Treblaine said:
First let me say I can't knock Chell because, well, Chell is a part of me. Chell only ever did anything, even take a step or move a muscle when I made it as a conscious input, she never said anything I didn't say, because she didn't say anything at all. I did the portal mirror thing and looked at myself and saw a woman. It was a virtual reality as a woman. I WAS CHELL! And so was Anita Sarkeesian Chell when she played that game, she couldn't object to anything Chell did as she did that. You couldn't dislike Chell without disliking yourself.
There are millions of feminists on this planet (billions if you include the definition of feminism as "treat women as equals") I do not know what all of their stances are. I am looking at what Ms Sarkeesian's stated stance is, regardless of what kind on stance it might be defined as.
"underlying cultural baggage that we've been collectively hauling around since the birth of civilization"
I don't ascribe to that as it can go both ways. Paranoia from a history that is no longer practised can make equal treatment seem unfair by only looking at how women are treated rather than in comparison to men.
I too am fed up of male protagonist simply because by god, I've had enough of them. It's interesting to see a female protagonist of an action feature and you'd really struggle to overdo it.
My point about female characters is it's better to avoid bad press than get a load of good press. An all male cast is a safe bet, as you can't have someone make a troll video series about how this game is misogynistic if it completely avoid the issue. If a game isn't set in Japan and doesn't have any Japanese characters, you can't say its racist against Japanese.
Yes, a lot of us want female protagonists with real character, but it's not worth the risk of the likes of Ms Sarkeesian misrepresenting a female character as misogynistic.
Look at how she attacked Bayonetta, a strong female protagonist. How she attacked Catwoman. And Lara Croft. All her videos are about blatantly misrepresenting female protagonists, even saying that Bayonetta DIRECTLY caused women to be sexually assaulted. She does not care about strong female protagonists, she is on a moral crusade against sex and worse than that, she says women being sexual causes sexual assault. Watch ehr bayonetta video review.
Okay, first I think you need to understand that the following:
Jade from Beyond Good and Evil, April Ryan from the Longest Journey, Zoë Castillo from Dreamfall, Alyx Vance from Half-life 2, Terra from FF6, Marle and Lucca and Ayla from Chrono Trigger
are strong female characters in a way that Bayonetta and Catwoman and the earlier versions of Lara Croft aren't. They are strong female characters that required no sexualization at all in order to be awesome (and they were all pretty awesome). Note, as well, that Ayla went around in a fur bikini all the time, yet somehow still avoided pandering.
Now, sexualization is not a bad thing. But pandering is. And the Bayonetta ad campaign was pandering. Lara Croft's impossible breasts were pandering. Catwoman's constant zipper malfunctions are pandering. And for a girl looking at all of this, the message is really clear - females exist to be oogled. Whatever strengths these characters have, they are all secondary to the fact that these characters are there to be stared at. But being able to stare at a character's breasts or ass adds nothing of real merit to the character. Putting a majority of the focus on a character's breasts or ass sells everything else about that character short. And that is the issue. Because this sexualization does not exist to benefit the character in any way. It exploits the character to benefit the observer.
Now, Bayonetta using her sexuality in combat (which is a bizarre concept when you think about it, even removed from the larger issue) may well be a form of empowerment, and as I said elsewhere there is a case for Bayonetta as a sex-positive role model. But an ad campaign about collectively undressing her doesn't play to her empowerment. She's not undressing herself, she is being undressed. She has no power, she is merely an object to be drooled over.
A brief aside: Sarkeesian's issue was that putting that kind of ad in an environment that has a reputation for cultivating deviancy could - shock! - cultivate deviancy. She never said that Bayonetta was directly responsible for sexual assault, in spite of what you inferred - she simply questioned the intelligence of putting that message in that environment.
There is never any danger in creating a strong female protagonist that is not overtly sexualized. There is very little danger in creating a strong and sexual female protagonist whose existence is not purely as a pre-teen masturbatory aid. There is, however, quite a bit of danger in creating a hypersexualized caricature of a woman - Moonlight's example of the "pole with two watermelons on" - and pretending that such is somehow a 'strong' female character. That kind of characterization is the kind you find in Joe Eszterhas movies; it is terrible and it is sexist, and we're better than that.