Shjade said:
Alterego-X said:
Shjade said:
It's an entirely unremarkable show - not bad, but nothing about it that's notable either. Average animation, predictable characters and episode arcs, aimed at younger age groups, devoid of intellectual stimulation.
I think, one notable unique element that you glossed over, (maybe because you personally don't care about that as a value, that would also explain why you didn't turn into a brony) is it's innocence, and a lack of ironic cynicism.
I don't think I glossed over it. It's right there: predictable characters and episode arcs, aimed at younger age groups, devoid of intellectual stimulation.
I still say that you did. What you describe here, is not the DEFINITION of innocence, just one particular , (negative) aspect of it. While it's clear that it's a matter of different tastes for you and bronies, and you won't suddenly go "OMG, I see now, so that's why MLP is awesome!", I'm still trying to explain, for the sake of clarity.
Think about this analogy: Why do people like children? They aren't even that clever, or strong. We, as humans, admire those values, but when it comes to children, we can look at them with an entirely different set of values.
It's not even just "lowering the standards", or "tolerating them". If you live close to young kids, you might notice, that in certain situations, you would genuinely rather spend some time with them, than with "deep and intellectual" adults, because that "cute, innocent, and simple" attitude is a value on it's own right.
As long as you are thinking from the standpoint that people would only ever watch shows for their twists, and intellectual content, I guess you won't even understand what bronies are talking about. "I'm watching it because it's so charmingly innocent" just sounds to you like a synonym of "I'm watching it because it's so charmingly dumb", if you ignore all the positive associations of the word, so that sounds like "watching it ironically".
It's a bit like the assumption that some people have, that just because history films, or Hard Sci-Fi, are expected to be "realistic", realism is ALWAYS a goal, every unrealistic element in every story is a failure to be realistic, therefore fantastic stories are inherently failed works. (while in fact, they aren't even trying, but they function on entirely different values of quality, than others.)