I don't think casting an American in an American rendition of a British story is as much done to appeal to Americans as it is done because Americans are the ones doing it. They can only pay tribute to the story with themselves.crotalidian said:I dont consider throwing an american into a lead role of an english story an 'adaptation' Scrooged is an adaptation and it worked becaus the story was applied to modern day new yourk and turned into a half decent black comedy. Setting the film where its meant to be set london/sherwood forest whatever but casting an american to boost the US appeal feels like butchering the Original. I agree that teh language should be somewhat adapted to the modern audience but at least keep it in the same country!Anacortian said:If one's biggest problem with foreign adaptations on one's culture's stories is the accent, one needs to apply some reason. First, foreign adaptation is just about the highest form of praise one can give a culture; parroting accents comes dangerously close to an insult regardless of how well it's done and with what sincerity. Second, Victorian English (Dickens), Middle English (Robin Hood and Shakespeare), and Old or not even English (Arther) sound regressively less like modern, true English (what they speak in London). Nobody is ever going to get the accent right, neither you nor me. Repeat after me: "Thank you for the presumed compliment of my culture."
And Moviebob, Branagh's Hamlet was great because it was unabridged.
I think you're missing the point. He's suggesting that the lack of authenticity in a film can kill the mood. It's nothing to do with racism or cultural differences, it's to do with the fact an actor with a broad Alabama accent is going to struggle to make a convincing geordie. Flipping this around to a situation with a Brit in America; do you think house would be half the show it is if Hugh Lawrie had not gone to all the trouble of being a convincing American in House?Anacortian said:I don't think casting an American in an American rendition of a British story is as much done to appeal to Americans as it is done because Americans are the ones doing it. They can only pay tribute to the story with themselves.
The line of country is very arbitrary. I would argue that the British culture has changed so dramatically over the centuries, that America more common ground than differences with Britain than Britain has with Camelot, Boadica, et cetera. Furthermore, being a Briton does not even put you within the same people as many British legends. Keep going and you will find that Boadica can only be portrayed by a Celt (Welshman), Arther can only be portrayed by a Saxon (maybe an Angle, but not a Norman), anything about the Beatles story would require Liverpoolers, and anything Tolkien would need at least Englishmen (as opposed to Kiwis, Yanks, and Mics).
I'm glad to see one proud of their country; you have much about which to be proud. I beg you, however, to not be so racist as to prejudge that all foreign takes on your nations literature must inherently be bad ones. At the very least realize that America shares a HUGE common cultural stock with Britain and her commonwealth. The lot of us Anglophones really are very much more akin than apart.
He's Canadian, guys. I know people on this site like getting all pissy and ***** and moan about Americans, but he isn't one.Anacortian said:I don't think casting an American in an American rendition of a British story is as much done to appeal to Americans as it is done because Americans are the ones doing it. They can only pay tribute to the story with themselves.crotalidian said:I dont consider throwing an american into a lead role of an english story an 'adaptation' Scrooged is an adaptation and it worked becaus the story was applied to modern day new yourk and turned into a half decent black comedy. Setting the film where its meant to be set london/sherwood forest whatever but casting an american to boost the US appeal feels like butchering the Original. I agree that teh language should be somewhat adapted to the modern audience but at least keep it in the same country!Anacortian said:If one's biggest problem with foreign adaptations on one's culture's stories is the accent, one needs to apply some reason. First, foreign adaptation is just about the highest form of praise one can give a culture; parroting accents comes dangerously close to an insult regardless of how well it's done and with what sincerity. Second, Victorian English (Dickens), Middle English (Robin Hood and Shakespeare), and Old or not even English (Arther) sound regressively less like modern, true English (what they speak in London). Nobody is ever going to get the accent right, neither you nor me. Repeat after me: "Thank you for the presumed compliment of my culture."
And Moviebob, Branagh's Hamlet was great because it was unabridged.
The line of country is very arbitrary. I would argue that the British culture has changed so dramatically over the centuries, that America more common ground than differences with Britain than Britain has with Camelot, Boadica, et cetera. Furthermore, being a Briton does not even put you within the same people as many British legends. Keep going and you will find that Boadica can only be portrayed by a Celt (Welshman), Arther can only be portrayed by a Saxon (maybe an Angle, but not a Norman), anything about the Beatles story would require Liverpoolers, and anything Tolkien would need at least Englishmen (as opposed to Kiwis, Yanks, and Mics).
I'm glad to see one proud of their country; you have much about which to be proud. I beg you, however, to not be so racist as to prejudge that all foreign takes on your nations literature must inherently be bad ones. At the very least realize that America shares a HUGE common cultural stock with Britain and her commonwealth. The lot of us Anglophones really are very much more akin than apart.
Granted.Gruchul said:I think you're missing the point. He's suggesting that the lack of authenticity in a film can kill the mood. It's nothing to do with racism or cultural differences, it's to do with the fact an actor with a broad Alabama accent is going to struggle to make a convincing geordie. Flipping this around to a situation with a Brit in America; do you think house would be half the show it is if Hugh Lawrie had not gone to all the trouble of being a convincing American in House?Anacortian said:I don't think casting an American in an American rendition of a British story is as much done to appeal to Americans as it is done because Americans are the ones doing it. They can only pay tribute to the story with themselves.
The line of country is very arbitrary. I would argue that the British culture has changed so dramatically over the centuries, that America more common ground than differences with Britain than Britain has with Camelot, Boadica, et cetera. Furthermore, being a Briton does not even put you within the same people as many British legends. Keep going and you will find that Boadica can only be portrayed by a Celt (Welshman), Arther can only be portrayed by a Saxon (maybe an Angle, but not a Norman), anything about the Beatles story would require Liverpoolers, and anything Tolkien would need at least Englishmen (as opposed to Kiwis, Yanks, and Mics).
I'm glad to see one proud of their country; you have much about which to be proud. I beg you, however, to not be so racist as to prejudge that all foreign takes on your nations literature must inherently be bad ones. At the very least realize that America shares a HUGE common cultural stock with Britain and her commonwealth. The lot of us Anglophones really are very much more akin than apart.
It sometimes seems like American actors can't be bothered attempting to make their characters actually fit the setting and it is annoying when they attempt to play British characters from British towns without even changing their accent. I assume the opposite way round would at the very least irk you. Obviously a poor accent might be even more offensive, but the audition process really ought to try to find someone who could do a good job of it.
I am really surprised I did not, myself, catch this one. So yeah. Dude's a born subject of the Queen. One just cannot complain in this case about his Americanism. One could only complain about his being an alien if one is willing to say that the Commonwealth has no part in British culture by virtue of the fact that Jimmy was not born on a particular island within a larger realm.PhiMed said:He's Canadian, guys. I know people on this site like getting all pissy and ***** and moan about Americans, but he isn't one.
I like Bill Murray's version Scrooged. The movie is fun.ZombieGenesis said:As a point of interest, what do people think the -best- adaptation of the Christmas Carol story is?