Yeah...no. BvS, sure, but I'd rate every other DCEU film above Amazing Spider-Man.Laggyteabag said:Because even if we did get an Amazing Spider-Man DC Edition, it would still result in better films.
Skipped the Pa Kent stuff as that's an adaptation issue.SupahEwok said:Clark ends up in Alaska somehow, where his alien mothership is buried, somehow. I don't remember the details. He gets an explanation of what he is and the suit. He goes outside, scrunches his face up, takes a couple practice hops, and suddenly he's flying.
But as for the flying, I'd hardly call it suddenly, since he's arguably been working up to this point his entire life. Personally find it one of the most uplifting moments in the film.
I disagree with this take.SupahEwok said:And that's where the movie breaks. Up to that point, Pa Kent's warning has defined his adult life, and it's left Clark pretty messed up. He's got anger issues (I think he smashed a dick's car), he probably feels like a freak, he feels guilty for having this power but no constructive outlet for it. But then he gets a 5 minute talk with Kurt Russel who says "Naw kid, you're just an alien, you cool, you're gonna be the superest, go out there and show the humans how super you can be." And all the character building up to that point is jettisonned. Anger's gone. Guilt's gone. Fear's gone. Just like flipping a switch. He does a couple hero things, the military gets pissy and wants to interrogate him, he just walks in, sits down without so much as a quiver in his eye lashes, and calmly speaks his words of reason and wisdom. He's got no doubts. No hesitation.
Pa Kent isn't the issue with Clark, because even if he had told Clark to be open about his abilities, it wouldn't solve the issue of what he is or where he's from - revelations that only come from Jor-el. On the subject, he does smash the guy's truck, but I wouldn't call that anger issues, just more human issues. A bit far? Yeah, okay, but since Superman is unrelatable by his nature, MoS does a good job of giving him at least some relatability. It's far more interesting to see a flawed character overcome their flaws rather than a paragon without flaws (I'd call Supes a Gary Stu, but that's like saying water's wet).
But back to Jor-el, I disagree with the flipping the switch analogy. His entire life has built up to this moment, so of course he's going to be unburdened psychologically by learning about his true nature. But he's also shown to not be entirely in the clear, considering his fear and hesitation when Zod shows up (the church scene). Like I said, MoS Supes is far more relatable. If you want Supes to be a symbol of hope, actually give him some obstacles to overcome, including character development.
Disagree. In the course of him being Superman, he sides with Earth (morally correct, despite having to turn on his own species), saves the entirety of Earth (takes the hard road rather than the easy path), kills the last member of his species at great grief (willing to sacrifice for the greater good), and is shown inspiring everyone around him (the rangers, Perry White, etc.). I keep seeing people throwing around Superman being a "symbol of hope," but when that symbol is invincible, perfect, etc., that rings a bit hollow. Course Supes is practically invincible in MoS as well, but it's the only Superman media I've seen where I ever felt a sense of vulnerability from him. It's far better than Justice League which approaches the whole hope schtick in a ham-fisted manner, not helped by Superman basically being the JL's "god mode," beating Steppenwolf without breaking a sweat.SupahEwok said:The rest of the movie is mostly a bunch of conflict about what he's gonna do about his fellow Kryptonins without anymore reflection on what it means for a man to become super like the first half of the movie was setting up. It's a thematic abortion. He doesn't earn his "Symbol of Hope" schtick.
Disagree, for the reasons given above. Also he doesn't smooch Lois, she's there to offer comfort after he kills Zod.SupahEwok said:He isn't relatable by the end of the movie. He flips over from relatable young man with great ability but seeking purpose, to having his purpose delivered to him hand packaged by Russel Dad and completely changing the very fabric of his being after a 5 minute pep talk. It's like his character arc skipped about 45 degrees. The very last chance they had for doing something with the first half's character progression was with Zod's death, but after the big moment it's just brushed off. Oh no, I killed a dude, am I gonna ruminate on the nature and responsibility of the power I wield, or am I just gonna get my smoochies on with my girl? Movie goes with the latter.
I do agree that there is some tonal whiplash between that scene and the next one, but the film still ends well, with him joining the Daily Planet and whatnot, for the explicit purpose of being able to help as many people as he can.