ZippyDSMlee said:
Mmmmmmmm films are a short time sensitive medium that has to share screen time with flashing bright explosions to keep the dimer half of the audience distracted from any semblance of depth,wit or story(kinda like modern games). What more do you need to know?
The irony, of course, is that you talk about it with more brevity and callous disregard for elaboration than the typical movie. Way to shine your intellectual superiority. You sure showed them.
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To capture the essence of a story, the details are not necessary. Hell, modeling an entire movie to be
just like the book is a fruitless effort that will satisfy no one, and contrary to what the smug purveyors of True Art? will assert, vice-versa applies. No, to truly make a successful adaptation, you need only capture the essence of the film. The rest is all interpretation. But enough big words; let's give an example.
The Dark Knight is arguably one of the better films in adaptation history, and I have a feeling that its impact will be more lasting than Iron Man or 1978 Superman starring Christopher Reeves. Why? Because it doesn't try to be "faithful" to the original story. Instead, it plays with the idea and tries to create something new, keeping only the basic essence of the story. The most famous example of this would be the Joker. The basic idea is that the Joker is an insane guy with a clown face. But as scary as he is, a bright, purple-suited, green-haired swing dancer like him looks absolutely ridiculous in a film as postmodern as The Dark Knight and an audience as jaded as we. So instead, they took the concept and ran with it. He's dirtier, and less composed. His freakish smile is not a smile at all, but horrible scars, and his delighted cackling is replaced with Heath Ledger's sardonic sarcasm. It was an adaptation not for a medium, but for an audience.
That's what an adaptation is supposed to be.