Great masterpieces... that suck!

repeating integers

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SpiderJerusalem said:
This thread = mostly young people that can't tell the difference between "there" and "they're" calling some of the most influential and greatest works of immense cultural value assorted variations of boring.

I really, really hate the internet sometimes.
Hey, not all of us did that. *acts hurt*

And some of them actually have valid reasons.
 

4173

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Jonluw said:
Archangel357 said:
Jonluw said:
And you don't see how some people just can't feel pity for someone who drives themselves into their own doom?
The fundamental flaw is the dealbreaker here. The character simply isn't believable to some if he keeps doing stuff that will obviously lead to him ending up six feet under.

I, for instance, do not feel sorry for gluttonous people who die from diabetes type 2, just because they can't control themselves.
*He wrote, while contemplating whether to go get another piece of gingerbread-dough.*
You're not necessary supposed to feel pity for the flawed hero. The thing is, in most plays, there is more than one character. Watch, say, Ibsen's "The Wild Duck". If Hedwig's fate - caused by the bloody-mindedness of a man who only means well - does not make you cry, you have no heart.
My point wasn't only that not feeling pity for the character was a deal-breaker. More that the character simply acts in such a stupid/illogical way that he just ceases to be believable, and makes it impossible for the reader/viewer to become emotionally invested in the character. It breaks the immersion.
Obviously everyone's line for immersion is different, I won't argue that. But in classic tragedies, the point is not that the characters are acting illogically, they are acting the only way they can. They may be stupid or illogical, but that is beside the point. It is not a failure of willpower, because there was no choice or alternative. The characters are not as well informed as the audience, I could even be pretentious and call it meta-dramatic irony.

For example, the horror movie trope of splitting up to search the haunted house (or whatever) is derided because it should be apparent IN CHARACTER that splitting up is a bad idea and should not even be explained by fear (because being afraid should make them want to stick together).

When the inexperienced Juliet sees her "true love" Romeo dead, she lacks the audience's knowledge that their affair may have been fleeting, that she could fall in love with another person eventually etc. It seems perfectly in character to commit suicide.

Romeo is in a similar situation. He is entirely devoted to a world view of Romance, of huge highs and lows and grand gestures. He has recently fought to the death, killed. Therefor, suicide is a fitting end to the life story he has created.

Again, I stipulate that everyone's immersion is different, and all this may sound like hogwash.
 

[.redacted]

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I'm gonna say pretty much all of Shakespeare.

And, in fact, every single text that has ever been analysed as part of an English qualification syllabus.
 

Jonluw

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Archangel357 said:
Jonluw said:
Yes, elitism is good is your opinion; and you're entitled to it. However, smart people are going to give you shit for it.
Doubtful, since ANYBODY worth a shit is an élitist himself. As Horace put it: "exegi monumentum aere perennius, regalique situ pyramidum altius". Does that sound humble to you, especially since he was right? When Michelangelo sculpted his first great relief, he sought to surpass none other than Phidias himself. He also called Titian a "mediocre drawer". Pure humility. Or, in the words of Goethe, "The capable delight in their deeds; only beggars are humble."

You know what the opposite of élitism is? Taking your sick child to a witch doctor instead of the best hospital you can afford. Only idiots ever use it in a negative context. We call that phenomenon "sour grapes".

So no, smart people, at least the honest ones, will agree with me. Trust me on that.
How exactly do you measure human worth, I wonder? Personally, I consider Humility to be one of the greatest personality traits, and any elitist lacks that trait. So to me elitists, by their very nature, are worthless. I consider most beggars (those who aren't dicks anyways) to be better persons than any elitist.
Also, allow me to inform you that "elitism" is spelled without the accent.

The difference between smart people and elitists is that smart people recognize abilities other than those of the field of their expertise, and appreciate those.
For example, I recognize that I am better at chemistry than some people in my class. I still don't think I am worth more than them though. They have other redeeming qualities. And even if they don't; with no education what so ever, they have potential to do work that's worth more than what I will do in the future.

From the look of things, you have recently begun your studies on a field of literature, and I will have you know that whatever profession you go on to from there - except for author - it will be worth less to the world than the work of the most simple construction worker. A construction worker, after all creates something of actual worth, and contributes to a country's GNP.
 

hellthins

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Wildcard5 said:
About 3 days, and Shakesphere expects us to believe they end up dying for eachother out of true love
Congratulations, you now have a better understanding of Romeo and Juliet than your high school teacher. It's an accurate play about hormone filled teens. Mercutio isn't the only one aware of that fact, read it again and pay attention to the Friar. He thinks they're both pretty stupid as well. The speed of their romance is supposed to highlight their recklessness and youth, and since Shakespeare is prone to having one thing talk about another it probably also reflects on the Capulet's and the Montague's senseless family rivalry.
 

4173

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5-0 said:
Austen's Pride and Prejudice. Nothing happens!
Really? Even if personal growth doesn't count as "something," there are still two convoluted relationships that develop, and the Lydia and Wickham subplot. And the conflict between Elizabeth (and Jane) and their [mostly] awful parents.


edit: There is a difference between Shakespeare wanting us to believe R+J thought they were in true love, and Shakespeare wanting us to believe they were in true love.
 

Iwata

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I'll just make mine short and say, all of modern art. I went to a Dali exhibit and in one room was a telephone with a lobster replacing the speaker.

What?! Are you fucking kidding me?

I'll throw the unbearable 2001: A Space Odissey out there as well. Most pretentious, boring movie I've ever seen.
 

hellthins

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Archangel357 said:
You are aware that ideas regarding love, courtship, marriage etc in the Renaissance were as different from today's as to be unrecognisable? Dante (who was married with children, btw) and Petrarch wrote their great works about one girl who looked at them once. That was the basis for some of the greatest collections of love poems ever written.
Shakespeare disdained and mocked the Petrarchan lover in his sonnets and even in Midsummer's Nights Dream. And Dante was creepy when he was writing about Beatrice, there really isn't two ways about that one. He was in loved with an idealized Beatrice not the real little girl.
 

hawkeye52

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on actual art i would say any expressionist piece that sells for more then £50 since it may look nice and yes if you pick very nice colours then it could be incredibly good but i could have done most expressionist pieces back when i was 5 or 6 years old. One example which i find completely stupid that managed to get sold to an art gallery consists of a red rectangle with the middle cut out in the shape of another rectangle and that classified as art next to the simply amazing sculptures in the next room
 

Royta

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Avatar: sure it looks nice but....that's it. the story was so cliched it was an insult to the word itself.

The Dark Knight: the Joker was okay, but the movie was blown up considerably due to Heath's death. The movie was decent, but the acting was subpar and Nolan's desperate try to make the Batman mythos realistic was just humerous.
What I hated mostly though was the fanboys it created. Being a comicbook fan, I cry even to this day when a fan comes and complains that the Joker and Batman in the comics aren't like they're "supposed to be" (aka like in TDK).
Go away please.
 

Life_Is_A_Mess

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Avatar - Mostly eye candy.

Twelve years just for people to think: "uuuuuh shiny 0.0" when watching the movie.
Basically just for showing off the 3D graphics.
 

Iwata

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Archangel357 said:
the outsider said:
Elitism much?!

Oh, and don't ever use the term "smart people" because those words are the most relative, subjective, abstract descriptive words and are utterly helpless for communicating an idea. Show me your smart person and i will tell you to "prove it."
Fuck yeah, élitism. And proud of it. And the thing is, I am vindicated at every turn. People are barely qualified to comment on Jersey Shore; those same people commenting on Milton... yeah, sure.


And while smart may be subjective, dumb is universal.
Holy shit, you sound like a gigantic douchebag.

Not insulting you, mind you. Just stating the obvious.
 

zelda2fanboy

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Silas Marner. When we read this in high school, the class was so disinterested and the book was moving so slowly, that eventually the teacher gave up and showed us the movie instead. I'm not sure we got through all of that either.
 

WinterOrbit

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I still haven't decided whether I should admire Gertrude Stein's Tender Buttons for the way it plays with language or reject it as meaningless word salad. Either way, I hate the work. Not all experimental literature can be successful.

Ethylene Glycol said:
David Lynch can put down the woodworking for a while and suck my balls. Eraserhead was just terrible.
Hmm. I'd try Mulholland Drive and Blue Velvet before you completely write off Lynch. Mulholland Drive especially, besides being insightful about dreams and illusion, is pretty funny and thrilling. And weird, but not nearly as much as Eraserhead is.