Ok, I understand you're upset about how MoS turned out. But let's take a step back for a minute and examine who exactly is responsible for this supposed mess. And for the record, I didn't think it was that bad. If you just take it at face value, removing the superman fandom, it's actually a passable action film. Still kinda mediocre, but watchable.Psychobabble said:People got the idea from watching the travesty that was Man of Steel. And if anyone is guilty of forgetting about The Watchmen I'd have to say it's Snyder himself. How someone who went to great lengths to stay true to the background material and do no harm with such a difficult property as The Watchmen, could make such a travesty of a character with many more decades of source material to draw from, and with such a clear cut sense of morality, beggars the imagination.
How could someone who conveyed the convoluted gray morality of the anti-hero Rorschach, seem to be completely clueless when depicting someone so simply black and white as Superman? You could have put any character with super powers in that film and no one could have told the difference.
And you say Snyder isn't Michael Bay 2.0? He may not have started that way but when he turns the story of perhaps the most recognizable super hero into a cheap piece of big budget explosion porn, full of violence aggrandizing slug fest battles where no one really cares about the outcome, as no one truly cares about the characters involved, he's certainly well on his way to becoming so.
Honestly I think the blame for your issues lies with Goyer, who wrote the actual screenplay (and to a lesser extent Nolan). I've always viewed Snyder as a blank canvas; give the guy some decent material, and he can turn into a visually impressive film. 300, Watchmen, they were both already existing, successful material that Snyder could adapt into film.
(On a side note this is why Sucker Punch was, although still excellently directed, kinda shaky in the narrative department; Snyder wrote an original screenplay for himself, and it wasn't exactly stellar.)
So when you vent at Snyder, in my opinion you should ACTUALLY be venting at Goyer and Nolan; they're the ones who turned Superman all doubtful and broody, tried to ground him in realism and thus inserted bloated violence/destruction, and handled character development in such a one-dimensional manner. Snyder was basically forced to work with what he had, which according to you was a pile of crap. You can only do so much with a pile of crap.