I wasn't thinking about the denying of the IP, it was more of a "if they would ever try to run a scam, it wouldn't be all that easy to tell the difference between an actual lack of funds and a deliberate attempt at syphoning money". I am not suggesting anyone would actually do it, but it's a possibility, and a big, costly project has a bigger chance of moving the money around. But again, this is more a possible worry with crowdfunding in general, than with big corporations deciding to step in, although I believe the size of a project might affect the possibility to obfuscate the way the budget is employed (at least, that's what I believe could happen).Entitled said:Yeah, as if WB could just suddenly decide to deny giving Rob Thomas the money and the IP, and the Internet and it's Veronica Mars fandom would never figure out who was responsible for that.mdqp said:Being a big producer means nothing, especially since with this kickstarter WB involvement isn't explicitly stated, so they don't even risk getting a bad reputation if anything goes wrong
You must be new to this whole "entertainment industry" thing. Publishers earning money on artists' work is how it mainly functions, ever since the Statute of Monopolies in 1624 invented intellectual property, and granted it all to the book printers' guild.mdqp said:All of the above reasons to be wary of this had nothing to do with my point, those are general concerns regarding anything to do with crowdfunding.
My point was that if I am the one paying the money, there is no reason why a third party should earn anything from it.
Yes, Kickstarter didn't entirely end this, regarding the old IPs, that are already owned by such publishers. But at least it gives creators a fighting chance, to start new IPs independently from the publishers.
As I wrote before, I wasn't referring to IPs already owned by companies (of course they will control what happens with them, and earn money for simply allowing the project. We might discuss the fact that I find the current copyright laws simply insane, but that's a completely different matter), but big companies might pressure directors and artists into doing this even for new IPs, while still getting their hands on them, which isn't a great thing in my opinion. Of course there is a good side to it (having less risks would allow them to work on less traditional ideas, without fearing a flop as much), but that's also true for other projects where there isn't a producer involved, so that would benefit them for no good reason.
There are a lot of reasons why a director might do what a producer asks (a promise for a future contract with a bigger budget and a bigger paycheck, for example, but even less "shady" things, it's not like there is a conspiracy behind every corner), even it doesn't benefit their current project or its backers (the crowdfunding guys), and the people funding these projects should probably ask themselves if it's really a good thing to do, should they appear.
It's not like I am saying "we are all doomed! The big fish is going to eat all the small fishes!!!", I am pointing out the fact that shifting the risk on the general public while retaining the same income isn't in the best interest of the consumers.