In anticipation of the upcoming film version, I recently read the graphic novel Watchmen. I had heard very good things about it - indeed, it was the only graphic novel included on TIME Magazine's list of the 100 Best Books and won a Hugo Award. And it lived up to the hype, for the most part.
Written in 1986 by celebrated comic scribe Alan Moore (The League of Extraordinary Gentlemen, V for Vendetta) and illustrated by Dave Gibbons (The Originals), Watchmen is a unique take on the exploits of superheroes and masked crusaders. They are not perfect paragons of virtue like Superman - they have flaws and imperfections: they're alcoholics and racists or just plain psychotic, and they deal with depression and confidence issues. And in the case of the one actual superhuman, frighteningly inhuman.
The story goes back and forth between the Minutemen, a crimefighting group formed in the 1950's, and their successors and children in the 80's, unofficially dubbed the Watchmen. This is as "real" as a superhero comic is likely to get, examining the sordid details of the costumed heroes' interactions with each other and society. And a labyrinthine plot must be uncovered when someone starts killing them off one by one...
The writing is excellent, as is to be expected of Moore. The dialogue is intelligent and realistic, and the characters are very well-developed and interesting. The storyline is great - the backstories of the various masked heroes and the murder mystery are riveting, and the setting (for it's day, at least) is politically charged.
The artwork, I have more mixed feelings about. The composition of the scenes and panels is fantastic, very dynamic and interesting. But the coloring and style of drawing - they're good, but I just don't care for the "classic comic book" look (even though it's probably intentional here and important for the subversion of those classic comics). I much prefer something in the style of, say, The League of Extraordinary Gentlemen.
And another problem that I, at least, came across: it's quite long and very dense. There is a lot of dialogue to read and process, and at the end of each "issue" there is an excerpt from a newspaper article or book that helps further flesh out the setting. They're interesting and just as well written as any other part, but I found myself wanting to just skip them and get back to the "comic" proper. This may just be me, but I usually pick up a comic as a more breezy, quick interlude between "proper" novels and books. It's probably my own fault for approaching it in the wrong way, but it seemed to drag in parts.
So in conclusion, Watchmen comes highly recommended. It's a brilliant deconstruction of the superhero genre that any fan of graphic novels should definitely check out.
Written in 1986 by celebrated comic scribe Alan Moore (The League of Extraordinary Gentlemen, V for Vendetta) and illustrated by Dave Gibbons (The Originals), Watchmen is a unique take on the exploits of superheroes and masked crusaders. They are not perfect paragons of virtue like Superman - they have flaws and imperfections: they're alcoholics and racists or just plain psychotic, and they deal with depression and confidence issues. And in the case of the one actual superhuman, frighteningly inhuman.
The story goes back and forth between the Minutemen, a crimefighting group formed in the 1950's, and their successors and children in the 80's, unofficially dubbed the Watchmen. This is as "real" as a superhero comic is likely to get, examining the sordid details of the costumed heroes' interactions with each other and society. And a labyrinthine plot must be uncovered when someone starts killing them off one by one...
The writing is excellent, as is to be expected of Moore. The dialogue is intelligent and realistic, and the characters are very well-developed and interesting. The storyline is great - the backstories of the various masked heroes and the murder mystery are riveting, and the setting (for it's day, at least) is politically charged.
The artwork, I have more mixed feelings about. The composition of the scenes and panels is fantastic, very dynamic and interesting. But the coloring and style of drawing - they're good, but I just don't care for the "classic comic book" look (even though it's probably intentional here and important for the subversion of those classic comics). I much prefer something in the style of, say, The League of Extraordinary Gentlemen.
And another problem that I, at least, came across: it's quite long and very dense. There is a lot of dialogue to read and process, and at the end of each "issue" there is an excerpt from a newspaper article or book that helps further flesh out the setting. They're interesting and just as well written as any other part, but I found myself wanting to just skip them and get back to the "comic" proper. This may just be me, but I usually pick up a comic as a more breezy, quick interlude between "proper" novels and books. It's probably my own fault for approaching it in the wrong way, but it seemed to drag in parts.
So in conclusion, Watchmen comes highly recommended. It's a brilliant deconstruction of the superhero genre that any fan of graphic novels should definitely check out.