadian than American. The fundamental concept of millenium-old machines coming from another galaxy to harvest and wipe out sentient life is fundamentally a bit stupid, but Bioware play it absolutely straight.
Games Workshop, being a fundamentally British company, play it differently. They've taken fundamental ideas of Sci-Fi, and played them for the really dark laughs. Human's extending a galactic wide Empire? It's going to be the most horrible, repressive Empire imaginable. Faster-than-light hyperspace travel? It's going to involve travelling into a warp-realm full of unimaginable horros and nastiness. Relations with other alien species? Humanity's own xenophobic nature will ensure that we never so much as think about living long and prospering with another alien race. Warhammer 40K in a way deconstructs the sci-fi presented in things like Star Wars, and presents them in a more pessimsitic yet-still-humurous fashion. Even hacks like Matt Ward can't get rid of that fundamental parody at the heart of the series.
Then 40k comes along, and shows a much more depressing future, where humans hate everything.