MovieBob said:
Les Miserables
See if MovieBob thinks that Les Miserables is really that miserable.
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To be fair to the work done on this film, I think what we have are a handful of performances that are absolutely
masterfully done... just done masterfully in the wrong medium, perhaps. However, there are non-artistic concerns to consider here:
1. These movie adaptations are often intended to restore interest in their properties. It's basically an advertising campaign, in a sense. And there's nothing wrong with that, really.
2. Tons of people have no time, money, or local opportunity to catch these things on stage, and recordings of live performances of the musical are often pretty awful... so much that it's intimidating for people to wade through the bad ones in hopes of catching a good one. This allows those people the opportunity to see the full musical with (for the most part) a great cast.
3. It is entirely possible to praise a work of art in one regard and hate it in another. Consider a song with incredible lyrics but dreadful music (or vice versa). Many of us feel the movie is phenomenal "for what it is," which I know is a phrase you dislike. But there is occasionally a value in engaging a work in its own terms, rather than measuring yards with meter sticks and complaining when things come up short.
Now, critiquing it as a
musical movie, I'd have to say:
- Russel Crowe was a complete and total mistake, as he brings no redeeming qualities to the role. He looks, sounds, and performs badly as Javert.
- Samantha Barks plays it safe on the ONE NOTE that every girl dreams of singing on Broadway. That's nigh-unforgivable, even given how great the rest of her performance was.
- The "in yo' face" camera technique, I agree, was a waste of good opportunity. Only Hathaway and Jackman got their mileage out of the extra face time.
- But Jackman was his
least expressive during Valjean's
most expressive song ("Bring Him Home"). I think Jackman was too worried about the range, and forgot to
act there. This stands out only because of how stellar the rest of his work was.
- Hathaway. Fucking. Killed. I've loved that song for years, but I have never cried at it. I
bawled this time around. Finally, someone that was willing to make it the ugly, desperate cry it was written to be... but still maintain the beauty and fragility that make it resonate rather than repel. Definitive rendition.