Dracula (2/5)
So, I'm probably going to be called a cultural neanderthal for this, but...I really didn't like this book. Frankly, I'm astounded it became the basis for the modern vampire myth after reading it. I 'get' the idea of vampires, and their popularity, even if I've never really been into vampires myself, but this book? Really?
Okay, anyway, going to deal with this in point form as to why I dislike it, so:
-Why is this written entirely in journal entries? Sometimes, it works, such as the ship log that crashes into the shore (where we learn how Dracula picks off the crew), but most of the time it's unneeded, and if anything, undercuts any sense of tension. Furthermore, all the characters apparently have eidetic memories, because they can record in their journals exactly who says what, and when. I guess the reader struck lucky that the characters all kept journals.
-The story frontloads itself. As in, Harker in Transylvania is more interesting than anything that comes afterwards. These are the most interesting parts of the book in that it takes place in a foreign land (well, foreign to most readers), has a palpable atmosphere, and features Dracula the most (for a book called "Dracula," Dracula himself features very little). But after that, as we get into drama in the UK...meh.
-Things drag on quite a bit. When Lucy gets bitten by Dracula, she gets worse, then better, then worse, then better, then worse, then better, and so on, and so on, and zzz...I get that diseases may not always degenerate the victim in a linear fashion, but even so, goes on too long for my liking. Furthermore, how does Van Helsing get to pop to and from London and Amsterdam so quickly?
-On the subject of Dracula himself...I'm sorry, this novel, in of itself, does little for me. Everything we learn about his backstory mostly comes from Van Helsing (telling us how he attended Scholomance), and okay, sure, but he doesn't feature enough, and his motivations seem to be "I'm evil." I'll give the novel credit, when it actually delves into vampire lore in the context of its setting, it can be interesting, but there's little of that. So much of it is devoted to what's essentially character drama. Which would be fine, if I actually cared about any of the characters, but I don't. The only ones I could really invest myself in were Harker (by virtue of being the sole protagonist at the start), and I guess Van Helsing, only by virtue of him 'talking funny.' Yay...
I can admit, reading this now, over 100 years after it was written, may have done the novel a disservice. Everyone's been exposed to the idea of Dracula and the general tenents of vampires, so going back to the novel now, maybe the 'myth' has ruined the 'canon,' so to speak. But sorry, just didn't enjoy this. It was a drear to read through.
So, I'm probably going to be called a cultural neanderthal for this, but...I really didn't like this book. Frankly, I'm astounded it became the basis for the modern vampire myth after reading it. I 'get' the idea of vampires, and their popularity, even if I've never really been into vampires myself, but this book? Really?
Okay, anyway, going to deal with this in point form as to why I dislike it, so:
-Why is this written entirely in journal entries? Sometimes, it works, such as the ship log that crashes into the shore (where we learn how Dracula picks off the crew), but most of the time it's unneeded, and if anything, undercuts any sense of tension. Furthermore, all the characters apparently have eidetic memories, because they can record in their journals exactly who says what, and when. I guess the reader struck lucky that the characters all kept journals.
-The story frontloads itself. As in, Harker in Transylvania is more interesting than anything that comes afterwards. These are the most interesting parts of the book in that it takes place in a foreign land (well, foreign to most readers), has a palpable atmosphere, and features Dracula the most (for a book called "Dracula," Dracula himself features very little). But after that, as we get into drama in the UK...meh.
-Things drag on quite a bit. When Lucy gets bitten by Dracula, she gets worse, then better, then worse, then better, then worse, then better, and so on, and so on, and zzz...I get that diseases may not always degenerate the victim in a linear fashion, but even so, goes on too long for my liking. Furthermore, how does Van Helsing get to pop to and from London and Amsterdam so quickly?
-On the subject of Dracula himself...I'm sorry, this novel, in of itself, does little for me. Everything we learn about his backstory mostly comes from Van Helsing (telling us how he attended Scholomance), and okay, sure, but he doesn't feature enough, and his motivations seem to be "I'm evil." I'll give the novel credit, when it actually delves into vampire lore in the context of its setting, it can be interesting, but there's little of that. So much of it is devoted to what's essentially character drama. Which would be fine, if I actually cared about any of the characters, but I don't. The only ones I could really invest myself in were Harker (by virtue of being the sole protagonist at the start), and I guess Van Helsing, only by virtue of him 'talking funny.' Yay...
I can admit, reading this now, over 100 years after it was written, may have done the novel a disservice. Everyone's been exposed to the idea of Dracula and the general tenents of vampires, so going back to the novel now, maybe the 'myth' has ruined the 'canon,' so to speak. But sorry, just didn't enjoy this. It was a drear to read through.