I really liked the original Matrix. The stunts, camerawork, and effects were well done; revolutionary for their time, inspiring countless knock-offs. And for better or worse, the "black sunglasses, leather, vinyl, and latex" thing had a significant impact on both real-world fashion and action movie visual aesthetics of the decade.
But what still really stands out for me, more than anything else, is the scene in which a pre-redpill Neo is advised by Morpheus to escape capture by edging his way along the outside of his office building, many stories up...
...And he can't do it. He allows himself to be captured, because the threat of real-world authorities bringing him in for questioning is less terrifying than facing death from falling.
And that's a perfectly reasonable reaction. And I don't know that I've ever seen anything comparable in any other action movie. You see lots of supposedly "Average Joe/Jill" types facing down danger to prove themselves in a moment of crisis. You see tons of shallow characters going out of their way to act unreasonably to keep the plot marching on, to provide irritating artificial tension, or because they've been set up as "that guy [usually in authority] who is always wrong". How many "people do stupidly 'brave' things to put themselves in peril and then freeze up when that peril (*gasp*) actually shows up" can you count in the Jurassic Park movies alone?!
So, yeah. Real soft spot in my heart for the original Matrix.
And then they had to go and make it a trilogy. And do a spinoff series of animation shorts. And at least three video games. All in service of this world that... Just... doesn't really make any sense, if you actually bother to look at it for about five minutes. These movies contain more "fridge logic" than a philosophy class held in a meat locker, and unlike some action movies that keep things moving fast enough that you blow past an unlikelihood or two and forgive it, it really wants to hold your face to the ridiculousness of parts of its premise, to make sure you appreciate its "world-building", to make the point that it isn't really about gunfights or special effects or choreography: it's about destructive cycles, about how machines and people aren't really that different, about mutual exploitation and mythological themes.
...And good God, you should never go as far up your own rear end as The Matrix Trilogy does without a team of colo-rectal surgeons.
So to (eventually, in my typically long-winded way) make a long story short: Yes! I'm sure Warner Bros. WOULD like to make several hundred million dollars on a movie franchise again! Especially given how.... "mixed"... the reactions have been to their DC superhero entries!
But given that the architects of this particular cash-cow managed to totally screw it up, I have absolutely no reason to believe a reboot won't be even worse.