I don't want to comment directly on Witcher because I've not played the game, but it really does come down to writing.endtherapture said:It depends what kind of story you are trying to tell. If you're trying to tell a high fantasy epic, then it does not make sense to have elements such as rape within the story. However if you're going for a more grounded, dark fantasy, then this will help to enforce the reality of the world and draw you in. That is why rape feels in place in Game of Thrones but if you shoved some rape into Lord of the Rings it'd feel awkward. The tone has got to fit. To continue this tone, The Witcher 2 is a dark game, dirty and muddy in artstyle, and not all of the women are perfect bikini babes, a lot of them are fat and ugly, some have rotten teeth, all have some kind of blemish on their skin. It's a background detail that adds to the world.Netrigan said:Know I'm taking this a bit out of context, but while it makes sense for X to happen, doesn't mean it should be there. If we play the realism card, then the women in a medieval setting wouldn't conform to modern standards of beauty. Sort of like real gladiators would look more the rancor keeper in Return of the Jedi rather than the sculpted physiques on display in the recent Spartacus series.endtherapture said:Given the game is set in a Eastern European medieval fantasy world, I would say there is a fair reason to include rape.
Simply put, even in historical fictions, the creators sculpt the world to include those bits which they want and eradicate the bits they don't. The statues in Ancient Greece aren't brightly painted, Medieval castles aren't filled with colorful tapestries, Ancient Egypt isn't filled with garish colors... all in defiance of reality. The details are so frequently gotten wrong because we're so used to seeing the wrong details.
And such is the case with rape. It's there because the writers chose to put it there. And it's an extremely tricky thing to write about and most writers who attempt it are no where near up to the task. If you didn't put rape in your medieval fantasy world, would people be bitching about it? Almost certainly not. There's no real reason to put it in there. There's a lot of common crimes throughout history that kind of get skated past because they're so hard to deal with within common narratives. How do you deal with child prostitution? Incest? Infanticide? 20th Century English work houses? And all the other nasty business which commonly gets swept under the rug in historicals.
In addition, infanticide is also hinted at in The Witcher, alongside ethnic cleansing and lots of other dark things. They're not only adding rape in to be "edgy", they're adding a whole lot of dark stuff to "muddy" the world and make it appear complicated, dark and morally confused, which fits in with one of the game mechanics, namely the element of choice.
Game of Thrones hasn't been above criticism for its sexual content. I recall one commentator having a field day with Martin's breast-centric description of Daenerys wearing a dress. Something like her enjoying the sensation of the cloth as it moved across her breasts. Point being, it was needlessly sexually charged and the sort of thing which almost never happens to male characters. A Scottish man never takes a moment to enjoy the cool updraft upon his scrotum while he's out in the fields wearing a kilt; yet female characters are always enjoying the soft caress of the fabric across their bodies. And he's very careful about who gets raped. Arya probably would have been raped somewhere along the way (or prostituted herself for food or money), but "realism" takes a holiday in her part of the story... because the alternative would be too damn horrible.
As for rape, I've seen a pretty massive sea change in how it's portrayed in our media. When I was a kid, the idea of a woman being chased around a desk portrayed attempted rape as a comical device (Barbara from Doctor Who was especially prone to this in the 60s). If a woman was raped in a drama, then the story was almost never about her; casting the man as the victim who must get his bloody revenge on all those involved (see Charles Bronson in Deathwish). Early 80s saw a deeper understanding of the subject, but it mostly manifested itself in one-off well-meaning female-centric melodramas (on the TV show Hunter, his partner was raped several times over the course of the series so she could be seen figuring out how to deal with it). Frequently the rape is fairly graphic so it's on the edge of eroticism (I still have oddly fond childhood memories of a bouncy young lady flopping around during an attempted rape in opening of A Clockwork Orange). Just portraying rape as "bad" isn't enough. A bad writer can miss his intended target with incredibly ease and send the wrong message. If a writer knows his attitudes are outside the mainstream, he can make a point of saying all the "right things" in order to justify his demented fantasies being made flesh.
So writing is super, super important with a subject that affects so many people and is so emotionally devastating. If you set someone on fire in a movie, there's probably on a small number of people who have had direct experience with something like that happening and become uneasy. With rape, a whole lot more people are suddenly going to be experiencing a bunch of emotions the writer didn't plan on.