I love that book! Have you read it before? I just finished reading the trilogy.Slash Dementia said:I'm reading The Golem's Eye, by Jonathan Stroud. It's pretty good, but I'm reading it very slowly.
Nope, but I read the first book last year and it was great. I got the trilogy as a Christmas gift.Jacob Haggarty said:I love that book! Have you read it before? I just finished reading the trilogy.Slash Dementia said:I'm reading The Golem's Eye, by Jonathan Stroud. It's pretty good, but I'm reading it very slowly.
OT: I am reading "the left hand of god" at the moment, which is very good.
It doesn't come across as needless at all and none of it thus far really falls into the realm of pointless pedantry. Most of them are used to form metaphors using objects that I've just never heard of (a lot of things that a classicist would know of, but the average person would not, like, say, what a palimpsest is...). It's not obtuse language for its own sake, but mostly a bunch of object names for objects you wouldn't have any reason to be remotely familiar with.SckizoBoy said:Seriously, though, I find that swamping the reader with ordinarily incomprehensible language is somewhat flow-breaking. Judging from your descriptions... I'm both curious... and wondering what she was attempting to achieve...
After I posted, I went and read a preview of the first few chapters on Amazon's 'Look Inside' (prologue & intros to Sei & November). It must've been an edited version, because none of the vocab seemed excessively difficult to understand, though I will admit to re-reading some of the passages to understand the allegory.Jaime_Wolf said:It doesn't come across as needless at all and none of it thus far really falls into the realm of pointless pedantry. Most of them are used to form metaphors using objects that I've just never heard of (a lot of things that a classicist would know of, but the average person would not, like, say, what a palimpsest is...). It's not obtuse language for its own sake, but mostly a bunch of object names for objects you wouldn't have any reason to be remotely familiar with.
I've perhaps overstated the case. There aren't many, but having any was a strange sensation for me. The first one that comes to mind was the name of some obscure textile that occurred near the beginning.SckizoBoy said:After I posted, I went and read a preview of the first few chapters on Amazon's 'Look Inside' (prologue & intros to Sei & November). It must've been an edited version, because none of the vocab seemed excessively difficult to understand, though I will admit to re-reading some of the passages to understand the allegory.Jaime_Wolf said:It doesn't come across as needless at all and none of it thus far really falls into the realm of pointless pedantry. Most of them are used to form metaphors using objects that I've just never heard of (a lot of things that a classicist would know of, but the average person would not, like, say, what a palimpsest is...). It's not obtuse language for its own sake, but mostly a bunch of object names for objects you wouldn't have any reason to be remotely familiar with.
Still, her writing style (which is very cerebral to say the least) got me interested enough to order it(!)