Poor black people? In my future Detroit?Greg Tito said:Letitia is fairly well dressed for a "Trash Lady." In playing through Deus Ex, Adam Jensen will meet her on the streets of 2027 Detroit and when pressed she will offer her insight on what's happening in the city. She does so by using a colloquial mode of speaking that is perhaps more identified with 20th century deep South, and her accent caused Evan Narcisse of Time's Techland blog to write a scathing attack on the developers for including such a "racist stereotype" in an otherwise excellent game.
He also objected to black zombies in RE5? The article should have ended right here, because it's about a man who was offended by black people in a game set in Africa.Greg Tito said:I can't speak for Evan Narcisse who also objected to the black zombies in Resident Evil 5, and I have yet to play through all of Deus Ex, but I can see people arguing that there is nothing overtly racist with the clip in the video above. Letitia is certainly a strange character, but her exaggerated speech is not that different from many of the people that I encounter in North Carolina - both white and black. What do you think? Is Letitia a harmful racial stereotype?
I couldn't care less about this for the same reason that I don't care about the flamboyantly-gay stereotype or the Mr. Miyagi-Asian-wiseman stereotype: people like that actually exist. Like, a lot of them do. I only have a problem with it when all the characters of that denomination are like that, because stereotypes are only bad when you depict an entire group as it.Greg Tito said:Narcisse compares Letitia to the caricature of Amos and Andy and minstel shows of yore, but I don't think you can equate a single character in a videogame with hundreds of years of racism and discrimination, especially when there are other characters of a similar ethnic background in the same game who do not act this way.
"The horrible broken English Letitia speaks is so far removed from any actual slang that it renders the character practically extra-terrestrial," Narcisse said. "It's not from an alien planet, though. That slang harkens back to the worst blackface minstrelsy of the last century."
Yes, I'm from the north, but I have spent time in the south, and I maintain that there is an appreciable different between the way Latisha talks and the way real people talk. But at this point we're just telling each other unverifiable things about our personal experiences, so we're not going anywhere.xXCrocmonXx said:You're from the northern states, aren't you? If so, that'd explain your refusal to accept that people actually do talk like that. I went to a high school that was predominantly African American (was formerly a school created for the sole purpose of Segregation), and it was either ebonics or this that I heard from that ethnicity. To be fair, it was the older people that spoke like this.
You're making two big assumptions there:AdumbroDeus said:Frankly, it's supposed to be comparable to homeless people in real cities because that improves the immersion. To use upper class british accents for random real people is immersion breaking.
Again, I'm not taking issue with the fact that a character has something other than the Omaha Accent. I'm taking issue with the specific, historically situated dialect they chose for this particular character.AdumbroDeus said:I don't think that Deus Ex claims to be post-racial, though racial issues didn't directly come to the fore, deus ex doesn't imply those issues have been solved or gotten worse. And different dialects of english will always be present.
First you're talking about urban culture, and then all of a sudden you're talking about suburbia-by-way-of-Hollywood, so I'm not really sure (1) what you're saying here or (2) why it's relevant.AdumbroDeus said:As far as the fact that it doesn't match your image of urban culture has a lot to do with the fact that Hollywood's image of suberbia doesn't represent actual suberbia. Media and fantasy are one thing, reality is another.
My "implication" that the language of minstrelsy is infantile is not racism on my part; it's racism on the part of minstrelsy. My point was that that manner of speaking was designed to be infantile, comic, and impossible to take seriously. That is the whole reason it exists: First to make it seem as though black people were content as slaves, and then, once they were no longer slaves, to make it seem as though they were nonetheless incapable of participating in public life.AdumbroDeus said:Finally, your implication of that it's generally infantile is disturbing and racist in and of itself. That the language marks you as poor and uneducated is patently false, it's just part of urban culture and people who hold that culture have a wide variety of educational levels. But ebonics is present regardless, not the dialect of ignorant people but the dialect of a culture.
This is a huge, accusatory statement that really came out of nowhere. So calm down for a second and let's unpack it.AdumbroDeus said:This is yet another attack on ebonics cloaked as an attack on racism, and these attacks on ebonics while ignoring all the other dialects that are spoken by primarily white populations. Frankly, it's sickening.
Such attacks definitely exist, but as I've said more than a few times, this discussion we're having now isn't about Ebonics. Even if you consider minstrel-speak a subset of Ebonics (which would not be right, in my view), I would still only be talking about that subset.AdumbroDeus said:This is yet another attack on ebonics cloaked as an attack on racism,
What "other dialects that are spoken primarily by white populations" are at issue here? And what do they have to do with what we're talking about? Are you seriously arguing that what's at issue here is diversity, and that you're a crusader for downtrodden dialects of the English language?AdumbroDeus said:and these attacks on ebonics while ignoring all the other dialects that are spoken by primarily white populations.
Frankly, you're confusing me.AdumbroDeus said:Frankly, it's sickening.
So REAL PEOPLE who talk like Letitia are actually a racist depiction? Someone should go tell them.PhoenixVanguard said:[No need to apologize for quoting or making an argument...that's the point of a forum, afterall. But again...the argument isn't whether you're personally offended. I am Not. Narcisse is. But he still loves the game. The point is that, on an almost completely objective level, the character is racist. Why? Because she almost EXACTLY mirrors the degrading, derogatory minstrel show depictions of black people that permeated the media in the early 1900s (YouTube Amos & Andy, Black Face, minstrel Show, The Dave Chappelle Pixie sketch, the list goes on...). I was one of the first people in my circle of friends to buy this game, and people came over JUST to watch me play and decide if they should pick it up. When Letitia opened her mouth, we ALL cracked up...the racism there is TRULY palpable. But we found it funny. Others found it offensive. Some find it accurate. But your reaction to it doesn't change what it is.
Was it intentional? Probably not, the woman's just a horrific voice actor who took what probably should have been a southern, slurred drawl and butchered it until it resembled something that was uncomfortably familiar to anyone who has seen the right films, or takes two seconds to run an internet search to see WHY someone might have this viewpoint. You don't have to be offended by something to think it's racist, but to just claim it's not there and you can't IMAGINE why someone might think that way seems ignorant or overly dismissive because of bias, and ultimately damages the position you're trying to make because it ignores the very apparent relation to something very real and tangible. I love this game. Best single player experience I've had in years. And I don't want people to decide against buying it based on this EXTREMELY minor character or what people may think of her. But I'm not going to dismiss a valid point with largely close minded, nonsensical, and generally irrelevant counter-arguments.
Like the mind boggling "It's not racist because sometimes it's true" argument I brought up before, or this "Oh...BLACK people are allowed to be offended when 'X' happens, but I'M NOT allowed when 'Y' happens" schtick. Who says you're not allowed? Where are these people? Is someone going to arrest you? Are you going to be fined? Is Jensen going to cloak into your room and jam his elbow blades through your lungs? Is there a law somewhere that I missed? Granted, people with no sense of historical or cultural relevance might decry your argument on the internet, sure, but...oh wait...that's happening here too. But that doesn't mean it's not allowed. It means someone disagrees with you. And that's perfectly allowed.
There's nothing wrong with being offended in degrees by a female character whose "armor" covers no more than 2% of her body. There's nothing wrong with being offended by a gay character who speaks in lispy showtunes and hits on every male character who so much as shoots hime a cursory glance. And yeah, it's most CERTAINLY okay to NOT be offended by anything of these things...and it's important to note that THAT'S not the same thing as claiming that the problem isn't there at all. Ideally, you try to be fair, and see the complete game for the trash or treasure it is. And if you DO have a valid beef, then fine, bring it up and let people evaluate for themselves, and give all opinions a fair shake. Many people have rightfully pointed out that there are many OTHER black characters in this game who are far from offensive, and many more (Helloooooo Shanghai) who as are much worse as a whole. But that doesn't make Letitia any less of a very classic, observable example of racism that's fair game to point out. Especially when (And again, I sincerely HATE that I have to defend someone who says that putting black people in Africa is racist) HE REALLY LIKED THE GAME AND GAVE IT A STELLAR REVIEW.
And don't even get me started on that "Racism doesn't still exist" argument someone made earlier. Was that a joke? Seriously.
You didn't seem to understand what I said below, so let me clarify.mokmoof said:Yes, I'm from the north, but I have spent time in the south, and I maintain that there is an appreciable different between the way Latisha talks and the way real people talk. But at this point we're just telling each other unverifiable things about our personal experiences, so we're not going anywhere.xXCrocmonXx said:You're from the northern states, aren't you? If so, that'd explain your refusal to accept that people actually do talk like that. I went to a high school that was predominantly African American (was formerly a school created for the sole purpose of Segregation), and it was either ebonics or this that I heard from that ethnicity. To be fair, it was the older people that spoke like this.
My point was that it doesn't matter how many people you know who sound like that, or how many people I know who don't. The argument I'm making doesn't have anything to do with that--again, this is not about realism--so there's no need to make the "if only you knew black people like I know black people" argument.
And have you disproven either of them? That would be the governing assumption for a game set 20 minutes in the future like deus ex is.You're making two big assumptions there:AdumbroDeus said:Frankly, it's supposed to be comparable to homeless people in real cities because that improves the immersion. To use upper class british accents for random real people is immersion breaking.
1. The developer wanted Latisha to sound like a real homeless black person.
2. The developer thinks that having Latisha sound like a real homeless black person would increase immersion.
If those two things aren't both true (and we have absolutely no reason to believe that they are), then none of what you're saying about realism or immersion is addressing the actual text.
Perhaps you need to change your vocabulary then, because illustrating diversity is very different from saying that race issues are gone.Again, I'm not taking issue with the fact that a character has something other than the Omaha Accent. I'm taking issue with the specific, historically situated dialect they chose for this particular character.AdumbroDeus said:I don't think that Deus Ex claims to be post-racial, though racial issues didn't directly come to the fore, deus ex doesn't imply those issues have been solved or gotten worse. And different dialects of english will always be present.
But you're right that post-racial is probably the wrong term. I was just thinking of when the developer described "the diversity of the world's future population by featuring characters of various cultural and socioeconomic backgrounds," which is generally a coded way of describing a "melting pot" future where race is abstracted or borderline-irrelevant.
"Historically situated" and "evolves over time" are not opposites. They're one and the same. My point is that some of Latisha's phrasing is not evolved from minstrel-speak; is is minstrel-speak. The fact that she says "sheeeeet" is not an example of what I'm talking about, but neither does it disprove what I'm talking about.And they're not historically situated, the fact that it bears ANY resemblence to historical archtypes is because language evolves over time. The way that she said "sheeeet" alone identifies her as a product of modern urban culture.I'm not saying that you personally are racist (well, beyond the most academic sense of the term which is morally neutral it's impossible to discuss modern race issues without being able to see things in terms of race), you merely have no expirience with modern African-American urban culture beyond the "hollywood" version of it that's presented in hip-hop.You're attempting to use semantics to not address my point.
It has some vestiges that have remained in modern ebonics because language evolves over time.
You want mistral speak? Watch a Shirley temple movie that includes an African-American. This bears only a small resemblance due to vestiges in modern ebonics.
I'm saying that if your only expirience in modern african-american urban culture is hip-hop, then no wonder you don't realize that she's talking in ebonics. You only are familar with the hollywood version.First you're talking about urban culture, and then all of a sudden you're talking about suburbia-by-way-of-Hollywood, so I'm not really sure (1) what you're saying here or (2) why it's relevant.AdumbroDeus said:As far as the fact that it doesn't match your image of urban culture has a lot to do with the fact that Hollywood's image of suberbia doesn't represent actual suberbia. Media and fantasy are one thing, reality is another.
My "implication" that the language of minstrelsy is infantile is not racism on my part; it's racism on the part of minstrelsy. My point was that that manner of speaking was designed to be infantile, comic, and impossible to take seriously. That is the whole reason it exists: First to make it seem as though black people were content as slaves, and then, once they were no longer slaves, to make it seem as though they were nonetheless incapable of participating in public life.AdumbroDeus said:Finally, your implication of that it's generally infantile is disturbing and racist in and of itself. That the language marks you as poor and uneducated is patently false, it's just part of urban culture and people who hold that culture have a wide variety of educational levels. But ebonics is present regardless, not the dialect of ignorant people but the dialect of a culture.
Pointing out racist institutions doesn't somehow make me racist. If you want to argue that I'm wrong about the proximity of Latisha's speech to the language of minstrelsy, then fine. But if you're arguing that there is nothing inherently racist about minstrel dialects, and that the dehumanizing and infantilizing aspects of minstrelsy are something I'm projecting or imagining, then you're simply incorrect.
This is a huge, accusatory statement that really came out of nowhere. So calm down for a second and let's unpack it.AdumbroDeus said:This is yet another attack on ebonics cloaked as an attack on racism, and these attacks on ebonics while ignoring all the other dialects that are spoken by primarily white populations. Frankly, it's sickening.
Such attacks definitely exist, but as I've said more than a few times, this discussion we're having now isn't about Ebonics. Even if you consider minstrel-speak a subset of Ebonics (which would not be right, in my view), I would still only be talking about that subset.AdumbroDeus said:This is yet another attack on ebonics cloaked as an attack on racism,
What "other dialects that are spoken primarily by white populations" are at issue here? And what do they have to do with what we're talking about? Are you seriously arguing that what's at issue here is diversity, and that you're a crusader for downtrodden dialects of the English language?AdumbroDeus said:and these attacks on ebonics while ignoring all the other dialects that are spoken by primarily white populations.
Frankly, you're confusing me.AdumbroDeus said:Frankly, it's sickening.
Are you sickened by the idea that I'm equating minstrelsy with Ebonics? Because I'm not; if anything, you are, by claiming that an attack on minstrel dialects is really an attack on modern black speech.
Or are you sickened by the fact that I'm seeing racism in something that you consider harmless? Or by the fact that I'm failing to recognize that the way Latisha talks is just as valid and beautiful and snowflake-like as any other way of talking?
I know that we're on a message board, and that message boards inherently favor disagreement, but there's really no need to get hostile--because it's not as though we're deciding who's a wonderful, enlightened warrior for diversity and who's a bad, evil racist. What we're discussing is a (really complicated) system of representation. There are mostly just people muddling through, as opposed than heroes and villains.
If you want to explain where you're going with the Hollywood argument, or some other way in, then go for it. But the "it's not racist; you're racist" stuff gets us nowhere.
The people who do know are the racists.
This is not mistral-speak, this is ebonics. The small similarities are only present because evolution in language resulted in some vestiges remaining in the modern language.
Why is this sickening? Because this is yet another example of people attacking ebonics, classifying it as uneducated and uncouth and implicitly classifying everyone who uses it as such.
What makes it even worse is that this time, they suckered a bunch of well-meaning people who merely were unfamiliar with the culture of modern urban centers into protesting in favor of this view that ebonics means the speaker is uneducated in order to cement it into the popular consciousness, when it is clearly false.
That is tragic and sickening.
Six things:AdumbroDeus said:I'm not saying that you personally are racist (well, beyond the most academic sense of the term which is morally neutral it's impossible to discuss modern race issues without being able to see things in terms of race), you merely have no expirience with modern African-American urban culture beyond the "hollywood" version of it that's presented in hip-hop.
The people who do know are the racists.
This is not mistral-speak, this is ebonics. The small similarities are only present because evolution in language resulted in some vestiges remaining in the modern language.
Why is this sickening? Because this is yet another example of people attacking ebonics, classifying it as uneducated and uncouth and implicitly classifying everyone who uses it as such.
What makes it even worse is that this time, they suckered a bunch of well-meaning people who merely were unfamiliar with the culture of modern urban centers into protesting in favor of this view that ebonics means the speaker is uneducated in order to cement it into the popular consciousness, when it is clearly false.
That is tragic and sickening.
1. Hence "the most academic sense". Academics define technical terms differently then average people do for the purpose of effectively examining things, just like engineers do.mokmoof said:Six things:AdumbroDeus said:I'm not saying that you personally are racist (well, beyond the most academic sense of the term which is morally neutral it's impossible to discuss modern race issues without being able to see things in terms of race), you merely have no expirience with modern African-American urban culture beyond the "hollywood" version of it that's presented in hip-hop.
The people who do know are the racists.
This is not mistral-speak, this is ebonics. The small similarities are only present because evolution in language resulted in some vestiges remaining in the modern language.
Why is this sickening? Because this is yet another example of people attacking ebonics, classifying it as uneducated and uncouth and implicitly classifying everyone who uses it as such.
What makes it even worse is that this time, they suckered a bunch of well-meaning people who merely were unfamiliar with the culture of modern urban centers into protesting in favor of this view that ebonics means the speaker is uneducated in order to cement it into the popular consciousness, when it is clearly false.
That is tragic and sickening.
1. Not to be a stickler, but "racist" does not mean "seeing things in terms of race." According to the Oxford English Dictionary, racism is "the belief that all members of each race possess characteristics, abilities, or qualities specific to that race, especially so as to distinguish it as inferior or superior to another race or races." To see race as a social and historical circumstance is not the same thing as ascribing intrinsic characteristics or innate superiority to people based upon their racial backgrounds. To talk about race, then, is not an automatically racist pursuit.
2. How you can presume to know what personal experience I have "with modern African-American urban culture" is totally beyond me--unless you're assuming that anyone who disagrees with you must simply lack the wisdom and experience necessary to agree with you.
3. You've yet to explain how exactly "Hollywood" enters into this conversation.
4. As I said, it's entirely possible that some real people sound more or less like Latisha. I've never met one, and I've met plenty of people who speak in what could reasonably be called Ebonics and who sound nothing like Latisha, but the black people whom I happen to know do not somehow represent the Platonic ideal of all black people as such--nor do those whom you happen to know. For someone going on about diversity, you seem to be pretty convinced that there is an absolute linguistic sameness among all black people who live in all cities everywhere.
5. As succinctly as possible: To question the specific way that Latisha talks (even if that manner of speaking is indeed a subset of Ebonics) is absolutely not an attack on the whole of Ebonics, which is in any case a linguistically imperfect category that refers to lots and lots of different ways of speaking, rather than some cohesive, unified, downtrodden mono-accent.
6. It is baffling to me that you would be so offended by a perceived attack on Ebonics (because you see it as an attack on a racial minority), and yet see nothing at all wrong with perpetuating racist character cliches (which historically have constituted an attack on racial minorities).
Yes, we get it, you have a black wife. You should subtly work that into your argument more to add validity. Subtly. Subtlety. Subtle. Be more subtle. Really.Mister Linton said:So REAL PEOPLE who talk like Letitia are actually a racist depiction? Someone should go tell them.
If my wife eats a meal of fried chicken and waffles with some watermelon for desert, is she actually being racist against black people whether she knows it or not? I'll explain this asinine theory of yours to my in-laws just to get their hilarious reaction. Thanks for the laugh.
So to review...again...stereotypes are GROUNDED in reality, so no, the fact that they are sometimes real doesn't counter the argument. If anything, It only supplements it. Going further...fulfilling limited number of characteristics within a stereotype does not instantly make one a stereotype, no. But being a cut and paste caricature of a very old, frequently repeated racial epithet is worth examining, yes. I don't think I'll bother repeating this again...this thread is long enough with responding to the same silly argument ad nauseum. So if anyone else is going to quote me and I don't respond, just assume what you;re saying is irrelevant and has already been addressed at some point.PhoenixVanguard said:I'd just like to clarify something to those dozens upon dozens of you using the defense that essentially boils down to, "Well I know people who actually talk this way so it's not racist." This argument does not in ANY way, shape, or form qualify something as not being a racist stereotype. Stereotypes emerge BECAUSE there are a large number of people fitting the given epithet. What, do you think people make up random character qualities about a group of people and then HOPE they come true so they can all laugh at it later? Really now. Lots of people from all races enjoy fried chicken and watermelon, are good with math, and try hard to save money, but that doesn't mean that these aren't stereotypes aimed at SPECIFIC groups of people. Please, please, PLEASE stop making this ridiculous counter argument. It's utterly baffling to me.
Obviously missed my point entirely. A single instance of a dialect in a game with many characters of multiple ethnicities DOES NOT FIT THE DEFINITION OF A RACIST STEREOTYPE. Because it is ONE character. Among MANY. Like the REAL WORLD. If all black characters in the game spoke a certain way or behaved in some sort of negative fashion, there might be an argument that the creators were making a statement.PhoenixVanguard said:[So to review...again...stereotypes are GROUNDED in reality, so no, the fact that they are sometimes real doesn't counter the argument. If anything, It only supplements it. Going further...fulfilling limited number of characteristics within a stereotype does not instantly make one a stereotype, no. But being a cut and paste caricature of a very old, frequently repeated racial epithet is worth examining, yes. I don't think I'll bother repeating this again...this thread is long enough with responding to the same silly argument ad nauseum. So if anyone else is going to quote me and I don't respond, just assume what you;re saying is irrelevant and has already been addressed at some point.
My argument doesn't "assume" any such thing. We've all seen the clip of Latisha, and I provided a clip of an archetypal mammy talking in a very similar way. If you don't see the similarity, then fair enough, but there's no assumption there. Just juxtaposition.AdumbroDeus said:Your argument doesn't attempt to explain individuals who DO use that variant of the english language. It just assumes that this based entirely on mistral-speak.
I now understand what you're saying, but I still don't see how it applies to what we're talking about. The very fact that you and I are having a literate conversation about minstrelsy (among other things) demonstrates that neither of us is getting our information about black people exclusively from hip-hop, or about other cultures exclusively through Hollywood, or whatever.AdumbroDeus said:I'm equating knowing about urban african-american culture from hip-hop to knowing any other culture solely through hollywood. Pop culture is not the same as culture and any representation gleaned from it will be grossly inaccurate.
I offered an example that sounds quite similar to Latisha. You have not done that so far. I'm not asking you to take my word for it here. I'm putting two things next to each other and explaining why I think they're similar.AdumbroDeus said:Because every commentary on ebonics follows this exact same assertion, that it is uneducated and uncouth. This attempts to differentiate itself by saying that it bears a resemblance to mistral-speak which is passing at best.
The issue is not "suggesting that all African-Americans [are] homeless" in the world of the game. Who said that? Again with the responding to an argument I never even made.AdumbroDeus said:Because it's NOT a racist cliche, it's a normal homeless person with a normal way of speaking for that area that follows normal patterns of behavior. If this was the only context that African-Americans were presented in within the story then it would be suggesting that all african-americans were homeless with all that implies. As best I can tell, it doesn't, so she's within acceptable variation of characters within the game.
And again with the arguing about something way, way over yonder. I never said Ebonics = Sterotypes = Latisha, and the reason I never said that is that that would be a stupid thing to say.AdumbroDeus said:When you suggest that she as a singular character by her speech pattern perpetuates African-American steriotypes by speaking in ebonics, then it becomes an attack on the vocal pattern and in turn an attack on African-Americans as a racial minority.
Actually, I think you've missed the point of everything I've said, mokmoof continues to say, and it looks like you didn't even read the original Narcisse article at all. No one's saying anyone at Square or Eidos is trying to make an intentionally racist statement. And no one's saying the entire game or any other character in it is racist (Okay, I AM saying Hengsha's a little racist, but I digress). In fact, Narcisse goes out of his way to say the character is so out of place in an otherwise well put together game that she's almost alien. The ENTIRE argument being made is that this character is a jarring example of an old racist stereotype in the game. And yes, one person CAN be an example of a racist stereotype. Direct quote from the article;Mister Linton said:Obviously missed my point entirely. A single instance of a dialect in a game with many characters of multiple ethnicities DOES NOT FIT THE DEFINITION OF A RACIST STEREOTYPE. Because it is ONE character. Among MANY. Like the REAL WORLD. If all black characters in the game spoke a certain way or behaved in some sort of negative fashion, there might be an argument that the creators were making a statement.
Eidos addressed this and their point was spot on: the game represents a VERY diverse cast and does not assign ANY blanket stereotypes to any of those groups. Letitia does not exist in a vacuum and any ONE person speaking a certain way CANNOT be a stereotype.
So thick.
FREUDIAN SLIP!Ghengis John said:Okay, so an easily offended lack man was just offended.