Hawki said:
Apart from the twats pushing the "SJW" narrative, who's actually seeing it as being abnormal?
The more interesting question is, "which group?". I'll be the first to admit action-oriented movies with women leads are a minority.
But, in this day and age it's hardly a novelty nor particularly revolutionary...and therein lies one of the key problems with which people take issue, namely historical revisionism on the part of those advertising and promoting films like Captain Marvel in the name of feminism.
The only way in which Captain Marvel is a "leading" film, is that it's the first (1.) MCU (2.) film to have a (3.) super-powered woman be the (4.) titular character. That's a comic set of disclaimers. Scarlett Johannson as Black Widow was first-billed in Iron Man 2, Zoe Saldana as Gamora was the first-billed woman super-powered character in Guardians 1, Hayley Atwell as Peggy Carter was the first titular woman in an MCU property, and Krysten Ritter was the first superpowered woman titular character in an MCU property. What Captain Marvel was
not, was neither the first woman-led superhero movie based on a Marvel property (which was Elektra if I remember right), nor the first woman-led superhero movie at all.
Same crap happened with Wonder Woman (2017). Not only was Wonder Woman
not the first DC woman superhero to get a film, it wasn't even the first Wonder Woman movie.
Sure, the '74 Wonder Woman movie was made-for-TV schlock, and likewise were Supergirl, Catwoman, and Elektra big screen garbage. But, straight talk: out of the entire body of work, how many superhero and comic book movies in general prior to the MCU were actually
good? Those four movies being garbage, were
normal for the genre. Writing those movies off for being low-budget, made-for-TV, not a tentpole release, nor very good, is actually applying a
higher standard for women-led comic book movies opposed to men, which is misogynist as hell.
Which, by the by, Supergirl was the first big-budget, Hollywood-level production standards, woman-led and -titled superhero movie. It was produced by Warner Bros, shot at Pinewood, had a Hollywood cast (Faye Dunaway, Peter O'Toole, Mia Farrow for three), scored by Jerry Goldsmith, and had a budget of $35 million. By comparison, Terminator had a budget of $6.4m, Temple of Doom had a budget of $28m, and Ghostbusters had a budget of $30m.
The same damn revisionist talking points and narratives get trucked out about every year about how "new property" is so new, ground-breaking, glass ceiling-shattering, and revolutionary, and all nay-sayers or critics are simply misogynist trolls, while damn near everything that came before (for good or ill) gets conveniently memory holed. What keeps works like Captain Marvel seen as "abnormal" as it was put, is their constant, largely unjustified,
treatment as abnormalities. Not because they
are abnormalities at this point, but to
market them.