Lord Krunk said:
Amir Kondori said:
Krantos said:
Mel Brooks once said: ([a href="http://dailytrojan.com/2009/10/20/entertainer-mel-brooks-discusses-his-blazing-career/"]Here[/a])
"You have to love {what} you parody."
That, I think is the major failing of Critical Miss, and why their "Parody" comics draw so much heat. There doesn't seem to be much Love from Grey and Carter. Most of their topical comics come across more as mean spirited and derisive. I'd say it's more [a href="http://dictionary.reference.com/browse/satire"]Satire[/a].
You will never make friends with Satire. It is, by definition ridicule.
If all you're looking for is page views and traffic, I'd say your technique is perfect. Inflammatory statements usually are for that.
However, if you're trying to promote honest discussion and progress... I don't think Ridicule and derision ever lead to anything constructive happening. At least not on the internet.
I really don't think they are super concerned with promoting "honest discussion and progress". I think they are primarily concerned with putting out a popular comic.
The point is that the best referential humour (in this case, satire and parody) are borne from affection. Humour borne from anything else, in the rare event that it is funny, will date quickly. In this case, the humour was borne from intentional controversy (better known as 'trolling') and a desire to draw out a jab at an easy target. Example: I don't think you're going to see any 'blackface' pantomimes any time in the near future, when a century or two ago they were all the rage. This comic is running on the same brand of humour, but directing it at one of our generation's easy targets instead.
Blackface pantomimes were written by white people. That's the difference. Also, casting aspirations on my intentions - " you're just trolling for hits " - isn't an argument, it's a statement, evidence please. And no "some people got offended!" doesn't count. The strip offends people all the time. I set out to write a funny joke, the fact it was incendiary to a certain strata of people was just a bonus.
"Parody has to be affectionate," is interesting, because it effectively allows you to judge content based on (your estimation of) authorial intent. I get the same shit from Evangelion fans every time I make an Eva strip. I personally agree that parody has to come from a caring place, but what I've noticed is that the people being parodied can't tell the difference.
Finally; Critical Miss is (predominantly) a gaming webcomic on a gaming website. The vast majority of my audience consists of white males under thirty and the Escapist is swarming with the same at varying levels of intelligence. If I wanted an easy target I'd hit EA, Sarkeesian, Activision [http://www.escapistmagazine.com/articles/view/comics/critical-miss/10282-Conflict-of-Interest] or any of the other sanctioned whipping boys. I wouldn't (on occasion) demand some degree of introspection from my audience.