Discuss and Rate the Last Film You Watched

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BrawlMan

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In a similar vein of subgenre, have you seen Apostle?

I'll watch that tomorrow! Same guy who did the Raid movies. Heard about this one, but never made time for it.
Captain Marvel. Boring plot and Brie Larson was pretty wooden. Also Nick Fury didn't seem all that bothered when his eye was clawed out by a cat alien thing.
My problem with CM was that the movie is all, mostly pointless, filler. The movie is a 2 hour filler episode before seeing Infinity War & Endgame.

Last film I watched was Princess Mononoke the other night. Until Netflix got (almost) all of them, I'd never seen a single Studio Ghibli film. Along with Mononoke, I've now seen Laputa: Castle in the Sky, Porco Rosso, and Nausicaä of the Valley of the Wind.

Mononoke is very good, but far more violent than the others, and rather bleak as well. Animation is top notch, dubbing is alright, the action is quite good.
I think my favourite so far is Nausicaä, however.
My first Miyazaki/Gilhbi film was Mononoke. My parents took my older brother and I to see it in 1999. I was 10 at the time. Woooh, we were not expecting the blood and gore, I tell you that. We saw (meaning me and my brother) the whole movie, and our parents slept through most of it. I still say Mononoke is better. I like Nausicaa, that film less ends, and more so just stops. I know the manga dives deeper, and the film is a trunacated version similar to Akira. Though from whayt I've heard, the manga gets self-indulgent and up its own ass, so maybe it's for the better.
 

Gordon_4

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I went a dug out Disney's 1964 adaptation of 20,000 Leagues Under the Sea because for many years I've loved the movie's one song, a sea shanty called "Whale of Tale" sung by Ned Land. Who was played by Kirk Douglas. However while Douglas is charming and enjoyable and Peter Lorre is a capable comic foil, the true powerhouse in the movie is James Mason as Captain Nemo. Holy shit is this guy a treasure to watch in action.
 
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Chimpzy

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My favorite horror movie in years. Not a jump scare kinda thing but real horror. What happens to the daughter left my mouth on the floor, eye's bugged out for minutes. Too bad the writer/ director Ari Aster's next movie was, IMHO, so bad (though it has a few amazing moments). Did you see it? Have you ever seen the original Wicker Man (1973) from which it was inspired?
I don't know, I kind of liked Midsommar. You can totally believe a cult like that can exist, because events like Jonestown show they at very least have existed and possibly still do. It's a more tangible form of horror. There's no monster or anything supernatural. So rather than fear of the unknown, its fear factor is that you can easily understand it, and you know it would be terrifying. But you are right, it liberally cribs from the 1973 The Wicker Man, except the latter is the better film. And has Christopher Lee in it, who by default elevates anything he's in.

Speaking of cribbing:

The Ritual (2017)
Take a whole bunch of Blair Witch, leave out the found footage style, and sprinkle in a dash of The Hills Have Eyes. It effectively uses its cinematography and sound design to build an effective atmosphere of pervading doom. If anything, it is well-directed. Also, the creature design is excellent. Unfortunately, the plot and characters aren't on par. At its core, it's a story about 4 guys going on a male bonding hiking trip after another friend got killed in a robbery, who end up stalked in a forest by a monster. Sounds like a good setup for something character-driven, right? Nope. Paper-thin cutouts whose only traits are either dumb as bricks dudebro or equally stupid whiny ass, who shout at each other in all caps, making obnoxiously contrived idiot decisions. So when the dying starts, I'm like "whatever, whathisname is dead".
 
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gorfias

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I don't know, I kind of liked Midsommar. You can totally believe a cult like that can exist, because events like Jonestown show they at very least have existed and possibly still do. It's a more tangible form of horror. There's no monster or anything supernatural. So rather than fear of the unknown, its fear factor is that you can easily understand it, and you know it would be terrifying. But you are right, it liberally cribs from the 1973 The Wicker Man, except the latter is the better film. And has Christopher Lee in it, who by default elevates anything he's in.

Speaking of cribbing:

The Ritual (2017)
Take a whole bunch of Blair Witch, leave out the found footage style, and sprinkle in a dash of The Hills Have Eyes. It effectively uses its cinematography and sound design to build an effective atmosphere of pervading doom. If anything, it is well-directed. Also, the creature design is excellent. Unfortunately, the plot and characters aren't on par. At its core, it's a story about 4 guys going on a male bonding hiking trip after another friend got killed in a robbery, who end up stalked in a forest by a monster. Sounds like a good setup for something character-driven, right? Nope. Paper-thin cutouts whose only traits are either dumb as bricks dudebro or equally stupid whiny ass, who shout at each other in all caps, making obnoxiously contrived idiot decisions. So when the dying starts, I'm like "whatever, whathisname is dead".
Our ladies gave me n the bros a men's night. We ate bad food, drank beer n whiskey, played Madden 2020, then ate junk food while watching that movie. We had a blast. Hope you had a chance to look up more about who that monster was. Cool stuff.

As for Midsommer vs. Wicker Man
the biggest difference that stood out for me: Midsommer, the kids see a brutal murder carried out right before their eyes, and act like this is just a sort of cultural thing and continue to hang out. I'm screaming in my head, what the heck is wrong with you people!:?!?!? The Wickerman, I was angry through the whole movie with the cop. I thought him rigid, hard assed and backward. Unable to accept happy people with a different culture. By the end? I felt me and people like me in the audience were almost complicit in what happens to him. Awesome movie and the highest grossing UK movie until dethroned by "Shallow Gave".
 

Dalisclock

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I went a dug out Disney's 1964 adaptation of 20,000 Leagues Under the Sea because for many years I've loved the movie's one song, a sea shanty called "Whale of Tale" sung by Ned Land. Who was played by Kirk Douglas. However while Douglas is charming and enjoyable and Peter Lorre is a capable comic foil, the true powerhouse in the movie is James Mason as Captain Nemo. Holy shit is this guy a treasure to watch in action.

20,000 leagues under the sea is one of movies that is a great adaptation of the book while devianting notably from it. Particularly the whole "I have a nuclear submarine and a nuclear bomb in the 1860's" thing that works because it fits the themes nicely.

And yes, that sea shanty is catchy as hell. You just had to mention it and now it's stuck in my head.
 

Chimpzy

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Our ladies gave me n the bros a men's night. We ate bad food, drank beer n whiskey, played Madden 2020, then ate junk food while watching that movie. We had a blast. Hope you had a chance to look up more about who that monster was. Cool stuff.
Yeah, I know what a Jötun is. Used to be big on reading myths and legends. Not really sure why they say its the offspring of Loki tho. Cuz it's the other way around in Norse mythology.
As for Midsommer vs. Wicker Man
the biggest difference that stood out for me: Midsommer, the kids see a brutal murder carried out right before their eyes, and act like this is just a sort of cultural thing and continue to hang out. I'm screaming in my head, what the heck is wrong with you people!:?!?!? The Wickerman, I was angry through the whole movie with the cop. I thought him rigid, hard assed and backward. Unable to accept happy people with a different culture. By the end? I felt me and people like me in the audience were almost complicit in what happens to him. Awesome movie and the highest grossing UK movie until dethroned by "Shallow Gave".
Aye, one of the most irksome tropes in horror is characters turning into morons with no self-preservation instinct. And yeah, for people who were otherwise portrayed as realistically sensible, they get hit with the stupid hard. Like this, but imagine every hit increase their Stupid stat by +100:
 

BrawlMan

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Saw Castle in the Sky. I forgot how awesome this movie is. I liked the movie back when I saw it in middle school, but love it even more now! It's similar to an Indiana Jones adventure film, or serial shows. Yet with its own flair, and unique style. The animation, background art, and character design have a all aged like fine wine. The usual of a Miyazaki film. Looks even more beautiful on Blu Ray on the big screen. The score (2003 version) is amazing. From what I heard, even the original composer for the movie hates his own score from the 1986 version. I'll take his word for it. I have to say, Castle in the Sky and Princess Mononoke are my top favorites of Miyazaki films. Y'all have to see this if you have not yet. I don't care how you see it. Use Disney+ if you have to.

A quick ramble. Castle in the Sky feels like a proto-Uncharted in some ways. The male protagonist, Pazu, has some serious parkour he demonstrates through out the film. Especially when he is climbing. The lost civilization that destroyed itself, and the evil military that wants something from the ancient society. Then again, similar to Indiana Jones in some ways, so the influecne always spreads around.

Though the Laputa civilization decided to abandon their civilization instead of growing proud and killing each other.


 

Dalisclock

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Saw Castle in the Sky. I forgot how awesome this movie is. I liked the movie back when I saw it in middle school, but love it even more now! It's similar to an Indiana Jones adventure film, or serial shows. Yet with its own flair, and unique style. The animation, background art, and character design have a all aged like fine wine. The usual of a Miyazaki film. Looks even more beautiful on Blu Ray on the big screen. The score (2003 version) is amazing. From what I heard, even the original composer for the movie hates his own score from the 1986 version. I'll take his word for it. I have to say, Castle in the Sky and Princess Mononoke are my top favorites of Miyazaki films. Y'all have to see this if you have not yet. I don't care how you see it. Use Disney+ if you have to.

A quick ramble. Castle in the Sky feels like a proto-Uncharted in some ways. The male protagonist, Pazu, has some serious parkour he demonstrates through out the film. Especially when he is climbing. The lost civilization that destroyed itself, and the evil military that wants something from the ancient society. Then again, similar to Indiana Jones in some ways, so the influecne always spreads around.

Though the Laputa civilization decided to abandon their civilization instead of growing proud and killing each other.
Castle in the Sky is one of my favorite Ghibii films hands down. The pulpy action, the overarching mystery of a lost city(which I guess is really pulp in itself), Mark Hamil as a fun, hammy bad guy and a fair bit of heart.

Strangely enough, I get this weird feeling with Nausicaa and Castle in the Sky like they're like a different parts of the same movie. I know they aren't but they look and feel similar enough, not to mention both are post apocotyplic that I sometimes conflate parts of them.
 
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BrawlMan

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Strangely enough, I get this weird feeling with Nausicaa and Castle in the Sky like they're like a different parts of the same movie. I know they aren't but they look and feel similar enough, not to mention both are post apocalyptic that I sometimes conflate parts of them.
It's actually implied that Nausicaa and Castle takes place in the same universe. A lot of the animals you see in Castle, show up in Nausicaa. The implication being, either Castle takes place before (most likely) or after Nausicaa (meaning after the apocalypse ended). Keep in mind Castle came first production wise with Nausicaa following next. Still scary either way, and kinda sad. Especially if you are going with the takes place before Nausicaa theory.
 

Gordon_4

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20,000 leagues under the sea is one of movies that is a great adaptation of the book while deviating notably from it. Particularly the whole "I have a nuclear submarine and a nuclear bomb in the 1860's" thing that works because it fits the themes nicely.

And yes, that sea shanty is catchy as hell. You just had to mention it and now it's stuck in my head.
Yeah it was a good song, I mean I'd never seen the movie until just prior to the post but I had an old Disney CD that was sort of a greatest hits album, and that was one of them. The version in the movie is different but otherwise yeah, gets into your head and won't go away.

On topic: Short Circuit

One of the great cult sci-fi films of the 80's, this memorable yarn tells the story of military robot Number (later Johnny) 5 who gains sapience after being hit by lightning and wandering off from his home base. I read somewhere that a great deal of the movie's sfx and sundry budget was eaten up by Number 5 himself but in the long run that has made the move infinitely re-watchable because of all the work that went into making him so expressive.

The movie was no great hit and explores some fairly well traveled parts of science fiction regarding robots - see also Mr. Data from Star Trek - it provides a nice and easily digestible introduction for younger sci-fi fans to the concepts. Also, you know that part in the Animatrix: Second Renaissance where that crowd beats a gynoid to death while she's screaming she's real? Its fucking horrifying and awful right? Well Short Circuit 2 did it first and its genuinely un-fucking-comfortable to watch.

 
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BrawlMan

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Well Short Circuit 2 did it first and its genuinely un-fucking-comfortable to watch.
Seeing that at the age 7 was sad. I honestly don't know how I was able to see that and get through a brutal scene. I saw both movies back-to-back my first time in early or mid 1997 on TBS if I remember correctly. They left that scene entirely uncut.
 

Neurotic Void Melody

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That was terrific! You could start a whole thread about this sort of thing alone. For instance, The Witch : Again, not really jump scare but a think piece and spooky.
Glad to hear it worked out well dude! It definitely goes places. The Witch is a brilliant example of maintaining tension merely through atmosphere, with a masterful soundtrack and flawless acting. (And metaphors!) The director for it apparently has a very highly regarded new film out now I've yet to see, starring William Dafoe and Robert Pattinson, called The Lighthouse.


It's on the list for suresies, just gotta find local willing or unsuspecting participants for it.
 
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gorfias

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Glad to hear it worked out well dude! It definitely goes places. The Witch is a brilliant example of maintaining tension merely through atmosphere, with a masterful soundtrack and flawless acting. (And metaphors!) The director for it apparently has a very highly regarded new film out now I've yet to see, starring William Dafoe and Robert Pattinson, called The Lighthouse.


It's on the list for suresies, just gotta find local willing or unsuspecting participants for it.
I bought it on Amazon, had a bud over and watched it over some whiskey. He liked it a lot more than I, but I really did like it a lot. This picky guy thought it movie of the year but do not watch the review until after you see the movie: Very unusual movie.
 

BrawlMan

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I bought it on Amazon, had a bud over and watched it over some whiskey. He liked it a lot more than I, but I really did like it a lot. This picky guy thought it movie of the year but do not watch the review until after you see the movie: Very unusual movie.
I'm sure the movie is good, but Stuckmann is a reviewer I don't like nor trust.
 
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Hawki

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Planet of the Humans (7/10)

This has got to be one of the most depressing films that I've ever seen. The only recourse is that there's a lot of counter-claims being put forward.

The film's thesis is basically that "green" energy (solar, wind, biomass) isn't that green, that you're effectively replacing one limited resource (coal, oil) with other limited resources (lithium, cobalt, quartz, etc.) That the mining is still damaging, and that at the end of the day, you might as well stick with fossil fuels because the net output of GHGs is the same. That at the end, population and consumption has to be lowered because "green" technologies are just as damaging as fossil fuels (it doesn't spend any time on nuclear). And in case you think this is a climate denial piece, it's actually executive produced by Michael Moore, who, well, I shouldn't have to explain that. An extension of this thesis is that environmentalism sold out to big business/capitalism. In essence, the attempt to introduce renewable energy has been a waste of time, and the only way ahead is reduction of population and consumption.

Now, some of that I agree with. Greenwashing is a thing. I've long been skeptical of biomass, though I did have a phase where I thought it could be a viable substitute for oil (i.e. ethanol). That said, there's a lot of things the film claims that seem off. For instance, among them is the claim that electric cars are just as bad as petrol cars because if you're charging from a coal-fired power station, then what's the point? However, everything I've read up to this point indicates that even if this is the case, less CO2 is emitted into the atmosphere overall. I mean, the best solution is to not use a car at all, or use it only when you have to, but it reminds me of the saying "don't let the perfect become the enemy of the good." Another example, if you look at how much energy Germany gets from solar power, it's 9.1% according to Wikipedia, but the film claims that in reality, it's something like 0.3%. Now, Germany's certainly bungled some things in regards to energy IMO (e.g. closing still operating nuclear plants), but something is off here. Either the film is incorrect, or there's been some heavy lies up to this point, because that's too wide a discrepency to just write off. And look, lies aren't new, but a lot of the claims made are ones that I find hard to believe. Like, of course minerals for solar panels and wind farms have to come from somewhere, but everything I've read has indicated that in the long run, these energies do less damage overall than coal/gas, and that stuff like lithium is far more abundant in the Earth's crust than coal. The film claims that in the end, there's no difference whatsoever, and that there's been a giant conspiracy to greenwash an industry that's just as deadly to the planet and life as coal.

It's kind of weird, how 1-2 years ago I watched 2040, and commented that it was too optimistic, whereas this has put me off for its pesimism. I know, I know, "facts don't care about your feelings," but I still hope a lot of the film is wrong. Because if it isn't, then, well, I don't want to imagine that right now. Still, I'm giving it a "good" rating. It's well made overall, though Gibbs is no Michael Moore. Moore, love him or hate him, knows how to present things. Gibbs talks in a constant dull monotone, and the cinematography is very basic.
 

Casual Shinji

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Saw Castle in the Sky. I forgot how awesome this movie is. I liked the movie back when I saw it in middle school, but love it even more now! It's similar to an Indiana Jones adventure film, or serial shows. Yet with its own flair, and unique style. The animation, background art, and character design have a all aged like fine wine. The usual of a Miyazaki film. Looks even more beautiful on Blu Ray on the big screen. The score (2003 version) is amazing. From what I heard, even the original composer for the movie hates his own score from the 1986 version. I'll take his word for it. I have to say, Castle in the Sky and Princess Mononoke are my top favorites of Miyazaki films. Y'all have to see this if you have not yet. I don't care how you see it. Use Disney+ if you have to.

A quick ramble. Castle in the Sky feels like a proto-Uncharted in some ways. The male protagonist, Pazu, has some serious parkour he demonstrates through out the film. Especially when he is climbing. The lost civilization that destroyed itself, and the evil military that wants something from the ancient society. Then again, similar to Indiana Jones in some ways, so the influecne always spreads around.
Something peculiar I noticed about Castle in the Sky is that there's a lot of casual moments where a character would've likely died super hard if things went even slightly wrong. A prime example is when Pazu and Sheeta land on Laputa and start cheering happily, twirling around joyfully, and seriously almost falling over the side to their deaths. Another is when Sheeta joins Pazu in the crow's nest on the airship and the wind catches her as she tries to climb in, but Pazu is holding on to her. None of these moments are played for tension or thrills, but it's crazy how close to death either one or both of them were in that moment. There's a whole bunch of moments like that in the movie, and as soon as you see them you can't unsee them. You should keep an eye out for them the next time you watch it again.
 
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BrawlMan

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. There's a whole bunch of moments like that in the movie, and as soon as you see them you can't unsee them. You should keep an eye out for them the next time you watch it again.
I've noticed some of what you are talking about. I'll keep a lookout when watching again for the other scenes that show this. Thanks.
 

Elfgore

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The Platform. After switching from the atrocious English dub, which suffered a bad case of voice does not equal character role too well, my experience with the film skyrocketed. A nice change of horror film, one that's more on how low humans can go or how they can abuse their authority if you give them a chance. The climax was a little lackluster though compared to the really good buildup.

Now, onto Await Further Instructions! Google hates it because it has messages and themes on stuff like the patriarchy, religion, and toxic masculinity! Let's see how well it does!
 

gorfias

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The Platform. After switching from the atrocious English dub, which suffered a bad case of voice does not equal character role too well, my experience with the film skyrocketed. A nice change of horror film, one that's more on how low humans can go or how they can abuse their authority if you give them a chance. The climax was a little lackluster though compared to the really good buildup.

Now, onto Await Further Instructions! Google hates it because it has messages and themes on stuff like the patriarchy, religion, and toxic masculinity! Let's see how well it does!
Where do you see "Await Further Instructions"?

Watching Devs on Hulu which was suggested above. So far, very interesting. Hope it keeps up.