Well, that was a very interesting month of "The Big Picture"! Hopefully we'll get more theme months in the future in which Bob educates us about the history of something many of us, as geeks, should know about but probably don't.
It's called the big picture, bub lol. Still though, The Big Picture does sound movie related04whim said:I'll be a bit weirded out if it's not about movies when next I see you, considering the show's titled "Escape to the Movies".
Emphasis mine. I suppose that the reason for that is, once a law is on the books, it's significantly harder to get rid of it than it is to phase out an industry standard. What I mean is, say that the Hays Code never came about and the government decided to censor films. I have little doubt that the code they came up with would have been less Draconian than the Hays Code, but I bet it would still exist today. (edit: or it would have existed for significantly longer)brazuca said:Funny how things change from one jurisdiction to another. In Brazil and Portugal, I think in Italy too, it's the Departament of Justice also the gov who says what is offensive and what is not. Self regulatory sometimes appears to be more draconian than the gov. Weird huh?
http://en.wikipedia.org/wiki/Department_of_Justice,_Rating,_Titles_and_Qualification
PS: there are pages about it and every country (not every really) on wikipedia. I say it's worth checking out.
Haha, he was just joking, since the next EttM will be out before the next Big Picture.Burningsok said:It's called the big picture, bub lol. Still though, The Big Picture does sound movie related04whim said:I'll be a bit weirded out if it's not about movies when next I see you, considering the show's titled "Escape to the Movies".
I meant Bob's other show on The Escapist, titled Escape to the Movies, where he does he movie reviews. It gets released on a Friday so it'll be out before the next Big Picture meaning that next time I hear from him, it will be about movies.Burningsok said:It's called the big picture, bub lol. Still though, The Big Picture does sound movie related04whim said:I'll be a bit weirded out if it's not about movies when next I see you, considering the show's titled "Escape to the Movies".
I liked the episode as well, and was wondering when he'd get to the Hayes Code and hopefully the end of this little series.Frozen Donkey Wheel2 said:God, FINALLY. I mean don't get me wrong, this episode was really interesting (probably the best of the "History of Movies" set) but still....This has been going on for a looooooong time. I'm ready to get back into complicated comic continuity and stuff about how nerds ruling the planet.
EDIT: Also, FUCK. THESE. FUCKING. ADS. Seriously, is anyone else seeing this? "El Shaddai"? Incredible amounts of lag? A medieval knight wearing blue jeans to your left? A LOT. OF FUCKING. LAG? Anyone?
I'm more interested in them as an aspect of history and camera experimentation, as opposed to being a well written, well scripted, and well performed movie.MovieBob said:The bad news is that about 50% of all motion pictures EVER produced are completely lost to history due to inadequate preservation, and as expected what was left to rot first were 'taboo' films that they figured would never be sellable again.vxicepickxv said:I actually want to see what a lot of those older movies were all about.
How many of them are public domain now? Does anyone know where I can get them on the cheap if they're not?
The GOOD news is that, a few years ago, there was a big "fad" among studio archivists of releasing "Pre-Code" movies on DVD sets. TCM in particular did a 4-volume run of boxed-sets called 'Forbidden Hollywood' that had some of the more notorious ones and a lot of genuine rarities. There was also a seperate series called 'The Glamour Collection" that grouped older, mostly pre-code films by "sex symbol" actresses of the pre-WWII era (Mae West and Marlene Deitrich especially) into multi-film sets.
Searching Amazon (or the retailer of your choice) for those or just "pre-code movies" in general should yield a good set of results, and many of the individual titles listed are on Netflix or may even be public-domain enough to be viewed online. The only thing to be "prepared" for is that A LOT of the material plays more as an interesting time-capsule than as genuine entertainment today; i.e. there's a lot of "filler" surrounding the racy/violent scenes that were the big draw.
What's left of Fatty Arbuckle's work is spread out among many, many low-end public-domain DVDs; though most archivists agree that it represents only a fraction of his work and that most of his best productions seem to be gone for good.