Same here, I would certainly disagree thereLatinidiot said:wha-
but I liked Charlie!
But still! Really entertaining!!!!
Same here, I would certainly disagree thereLatinidiot said:wha-
but I liked Charlie!
If by that you mean, "burton's, and subsequently Schumacher's Batman movies felt like Batman in the same sense that the 1960's Adam west batman felt like batman" and nolan's "feels like something far more real, and more akin to the comics of the modern era", then sure.Casual Shinji said:Well, seeing as Burton's Batman actually felt like "Batman" compaired to Nolan's terrorist-subtext cyber-Batman, I'd have to say that you are absolutely full off sh- your own opinion.
I wholly agree with this assessment. It was, in fact, the realization that Schumacher's Batman & Robin was essentially a 90's era revisit of the 60's tv show that made me realize what exactly had gone on with the series.unwesen said:Burton's version was copying from both the cheesy TV version and the grittier comic books that had been published in the meantime. That is probably why, as you put it, "the pop-cultural importance of Burton's Batman can't be overestimated": it's always appeared to me to intentionally move the Batman franchise away from the silly caped crusader the mass market was used to from TV, without submitting the same mass market to a full-blown Frank Miller Splatterfest. It's either a masterpiece, or there was a ton of luck involved in timing and the exact design, and knowing Burton's other movies, I'd put more money on the former.
On the other hand it's fair to say that it hasn't aged terribly well; in part, that's because it was successful at bringing superheroes to the big screen. Of course the Dark Knight looks more contemporary; people have now been watching the same old superhero story for so long they again needed a fresh look, and the Dark Knight attempts just that. This is probably the first time we're made to forget that the main character dresses up as a bat, where we can take him entirely seriously and can be just a little scared of how far he can go in his quest for his version of justice.
I agree. I've seen alot of his movies, but they just don't seem as earth-shattering as people profess. Same with Micheal Bay.Le Tueur said:I've skipped almost all of Burton's movies, I can't really understand why, like Bay, he gets so much hype behind his movies.
Burton has famously gone on the record to state that he did absolutely no research on the character of Batman prior to making those films, and has never read a single Batman comic. So he wasn't trying to adapt squat from them. It's not faithful to the source material because he never READ that material.Matt_LRR said:If by that you mean, "burton's, and subsequently Schumacher's Batman movies felt like Batman in the same sense that the 1960's Adam west batman felt like batman" and nolan's "feels like something far more real, and more akin to the comics of the modern era", then sure.Casual Shinji said:Well, seeing as Burton's Batman actually felt like "Batman" compaired to Nolan's terrorist-subtext cyber-Batman, I'd have to say that you are absolutely full off sh- your own opinion.
I wholly agree with this assessment. It was, in fact, the realization that Schumacher's Batman & Robin was essentially a 90's era revisit of the 60's tv show that made me realize what exactly had gone on with the series.unwesen said:Burton's version was copying from both the cheesy TV version and the grittier comic books that had been published in the meantime. That is probably why, as you put it, "the pop-cultural importance of Burton's Batman can't be overestimated": it's always appeared to me to intentionally move the Batman franchise away from the silly caped crusader the mass market was used to from TV, without submitting the same mass market to a full-blown Frank Miller Splatterfest. It's either a masterpiece, or there was a ton of luck involved in timing and the exact design, and knowing Burton's other movies, I'd put more money on the former.
On the other hand it's fair to say that it hasn't aged terribly well; in part, that's because it was successful at bringing superheroes to the big screen. Of course the Dark Knight looks more contemporary; people have now been watching the same old superhero story for so long they again needed a fresh look, and the Dark Knight attempts just that. This is probably the first time we're made to forget that the main character dresses up as a bat, where we can take him entirely seriously and can be just a little scared of how far he can go in his quest for his version of justice.
-m
Be that as it may, and unwitting as it may have been - he ended up creating a film that incorporated elements of both the comics of the time and the Adam West series, and coupled it with exactly the right aesthetic.Gildan Bladeborn said:Burton has famously gone on the record to state that he did absolutely no research on the character of Batman prior to making those films, and has never read a single Batman comic. So he wasn't trying to adapt squat from them. It's not faithful to the source material because he never READ that material.Matt_LRR said:If by that you mean, "burton's, and subsequently Schumacher's Batman movies felt like Batman in the same sense that the 1960's Adam west batman felt like batman" and nolan's "feels like something far more real, and more akin to the comics of the modern era", then sure.Casual Shinji said:Well, seeing as Burton's Batman actually felt like "Batman" compaired to Nolan's terrorist-subtext cyber-Batman, I'd have to say that you are absolutely full off sh- your own opinion.
I wholly agree with this assessment. It was, in fact, the realization that Schumacher's Batman & Robin was essentially a 90's era revisit of the 60's tv show that made me realize what exactly had gone on with the series.unwesen said:Burton's version was copying from both the cheesy TV version and the grittier comic books that had been published in the meantime. That is probably why, as you put it, "the pop-cultural importance of Burton's Batman can't be overestimated": it's always appeared to me to intentionally move the Batman franchise away from the silly caped crusader the mass market was used to from TV, without submitting the same mass market to a full-blown Frank Miller Splatterfest. It's either a masterpiece, or there was a ton of luck involved in timing and the exact design, and knowing Burton's other movies, I'd put more money on the former.
On the other hand it's fair to say that it hasn't aged terribly well; in part, that's because it was successful at bringing superheroes to the big screen. Of course the Dark Knight looks more contemporary; people have now been watching the same old superhero story for so long they again needed a fresh look, and the Dark Knight attempts just that. This is probably the first time we're made to forget that the main character dresses up as a bat, where we can take him entirely seriously and can be just a little scared of how far he can go in his quest for his version of justice.
-m
Good grief I can't believe you're actually defending Burton's shocking lack of respectful research into the subject he was about to internationally insult by a lack of adaption. TheGildan Bladeborn said:Burton has famously gone on the record to state that he did absolutely no research on the character of Batman prior to making those films, and has never read a single Batman comic. So he wasn't trying to adapt squat from them. It's not faithful to the source material because he never READ that material.Matt_LRR said:If by that you mean, "burton's, and subsequently Schumacher's Batman movies felt like Batman in the same sense that the 1960's Adam west batman felt like batman" and nolan's "feels like something far more real, and more akin to the comics of the modern era", then sure.Casual Shinji said:Well, seeing as Burton's Batman actually felt like "Batman" compaired to Nolan's terrorist-subtext cyber-Batman, I'd have to say that you are absolutely full off sh- your own opinion.
I wholly agree with this assessment. It was, in fact, the realization that Schumacher's Batman & Robin was essentially a 90's era revisit of the 60's tv show that made me realize what exactly had gone on with the series.unwesen said:Burton's version was copying from both the cheesy TV version and the grittier comic books that had been published in the meantime. That is probably why, as you put it, "the pop-cultural importance of Burton's Batman can't be overestimated": it's always appeared to me to intentionally move the Batman franchise away from the silly caped crusader the mass market was used to from TV, without submitting the same mass market to a full-blown Frank Miller Splatterfest. It's either a masterpiece, or there was a ton of luck involved in timing and the exact design, and knowing Burton's other movies, I'd put more money on the former.
On the other hand it's fair to say that it hasn't aged terribly well; in part, that's because it was successful at bringing superheroes to the big screen. Of course the Dark Knight looks more contemporary; people have now been watching the same old superhero story for so long they again needed a fresh look, and the Dark Knight attempts just that. This is probably the first time we're made to forget that the main character dresses up as a bat, where we can take him entirely seriously and can be just a little scared of how far he can go in his quest for his version of justice.
-m
BatmanWarachia said:wasn't there supposed to be FOUR others? There are only 3 (four including alice) where's the fifth?