Because creepy black string haired, pale ghost girl was the new hotness in horror during the mid-late 2000s. Along with everyone copying Saw too. I could never get invested in any of these ghost stories. The best to come out of it was F.E.A.R. Alma is way more interesting than the other ghost girls.The Grudge
Things just sort of happen in this movie huh? People go to this haunted house in Tokyo and then a ghost lady will lunge at the camera when you most expect it. Why did this become such a big deal? Ringu at least had a hook.
My favorite example of Team Edward and Bella.Ed Wood by Tim Burton with Johnny Depp, from my last arrival of Blu-rays. I had no idea I was watching a biographical movie until well into the movie. I thought Bela Lugosi's role was just a what if with minor connections to what he was really going through (addiction) for the first hour and a half. Didn't register that Ed Wood might be a real person until the backers suggested the title Plan Nine from Outer Space. I'm glad they didn't start it with "Based on a true story" or some crap like that. It was pretty good. Thinking of watching Plan Nine from Outer Space, but probably won't.
I loved the scenes in the past without de-aging or recasting: seeing the older actors playing their younger selves was disorienting and awesome. It gets a 7/10 from me.Da 5 Bloods
While the pandering makes me cringe, there is a heart in the story too. Paul and Norman bring bloody power into the movie that's a bunch of things -- often at the same time. 6/10
It was greatly inspired by the early 1970s movie, "The Wicker Man" but got something so wrong. We're angry with the protagonist in Wicker Man for being so square till we are forced to realize, maybe square is good. In Midsommer, we are scratching our heads wondering why this kids are staying with this group of killers and cultist loons.Midsommer.
Hmm. Sure I've seen a variation of this film about 20 times now. At least it has some interesting direction at points, though some scenes linger around like a stubborn fart hanging by an open window. Can't say I left feeling any more fulfilled or inspired however. There are dumb moments. Am wondering if the sole thought behind this production was "let's do horror in the sunshine and flowers, figure out the rest as we go!"
At least Suda's stuff is still entertaining. Plus, he's actually back in the writer's and director's chair with Travis Strikes Again and the upcoming No More Heroes 3. TSA is the most original, classic Suda, Suda has ever gotten. There is a ton of proper callbacks and refrences to his old and recent works. The game is like a documentary of his ups, downs, and rises. Way better than ol' Timmy.Tim Burton is the Suda 51 of movies.
I saw Alita like three or four times at the movies, and I slapped down for the 4K steelbook - which had a beautiful cover - after viewing one. Rosa Salazar was fucking captivating. I think I fell in love a little.Alita: Battle Angel - Still the best live-action anime. I don't care they ended on a sequel hook to a future film that is not going to happen. Robert and James did the manga justice to the point, where the manga creator loves this film. The action is well choreographed, the cinematography beautiful, and the art direction is literally the manga coming to life. And despite being PG-13, there is plenty of human, non-cyborg gore, the movie got away with. Rosa Salazar is the perfect Alita, and did a top notch performance. This is what live-action adaption of anime/manga should strive to be. Embrace the silly elements, while at the same time respecting the source and remove what does not work for live-action. Though in Alita's case, there is very little they had to remove.
I'll be honest, I have more respect for a movie that tries its hardest to be magnificent and grand but perhaps fails, over one that doesn't bother to try.As someone who has read Battle Angel Alita twice, Alita: Battle Angel frustrated me. Really shouldn't have tried to cram so much into two hours.
A lot of live-action adaption anime suffer from and it's not just the United States either. Japan is just as guilty for doing this too. Ironically, the speed racer movie does not suffer from this. Out of all the live action adaptions, Alita tried. And as far as I'm concerned it's succeeded.As someone who has read Battle Angel Alita twice, Alita: Battle Angel frustrated me. Really shouldn't have tried to cram so much into two hours.
Yeah stop motion always lends an extra layer of Uncanny Valley and creepiness to things. Plus that whole sequence is just disturbing in it's concept when you think about it.I watched part of Krull yesterday. The bit with the giant spider. It's actually much scarier than Shelob in Return of the King.
Is this the avatar I used to have here years ago? I've had it in a few places.A lot of live-action adaption anime suffer from and it's not just the United States either. Japan is just as guilty for doing this too. Ironically, the speed racer movie does not suffer from this. Out of all the live action adaptions, Alita tried. And as far as I'm concerned it's succeeded.
Your opinion. When seeing Alita with my brother, we did not have this much fun and hype in the cinema in a long while, aside from a Marvel movie or two. My mom adores this movie, and she never even heard of Battle Angel before the film.Is this the avatar I used to have here years ago? I've had it in a few places.
Anyway, I don't think they did a good job. I could go into so much exhaustive detail. In the end, I felt like although James Cameron had the rights for years and years, they threw the script together in six weeks.
In what sense?It's pretty clear it's a script from the 90s with few alterations made.
I’m going to guess that it may have something to do with a person who was clearly going to get fridged from the moment you saw him. Nowadays, you gotta at least pretend their a real person. She also is very quick to ‘learn’ things. The 90s were full of protags that were exceptional, with no flaws. Also full of protags that learn nothing but get better by upgrading their weapons.In what sense?
Well first of all: an adaption of a cyberpunk/post-apocalypse manga from the ealry 90s. What was once new, is old hat and cliche that it's ridiculous, but can be done great or well enough in the right hands. Which the film did. Second: Extreme sports rollerblading! Common in a lot of films during the 90s up until 2003-04ish. Didn't matter if it was kids film (the usual target audience for this stuff) or the totally rad, it's XTREME sports films. Third: The designs of the cyborgs are straight up 90s. I know it's more of manga thing, but you would not see design like that half of the time in modern manga/anime now. They did not have to change much design wise. Fourth: The way it's shot makes me feel like I went back to the good part of 90s film making from James Cameron. I know Cameron gave Robert the script and told to do whatever, but his passion and influence can still be felt. You're seeing both of their craft at work. Five: Just look at the early parts of the manga or watch the two episode OVA, and see how little they had to change. You will notice it.In what sense?