I've been reading far less since lockdown, because I no longer have a massive commute to read during, and I have a huge stack of new reads to get through. But I have just read Beneath The World, A Sea by Chris Beckett.
Chris Beckett wrote the superb "Dark Eden" trilogy, and has put out some excellent other books such as The Holy Machine, and I think he does some of the most interesting stuff in SF currently. (I note he appears to be a friend of Tony Ballantyne, another thoughtfully superb SF author, albeit one who I suspect shifts so few copies of his books I'm amazed anyone will still publish them - I have Ballantyne's new work Midway in my to-read stack.)
Beneath The World, A Sea is a short novel. It's based in a place called the Submundo Delta, a weird and alien place in South America, on an otherwise normal earth. The life there is fundamentally different from the rest of the planet, and even stranger, it is surrounded by a zone which, when left, erases all the memories of one's time in the zone. (This idea of an alien area inside the world and a barrier zone has some parallels with the Southern Reach trilogy by Jeff Vandermeer.) A British policeman is sent to the Submundo to forumate a plan how to best protect a creature called a duende, which the locals keep murdering and the UN has decided merit protection. However, the Submundo forest and the duendes have a strange effect on psychology, bringing out one's subconscious or internal desires. We see how various characters in the Submundo react to this place, and the policeman himself starts to unravel...
I sort of felt that I either didn't quite get where this book was going and what point it was trying to make - that or I was looking for something not really there. I was okay with the Submundo itself, but found the set-up with the zone of forgetfulness around it clumsily artificial. It is quite a dark book, I think it is not kind to many of its characters: perhaps the point being that the place harshly exposes their flaws. It has similarities to Joseph Conrad's Heart of Darkness - European colonist types going to a very foreign land with their colonial assumptions, finding themselves hopelessly out of their depth, and "going native" or becoming unstuck. Perhaps it explores the difference between people relatively at peace with their inner selves, and people who have a constructed "persona" with heavily repressed underlying thoughts. For instance, one of the characters is judged by the policeman at different points, each from one of his "two" personae: and I cannot help but think both are valid judgements in their way.
So, I sort of enjoyed it, but I also felt something insubstantial about it, as if some insight had eluded my grasp.