A Strong Second Act Can't Save Sword Art Online II

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kyp275

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Izanagi009 said:
This show is so problematic that I want to punch it.
To be fair, my impression of you is that you want to punch pretty much every anime other than Psycho Pass :p

As for the OT, just another of your typical *insert-show*-hater thread, where the show in question is neither a masterpiece nor a terrible trash that its detractors claims it to be. I always find it rather amusing that people try to examine what is essentially the equivalent of a teen/YA story as if it's a entry in some literary competition, sometimes I half-expect those types to start ripping Doraemon for being not "deep" enough.

Comparing F/Z to SAO is comparing apple and oranges, the two stories are not remotely close to being the same genre. It's like trying to compare a saturday morning cartoon and GoT.

lucky_sharm said:
I think what you really mean is that you have lower standards, because "liking something for what it is" doesn't mean what you think it means. As a property, you can't get any more generic and uninspired than SAO.
Do try to at least attempt to hide your elitist attitude, your holier-than-thou aura is almost suffocating, and your argument about as valid as someone claiming liking go-Karts means "you have lower standards", because it's not racing "real" cars.

*hint: it's not valid, not remotely*

lucky_sharm said:
Also, I'm noticing a trend in this thread, and it's always the accusation that people hate the show just to hate on it, yet there aren't any refutations made regarding the criticisms made against it
Besides the fact that the claim is patently false(as many have addressed/refuted said criticisms above), personally I find such exercises to be rather futile, especially between entrenched opposing views. What you consider to be flaws to be "criticized", others may not feel as strongly, or may even consider them to be good points.

Finally, I don't think the word tone means what you think it means
Frankly, I don't think you realize just how condescending and snobbish you sound.

And then you also have this viciously misogynistic narrative where every female character exists either to be some variation of boobs/legs/ass fodder for the audience, fall in love with Kirito, get rescued by Kirito, or be a tough independent person that gradually becomes more helpless and dependent and eventually "righted" by the perfect and resolute Kirito (cough Asuna and Sinon cough).

Yea... you keep right on ahead with that narrative.
And um..."Characters are bland, stereotypical, and utterly unlikable" yet you're defending Sword Art Online...[/quote]
 

Izanagi009_v1legacy

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kyp275 said:
Izanagi009 said:
This show is so problematic that I want to punch it.
To be fair, my impression of you is that you want to punch pretty much every anime other than Psycho Pass :p

As for the OT, just another of your typical *insert-show*-hater thread, where the show in question is neither a masterpiece nor a terrible trash that its detractors claims it to be. I always find it rather amusing that people try to examine what is essentially the equivalent of a teen/YA story as if it's a entry in some literary competition, sometimes I half-expect those types to start ripping Doraemon for being not "deep" enough.

Comparing F/Z to SAO is comparing apple and oranges, the two stories are not remotely close to being the same genre. It's like trying to compare a saturday morning cartoon and GoT.
1: I've given positive reviews to "Fate Prisma Illya","When Supernatural Battles become Commonplace" and will be giveing one to "Rage of Bahamut Genesis" I like some shows it's just that a lot of other shows make me angry enough to blow my top

2: funny thing about that, SAO was technially made to be entered into a light novel competition but apprently, the page limit was passed so the author put it online.

3: i suppose so.
 

lucky_sharm

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kyp275 said:
You're saying that its the equivalent of young adult novels...is that supposed to be a point in its favor or excuse its awfulness? Because I don't think anyone with a remotely critical mindset tries to defend Twilight and its ilk.

That's nice...so do you actually have a point to make or are you still getting to one? Any refutations? Arguments? Rebuttals? Anything like that? See, this is exactly what I'm saying. Why is it so difficult to have a discussion about his show? Making unsubstantiated accusations toward people you disagree with seems to be all that goes on in these kinds of threads. (you're doing a very good job of supporting my own, however, thanks for that by the way)

Also, the fact that you legitimately read that level of malicious intent in my posts says more about you than it does me. If you legitimately pay no mind to the utterly glaring flaws that this show has, then you either have lower standards (so low that you're digging through the earth's core at this point), never exposed to any famous plays/classic novels/movies/odysseys/any piece of media with a semblance of wit and depth, or you just like watching terrible shows (which isn't a bad thing honestly).

I mean, I get why people like this show, but I'm baffled that there are people older than 14 years of age that actually try to defend its story on a level higher than "hormone-addled male power fantasy for shut-in nerds".

Joccaren said:
A common theme I'm finding in your post is that you're excusing the show's flaws by saying that "all other anime does the same thing so why should it matter here"(cough bullshit cough), and it makes me wonder if you realize that anime in general aren't exactly a reliable metric by which you should judge quality of writing.

I wouldn't call SAO lighthearted as it is completely schizophrenic in its tone and content. You have harem antics, cliched anime comedy, bouncing tits, gratuitous ass shots, shitty juvenile humor overall and...mass murder, PTSD, AIDS, and graphic depictions of molestation and sexual assault. The problem isn't the depiction itself but the fact that SAO lacks any kind of maturity or grace in its storytelling to actually deal with these very serious themes, neither in a respecful or even compelling fashion.
 

michael87cn

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SAO is an OK show. Its written for teenagers not grown men. As are most anime. You should never judge young adult fiction, expecting it to be masterpiece of writing, plot and wit. You should expect fantasy. That's what it is designed to give the viewer. A fantasy. Look up the definition of a fantasy if you don't understand.

Lots of people are way too harsh on this show, simply because its popular and they don't like it. Hint: if its popular there is a reason even if you don't agree with it. 2nd Hint: It's popular because its a great fantasy.

If a show doesn't provide YOU with what YOU want that does not make it bad, poorly written, etc. It means you need to move on with your life and do something else, not demonize it (or any other work) just because you disagree with parts of it.

Facts:

1) Excellent animation/excellent combat scenes (most important part of these kind of shows)
2) Excellent characters, writing, and a very unique setting for this specific type of fantasy (a very original and seldom used fantasy setting)
3) Lots of episodes leaving viewers with lots of content
4) Even more source material for potential future seasons
5) You should appreciate this show if you've ever fantasized about living in a virtual MMO


Not Facts:

Kirito is a bad character
The writer is bad/didn't do a good job on SAO because you don't like what x character or y character does in the show
The show is bad because its popular
It's not good because you don't like the setting, the characters or the appeal


The show is bad because it annoys you
 

michael87cn

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Why do people watch sports? Is it stupid? Yeah, it IS stupid. Is it fun? YES it is fun to watch sports.

Why do people watch SAO? Its fun. That is all something needs to be good and worthwhile.
 

Joccaren

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lucky_sharm said:
kyp275 said:
You're saying that its the equivalent of young adult novels...is that supposed to be a point in its favor or excuse its awfulness? Because I don't think anyone with a remotely critical mindset tries to defend Twilight and its ilk.

That's nice...so do you actually have a point to make or are you still getting to one? Any refutations? Arguments? Rebuttals? Anything like that? See, this is exactly what I'm saying. Why is it so difficult to have a discussion about his show? Making unsubstantiated accusations toward people you disagree with seems to be all that goes on in these kinds of threads. (you're doing a very good job of supporting my own, however, thanks for that by the way)

Also, the fact that you legitimately read that level of malicious intent in my posts says more about you than it does me. If you legitimately pay no mind to the utterly glaring flaws that this show has, then you either have lower standards (so low that you're digging through the earth's core at this point), never exposed to any famous plays/classic novels/movies/odysseys/any piece of media with a semblance of wit and depth, or you just like watching terrible shows (which isn't a bad thing honestly).

I mean, I get why people like this show, but I'm baffled that there are people older than 14 years of age that actually try to defend its story on a level higher than "hormone-addled male power fantasy for shut-in nerds".
Its a young adult story. If that's not for you, cool. However, don't hate on it because its not Shakespeare [Which IMO is pretty bad and terrible half the time. Too much shitty drama]. It is what it is. No-one is claiming it isn't. Don't like that sort of thing? Cool. Don't see that as a reason to go on for 3 pages of a thread about how terrible it is though.

The point is, half your arguments have no standing. Your criticisms are flawed, and more an excuse to hate than actually backed by evidence. I don't need to refute your arguments, as they don't even stand on their own. All the characters are stereotypes... But few actually match the Stereotypes you assign them. The story has no stakes... Except when it does. Nothing Kirito does ever comes back to haunt him... Except Death Gun, and what I have mentioned in the spoilers countless times. The women characters are all weak damsels in distress for Kirito to save... Except they're not. Even after being saved by Kirito [And in some cases saving him] they are some of the strongest characters on the given server, except the weaklings like Silica. Females never solve their own problems, except when Asuna and Yuuki get their own entire all-girls arc, with a guest appearance by Kirito for 2 seconds. Which of your criticisms stand? That its an anime and thus has fan service? Great. Even that, as said, isn't as bad as many other anime.

If you don't like it, or think its average, that's fine. Going on for 3 pages about how flawed it is, but your stated 'flaws' failing on every count to be true is a bit beyond that. I don't know what "Malicious intent" you talk about... Unless hating something counts as malicious intent, in which my posts have always been about general people hating SAO [Of which there are a large number], and rarely, if ever, specifically calling you out.

Nobody tries to defend its story as a masterpiece. It isn't. No-one would argue it is. Its a teenage male fantasy story. What did you expect from a shounen anime [Teenage-Male audience aimed anime]. Seriously?
What people do defend is that, whilst it ain't the greatest show ever made, its far from the worst, or even 'THE quintessential bad anime', to quote you earlier. Its a average to good shounen anime. If you were looking for deep and 'witty' plot, you were looking in the wrong place to start with. Rather than reviewing it by the standards of what you WANTED to watch, how about reviewing it by the standards of its genre?
You don't go to a metal concert and then rate it 3 out of 10 because whilst it managed a melody, there was no finesse, and it lacked many classical instruments like the Violin, Piano or Bassoon. You went to a damn metal concert, what did you expect?

A common theme I'm finding in your post is that you're excusing the show's flaws by saying that "all other anime does the same thing so why should it matter here"(cough bullshit cough), and it makes me wonder if you realize that anime in general aren't exactly a reliable metric by which you should judge quality of writing.
You misunderstand. I am simply confused by the hypocrisy of many; "SAO is so bad, it has all these flaws. X [Usually Log Horizon in this thread] is much better!", meanwhilst X has those exact same flaws, only worse IMO. Why is X lauded as amazing, and SAO hated as being terrible?
Its that sort of hypocrisy that kind of gets my goat, if you will.

I wouldn't call SAO lighthearted as it is completely schizophrenic in its tone and content. You have harem antics, cliched anime comedy, bouncing tits, gratuitous ass shots, shitty juvenile humor overall and...mass murder, PTSD, AIDS, and graphic depictions of molestation and sexual assault. The problem isn't the depiction itself but the fact that SAO lacks any kind of maturity or grace in its storytelling to actually deal with these very serious themes, neither in a respecful or even compelling fashion.
The subject matter it covers doesn't decide whether its light hearted or not. HOW it covers it does. Mass Murder is barely touched upon as a thing. Its the same as the intro to any number of anime. Lots of people died in some disaster caused by someone. Now we will go fight this someone.
SAO never really focuses on the fact that a lot of people died - its mentioned occasionally, but during its first arc the focus is always on the world, and learning to live in a virtual world, accepting it as a reality rather than a cage. The second season focuses on exploring the Elfheim world, and interacting with the VRMMO world post SAO. Little of it focuses on more heavy hearted things, except the face of with the villain, and the brocon episodes. Third arc gets a little darker, with the focus being on the PTSD side of things and moving through that. Caliber is light hearted as hell. Mother's Rosario is both light hearted and sad.
There are a couple of scenes in each season where the bad guys show up, and we're faced with a slightly darker tone - as is normally the case when villains appear - however by and large especially the first season was a very light hearted anime, with little excess drama, and much more a feel of discovering the worlds of SAO.
Graphic depictions of certain things are more the choice of the animation company than the actual series itself, I will again point out. In the LN, outside of 16.5, there is little 'graphic' about depictions of such things.

Does it lack maturity and grace? Maybe. I feel its more that, being a shounen anime, its trying to send a different message to what a more mature show would send for such themes. How it deals with such themes isn't for you. However, it obviously is for a large number of people, given the fanbase it has. This doesn't mean a large number of people have shit taste, or enjoy watching crap, it simply means that what those people enjoy watching is catered to well by SAO. If anything, that shows that SAO is a good anime, as it achieves what it wanted to, and it matches its target audience well. Shounen isn't for everyone. Doesn't mean you should review individual shounen anime and say they're crap, when you were watching the wrong genre for what you wanted in the first place. I think Michael sums it up best:
michael87cn said:
Why do people watch sports? Is it stupid? Yeah, it IS stupid. Is it fun? YES it is fun to watch sports.

Why do people watch SAO? Its fun. That is all something needs to be good and worthwhile.
SAO ain't some deep and meaningful crap. Neither is sports. They're there to be fun to watch, not to push some opinion on some political issue like Virtual Reality and digital crime like a more 'mature' anime would. That's not a bad thing. It means they're just there for entertainment, rather than to be deep and meaningful.
 

lucky_sharm

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michael87cn said:
SAO is an OK show. Its written for teenagers not grown men. As are most anime. You should never judge young adult fiction, expecting it to be masterpiece of writing, plot and wit. You should expect fantasy. That's what it is designed to give the viewer. A fantasy. Look up the definition of a fantasy if you don't understand.

Lots of people are way too harsh on this show, simply because its popular and they don't like it. Hint: if its popular there is a reason even if you don't agree with it. 2nd Hint: It's popular because its a great fantasy.

If a show doesn't provide YOU with what YOU want that does not make it bad, poorly written, etc. It means you need to move on with your life and do something else, not demonize it (or any other work) just because you disagree with parts of it.

Facts:

1) Excellent animation/excellent combat scenes (most important part of these kind of shows)
2) Excellent characters, writing, and a very unique setting for this specific type of fantasy (a very original and seldom used fantasy setting)
3) Lots of episodes leaving viewers with lots of content
4) Even more source material for potential future seasons
5) You should appreciate this show if you've ever fantasized about living in a virtual MMO


Not Facts:

Kirito is a bad character
The writer is bad/didn't do a good job on SAO because you don't like what x character or y character does in the show
The show is bad because its popular
It's not good because you don't like the setting, the characters or the appeal


The show is bad because it annoys you
I can most certainly judge young adult fiction, especially when there's movies and TV shows aimed towards children with the capacity to be more poignant, clever, subversive and well-written than said young adult fiction. There's absolutely no excuse for lazy, crappy writing.

Also, I think you should look up the word "fact" because saying things like "lots of episodes with lot of content" (a quarter to sometimes entire episodes filled with exposition and explaining to the audience what they already figured out on their own) "you should appreciate this show if you fantasize about living in an mmo" (you don't need a show for that, it's called masturbation) and "excellent characters, writing" (if you actually have this opinion then either you watch too much anime or all the wrong kinds), these are "opinions" not facts.

The show is bad because it is bad. If you like it regardless then more power to you, I guess.

Joccaren said:
You see, I can get behind media in general that sets out to be just plain schlocky fun even when its completely dumb and over the top, but the thing about SAO is that its just plain boring on top of being unpleasant and uncomfortable to watch.

You sometimes have these cool and flashy scenes of characters spinning and jumping around with their shiny glowy swords, but nothing is actually happening. Swords bang and clash around and light up, but there's no narrative going on. You either have Kirito fighting monsters or Kirito beating up one-dimensional villains. There's no tension or drama when you have two characters that have no chemistry or previously established bond or connection, or when you know for a fact that Kirito pulls through no matter what gets thrown at him, either by brute force or out of his ass (Yui/Admin privileges).

All the top notch visuals in the world can't save your story when you have entire scenes, sometimes EPISODES of absolutely nothing happening, where two characters are just talking to each other in the least compelling or visually engaging manner possible. Such settings include the following: a cafe, a bar, more cafes, and a cave.

It doesn't help that there isn't a single interesting or noteworthy character worth caring about, and that's really what most of SAO's problems come down to. The "cast" in this story aren't even humans but more like empty husks decorated in cliche, and the majority of them are, at best, tangentially involved in the actual plot, save for Kirito (who would have guessed), the newest waifu that phases into existence by virtue of Kirito's involvement, and whatever one dimensional villains of the evening that the author can conjure up.

And with regards to

"Yes, the main character solves the main plot points, and moves the story forward. Find me one anime where the main character aren't the ones that enact change in the world, that solve problems, or that move the story forward."

There's a world of difference between a story in which its entire universe revolves around a single character, and a story in which main characters all naturally exist in a world as cogs, small parts of an even greater machine.

And actually, there's more stuff that I meant to reply to in my last post but I'll just put it here:
Joccaren said:
No, the romance between Asuna and Kirito doesn't work because there's absolutely nothing going on between them. It's literally there for its own sake and the author's I'd imagine *COUGH 2 YEARS OF SEMEN GLOPPED ENDLESSLY INTO ASUNA COUGH*. Hell, forget about things like conflict and strife, there's scarcely any kind of chemistry or dynamic between them in their normal interactions, let alone a romantic one, because the characters are so shallow. You see, this is why basic things like persistent traits and you know, personality overall are important to a story because this is fiction where first impressions and establishing flow are essential, so something has to stand out and capture the viewer's/reader's/etc imagination. Also, I'll get into the "stupid drama" thing later on.

But hold on, if the story isn't about Kirito, who the hell is it about then? Because as far as how we've seen thus far, nothing ever happens without his involvement. It's only when he shows up in GGO that people discover the whole blocking bullets with a lightsaber thing. It's only when he shows up that people realize that the AGI stat isn't completely worthless. It's pretty much only him that thinks to anticipate the projected bullet trajectory. It's as if the hardcore players didn't comb through every single mechanic in the game. In Mother's Rosario, Zekken's main thing is that she beat Kirito (all in scenarios where there's nothing dire or urgent happening) and its only then that she's sought out, because Kirito.

And because Kirito seems contractually obligated to be at the center of everything in his universe, it further compounds the issue regarding the "cast", or rather the lack of one. With the most generous interpretation of the word "cast" I suppose you could say that SAO has one, but it's so bloated with utterly useless and irrelevant characters that if you were to count down with one hand how many characters actually have a personal connection to the central plot in the story (beyond the purpose of barfing more exposition, being a stepladder for Kirito, or being the big bad villain, I mean actual characters with personalities and personal goals in the story), you'd probably have only have 2 fingers up at the very most. By the way, the femme fatale character I was referring to was that one red-haired slutty villain girl from season 1, you know, the one that Kirito helped Silica out with and basically whooped her without breaking a sweat.

Now see, the reason why I keep saying that the "cast" in this show are a bunch of useless, shallow stereotypes is because of the lack of "stupid drama". No, I'm not saying that you need characters to shout at each other and spew hatred and venom, but simply put, the characters in this story have as much depth as a rain puddle.

You see, when you have actual, well-realized, well-thought out characters, you also have characters that possess their own opinions, viewpoints, ideologies, ambitions, and personal goals. In SAO, as the review put it, everyone loves Kirito and nothing matters, and the only characters that don't like Kirito are basically codified bullies, idiots, and villains. When you have characters with such different ideals and views, conflict and friction naturally occurs between them, all of which occur between friends, family, and especially loved ones. Hell, these interactions don't even have to be dramatic or heavy, they can be entertaining or at the very least interesting, bringing out the more subtle aspects of characters when they're interacting with someone out of their comfort zone.

But...I suppose this IS fantasy, and if relationships ever go sour or fracture at any point then that just ruins the wish-fulfillment wonderland.

Another problem is that the story tells rather than shows, and Asuna and Shinon are part of but not even the most glaring examples of this. For instance, Asuna is repeatedly revered by the narrative in addition to Kirito as an equal and having all these superior attributes that he apparently lacks. Supposedly she did a number of kickass things on her own, but the audience never gets to see or experience these apparently spectacular achievements. On its own, this wouldn't be too big of an issue, but from the moment she reunites with Kirito she amounts to jacksquat overall and is reduced to an extra in the background (alongside Klein and later Agil) who all tokenly "help out" while Kirito reaps all the glory. Of course, you have the second act of Season 2 where she actually gets action...but nothing dire or urgent is happening, she's just hanging out with someone online while beating up virtual monsters.

And then there's Sinon. Whoo boy. Sinon is apparently a foil to Kirito, but what does she tell us about him? What does her character tell us about herself? Everything that happened from her mental breakdown to her resolve about being strong is incredibly insulting. She goes PTSD and instead of having realistic breakdown, she clings to Kirito, talks about how strong he is, yells "save me" multiple times, and drags her own character through the mud. Yeah I get it, she's meant to show weakness because that's a part of her character. That's fine but the show doesn't know how to properly portray this. The execution of her character is crooked, it leans entirely on Kirito. She comes across as a whiny insufferable baby who magically gains resolve after resting in Kirito's lap for a while. Just because the show tells us she has PTSD doesn't mean it gets a free pass when going through the details.

The most glaring example? The show straight up has no imagination. At all. The show literally fails screenwriting 101 by spending a quarter to sometimes ENTIRE episodes in which exposition is soullessly delivered between two characters sitting in a cafe, lounge, cave, or whatever setting that's the least interesting or visually engaging, and it doesn't help that the characters involved in these completely dull scenes are either made up of Kirito (cardboard cutout Gary Stu #123) talking with supporting character/soon-to-be harem member female protagonist #1353, or if we're lucky, two supporting characters. Not particularly fun or engaing. Oh yeah, that's another thing. I don't think the author even has the capacity to write for more than 2 or 3 characters at a time, but I digress. This is what bloated GGO to 13 episodes, because when you take into account the amount of actual plot that occurred in it, it wouldn't even be enough to fill 7 episodes.

It doesn't help that SAO doesn't have an original bone in its body and even has the audacity to depict "Death Gun" with a breathing mask effect. It's like the author heard about Star Wars and thought "wow Darth Vader is cool, I want him in my story too, but more kakkoi and edgy" without even a fundamental understanding of what made Darth Vader so memorable and menacing to begin with.
 

kyp275

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lucky_sharm said:
You're saying that its the equivalent of young adult novels...is that supposed to be a point in its favor or excuse its awfulness? Because I don't think anyone with a remotely critical mindset tries to defend Twilight and its ilk.
I would say quite a few people would defend Twilight, a great deal of them as a matter of fact, and just exactly who appointed you the arbiter of what constitutes "critical mindeset", or indeed what's supposed to be good or awful for anyone other than yourself?

But then again, I think your utter lack of addressing your condescending and holier-than-thou attitudes speaks volume as to who you think appointed you the lord of all things media related.

That's nice...so do you actually have a point to make or are you still getting to one? Any refutations? Arguments? Rebuttals? Anything like that?
I believe I did, you simply declined to address them.

Besides, it's quite an exercise in futility to have any sort of rational debate when one side seems rather keen on raving like a madman spewing little else other than hyperboles.

Also, the fact that you legitimately read that level of malicious intent in my posts says more about you than it does me.
Malice? I hardly think so, I simply pointed out how much of a condescending DB you've come across in your posts, as immediately displayed in the following paragraph:


If you legitimately pay no mind to the utterly glaring flaws that this show has, then you either have lower standards (so low that you're digging through the earth's core at this point), never exposed to any famous plays/classic novels/movies/odysseys/any piece of media with a semblance of wit and depth, or you just like watching terrible shows (which isn't a bad thing honestly).
Good lord, the sheer arrogance here could power a city for centuries if converted to electricity, I'm almost starting to get embarrassed for you.
 

kyp275

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Izanagi009 said:
1: I've given positive reviews to "Fate Prisma Illya","When Supernatural Battles become Commonplace" and will be giveing one to "Rage of Bahamut Genesis" I like some shows it's just that a lot of other shows make me angry enough to blow my top

2: funny thing about that, SAO was technially made to be entered into a light novel competition but apprently, the page limit was passed so the author put it online.

3: i suppose so.
- Bahamut was very enjoyable, quite a surprising gem considering the source material.

- Aye, SAO was one of Kawahara's first LN, and frankly quite decent compared to its contemporaries(unless of course, you want to take a classic literature microscope to it like someone in this thread seems to have). The fragmented nature of the first half of SAO (everything before Alicization) I presume is more of a result of its own success - Kawahara probably never really planned the story beyond what he wrote initially for the competition, and it took awhile for him to really nail down the direction he wanted to go, a problem that you don't see in Accel World.
 

lucky_sharm

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kyp275 said:
I have no doubt that there's a group of people that would try to defend Twilight but all it really proves is that not everything that is popular actually merits it.

But besides that, you haven't made any rebuttals...you're still firing away unsubstantiated accusations without actually addressing any points made previously regarding the actual topic of this thread, but then again it's probably easier to paint other people as mad in lieu of engaging in a discussion.

Also, I don't think "hyperbole" means what you think it means. The only reason what I say sounds exaggerated is because that is how its depicted in the actual fucking show itself, I mean I could always sugar coat it by saying "it COULD be less like this" or "maaaybe they could stand to do less of this" but it is what it is. You see, THIS is an accusation supported by reality.

Furthermore, responding to (what you are perceiving as, apparently) a condescending attitude with another condescending attitude isn't helping your case, either.
 

kyp275

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lucky_sharm said:
I have no doubt that there's a group of people that would try to defend Twilight but all it really proves is that not everything that is popular actually merits it.
Quite, the difference is that I recognize that is purely my subjective opinion, while you try to assert your opinion as objective fact.

Ultimately, what determines whether something's popularity is "merited", especially for a commercial product - is the success of the product itself, and by extension it's own popularity.

But besides that, you haven't made any rebuttals...you're still firing away unsubstantiated accusations without actually addressing any points made previously regarding the actual topic of this thread
Why would I? other posters have been doing that already, with many points I would've made myself. But if you must, I simply consider SAO(anime) to be an average shounen show that, for the most part, does not have much in the way of particularly strong points nor fatal flaws. Unremarkable really, save for the fanatical haters it seems to generate, and hardly the "worst show ever" that some, including you, seem to believe it is.


As for "unsubstantiated", I believe I've quoted quite a few already...

Also, I don't think "hyperbole" means what you think it means
...but thanks for demonstrating it once again for everyone. BTW, is that your go to catch-phrase? I don't think it works nearly as well as you think it does ;)

Also, I'm fairly certain that "you either have lower standards (so low that you're digging through the earth's core at this point)" fits the dictionary definition of hyperbole.


The only reason what I say sounds exaggerated is because that is how its depicted in the actual fucking show itself
One can quite easily criticize the show without come across as a condescending asshole, many have done it earlier in the thread, I'm not sure why you find it so difficult.


Also, responding to (what you are perceiving as, apparently) a condescending attitude with another condescending attitude isn't helping your case, either.
I don't think "condescending" means what you think it means(zing! did I do it right? :p)

No, condescending to you would be claiming how ignorant/lack of class/standard you must be to not see things the way my obviously superior intellect have decided - ie. basically how you've behaved in this thread.

Simply calling you out on your attitude however, is not. It's merely me telling you you're being obnoxious.
 

lucky_sharm

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Aug 27, 2009
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Alright I get it, you think I'm being condescending and that's basically the gist of your input in this thread, but there is a difference between what you personally interpret and what's actually being conveyed. I'm beginning to think that you're just projecting on me at this point.

But anyway, regarding popularity there's different reasons for why it occurs. Sometimes the property is actually good and other times it simply capitalizes on various facets of wish-fulfillment and base desires (in Twilight's case, having a pair of studly handsome men competing for your affection, rescuing you, guiding you to happiness without any effort made on your part, abstinence metaphor, etc etc).

Yet again, you're refusing to actually participate in what's being discussed, I mean I expected that in these kinds of threads but jeez, try and act more self-aware, will you?

Also, we all have opinions. There is, however, such a thing as a wrong opinion, typically ones that are not supported by any evidence, arguments, or reality. Everyone is allowed to have one but if you want yours taken seriously then you'd better at least put some effort in justifying it, something you have yet to do in this thread.
 

kyp275

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Mar 27, 2012
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lucky_sharm said:
Alright I get it, you think I'm being condescending and that's basically the gist of your input in this thread, but there is a difference between what you personally interpret and what's actually being conveyed. I'm beginning to think that you're just projecting on me at this point.
If you were trying to convey your points without being condescending, I can assure you that you have failed most spectacularly. Look over the stuff you've written in this thread, and see how many of them contain phrases that one would most likely not want to say/email to their boss/parents/people they like to keep as friends.

But anyway, regarding popularity there's different reasons for why it occurs. Sometimes the property is actually good and other times it simply capitalizes on various facets of wish-fulfillment and base desires (in Twilight's case, having a pair of studly handsome men competing for your affection, rescuing you, guiding you to happiness without any effort made on your part, abstinence metaphor, etc etc).
Which is completely irrelevant to whether it has "merit". Entertainment media isn't something like, say, automobiles, where "merits" can be objectively measured. For something that's created to entertain its audience, the only "merit" that matters is whether or not it has achieved that goal.

Yet again, you're refusing to actually participate in what's being discussed, I mean I expected that in these kinds of threads but jeez, try and act more self-aware, will you?
I have participated, just not in the banal and futile back-and-forth on minute and frankly irrelevant subjective interpretations of plot points that you seem to find so enjoyable.

Also, we all have opinions. There is, however, such a thing as a wrong opinion, typically ones that are not supported by any evidence, arguments, or reality. Everyone is allowed to have one but if you want yours taken seriously then you'd better at least put some effort in justifying it, something you have yet to do in this thread.
Indeed, people can have opinions on whether or not gravity exists, and those that disagrees would be wrong because it's objectively provable. However, when it comes to things that's inherently SUBJECTIVE, such as music, movies, or say, anime, there cannot be a right or wrong opinion, as that would require the existence of an universal standard, which as far as I know does not exist. Personally, I doubt you're going to find a section on what qualifies as good entertainment even if humanity discovers the theory of everything.

PS. Just because you may disagree with some opinions/arguments/evidence/reality, it does not make them non-existent. Seriously, you just claimed yet again that you can literally decide which subjective opinions is objective fact, and you wonder why I call you condescending?