tkioz said:
Therumancer said:
tkioz said:
Therumancer said:
I'll also be honest in saying that I have very mixed opinions about foreign film makers, especially when they primarily want to set movies in their native land or whatever.
err because America is the only country on the planet? I don't know about you but I'm sick of seeing movies based in New York or LA there are other cities out there.
True enough I suppose, but I tend to notice a distinct decline in film quality when you wind up with a foreign director, dealing with his homeland. Oftentimes accompanied by attempts to referance to politics and situations that I have little or no opinion on.
And you think the rest of the world gives two craps about some American joke or politics that are in
every god-damn movie coming out?
Well the thing is that we're the dominant world power and our form of "conquest" has come through the spread of our culture. Things like Mcdonalds, Starbucks, etc... are known all over the world, as are American concepts like Cowboys. For all the criticisms made about foreigners aping us badly at things, the simple truth is that even while "hating" us everyone also wants to BE us.
Now before you flame me for daring to say that, the point is that our humor is something that most cultures get. What's more throughout most of the world people know who the big names in American politics are like Bush, Obama, Clinton, etc... because what they do/decide can effect them. While people complained about the amount of attention it got internationally, the entire world was pretty much following the US Presidential elections and inserting opinions on it. You literally had people stopping guys in other nations on the street to ask their opinion, typically from pro-Obama media. The point here being that you COULD do this and find the man on the street having some knowlege of American politics.
When it comes to other nations, very few people know or care about their politics unless it directly affects them (like being a neighbor or whatever). There are literally hundreds of differant countries and very few people could tell you who was in the #1 position in most of them who didn't live there. Even a well informed person who isn't directly involved in politics isn't liable to know more than a couple dozen, especially when dealing with nations that have little contact with his own.
Love it or Hate it, people know America, and you can drop a movie involving referances pretty much anywhere and people will be able to follow it. One of the reasons why American movies are such a big deal internationally, and why many nations have been trying to control the import of our media (under a large number of excuses) cultural conquest through ideas so to speak.
At any rate, drop a movie set in the US into say Southeast Asia and they will generally get it. Drop a movie made in South or Central America with local jokes and political referances and people in Southeast Asia are likely to go "huh".
As much as some nations like France hate this, really the three biggest "universal" media producers right now are America, Britan, and Hong Kong in roughly that order. Canada and Australia are not far behind but haven't produced quite as much, and honestly I think a lot of people wind up thinking their productions are American or British. Having talked to a bunch of sci-fi nerds I've heard Lexx (Canada) and Farscape (Australia) referred to as American more than once even though they WERE marketed here, I believe most of the production happened outside the US even if US money and talent were involved in places.
"Hong Kong Cinema" has gained increasing global circulation as the Chinese trade more and more, and in general you can find an almost universal appeal to things like Kung-Fu movies and Erotic thrillers/comedies. It was once a cult thing, outside of China, but has been taking off.
I can understand how a new film maker from outside this group of nations might want to put his country on the map cinematically, and hope he could spread/improve his culture through exposure. But in general I don't thinkt hat is liable to work, in general first a nation/culture becomes successful, and then their media/popular culture tends to follow (with rare exception).
Not faulting his ambition actually, it's just that I feel that even if his first horror movie succeeds, if he wants long-term success and recognition he's ultimatly going to have to work within the big media. With American sponsors apparently that means working in and around Hollywood (or New York for TV) and at most travelling out sporadically