OlasDAlmighty said:
Isn't 3D the way things are supposed to look? Haven't we been settling for 2D simply because of technological limitations that we've since overcome? Sure it's been overhyped by advertising in the media, but I don't see how the stereoscopic viewing that our 2 eyes and brain are built for could be a fad.
Yes, stereoscopic vision is a pretty big deal, considering it was the primary means by which Homo Sapiens dodged hungry lions. It's so important that the brain has its own, rather effective work-arounds just in case one of our eyes gets fucked up - size disparity, parallax, memory, and probably a whole bag of other tricks that we use to, even when one eye is disabled, be able to get a three-dimensional bearing on what we're looking at.
And do you know what makes all these cognitive tools work? I'll give you a hint: _____ Picture. Fill in the blank. I know you can do it!
If you guess "Motion," as in "Motion Picture," get yourself some of your favorite confection because you're a winner! If not, then you're a dumbass - a condition that I will soon rectify.
The way that objects move around each other and within their environment is sufficient information for an undamaged brain to get a working idea about the size and relative distances away from each other and the viewer of those said objects.
Sure, you don't get much in the way of precision, but you're not exactly required to dodge a hungry lion jumping out of the screen. Your skullfilling should have enough data for you to understand what is going on.
This is why Deviantart is so hilariously awful: in a static image, a lot more effort and skill has to be exercised to create the illusion of depth, simply because things aren't moving. When things are moving around each other, your brain does all the work for you, and you know where stuff is!
So what can we conclude about Hollywood's fixation with 3d? The way that is hugs it tightly, coats it in mucous, and has a piss fit when a movie isn't released with it (COUGH G.I. JOE RETRIBUTION COUGH)?
It's the same reason why Joseph Campbell's rigid corpse dong just can't stop getting sucked by screenwriters: Hollywood is convinced that you are brain damaged. Movie studios think that, because you are retarded, you can only tolerate plots that are derivative, unoriginal schlock. It thinks that if you don't get a movie that is 'familiar,' you'll hulk-out and smash their profits into little bits.
And we almost proved them wrong! Up until the advent of 3d (the first time, and this time), Movie Theater sales were in a slump. We were getting tired of derivative, unoriginal schlock. Hollywood's answer, far from hiring better writers and funding actually worthwhile movies, was to just update a gimmick from half a century ago by making it black and plastic and charging extra for it.
And then we proved them right.
We abandoned the glorious clarity of digital projectors and high-resolution filming techniques for blurry pop-up films. We traded the possibility of experimentation and exploration in genre, plot, and performance so we can have things jumping out at our faces.
Way to go, us.