No man, timbre is the number of frequencues in a single tone. An A, for example is multiples of 220 Hz. The Ratio between these tones and overtones in a single struck note is what makes its timbre, and what makes the difference between a guitar playing an A and a piano, and even the difference between different kinds of guitars. While electrical music might give us a lot of options, very few in the popscene use this, and instead opt for taking the premanufactured stuff that comes free with the programme they use to make their grating 4chird songs.trooper6 said:This study is bogus because it has as its basis two values assumptions that cannot be taken as objective truth:
1) More complex chords in more complex combinations is better than fewer chords in fewer combinations.
2) More timbres is better than fewer timbres.
To address 1. If this is true, then the entire genre of the blues is all crap. But it isn't, people have found lots and lots of new and interesting things to do and to be invested in with the blues for over 100 years. And the blues uses 3 chords in a very precise formula. Indeed, there are a lot of popular genres that fall in harmonic formulae. That doesn't make them bad, or less good than the alternative. Also, the idea that pop music is less harmonically complex than the 50s is ridiculous. All of Doo-Wop had the same 4 chord progression. The vast majority of the R&B and early Rock'n'Roll tunes used the 12-bar blues. This is bogus and I suspect there is some seriously suspect methodology going on. This is also ignoring complexity in elements other than harmony and timbre (for example rhythm or stereo placement). And it is ignoring the value of simplicity or minimalism.
To address 2. How are they categorizing timbre? Because since the expansion of electronics we have a lot more timbral resources. And anyway, just because you don't have a lot of timbre doesn't make you bad. For example. 1960s folk music. Most often you have only a guitar and a singer. That's two timbres. You might be able to alter the guitar's timbre by changing how close your right hand is to the bridge, or alter your vocal timbre...but that is still pretty basic. And folk music is a) something old and b) well loved by a lot of people.
Music is comprised of many, many different elements these scientists are focusing on a very narrow set of them, with preconceived subjective notions of what makes something better than the other. There is no attention to genre or musical/social function.
Trooper6, Professor of Musicology
DustyDrB said:
What did you say? I can't hear, you're gonna have to speak louder.
Well played sir. Your bastardized nursery rhyme is both exceedingly clever and relevant. Kudos to both your effectitious weasel and scientist.DVS BSTrD said:Round and a round the obvious bush,
The scientist chased the weasel,
The scientist asked "what's relevant now?"
"POP" goes the weasel!
Then you have that stupid "We Found Love" song by Rihanna which is the same five or six notes over and over again ad nauseum. I was just joking with my friends the other day that I think it finally happened and I officially got old because I can't stand kids music these days. I never thought that would happen.Cowabungaa said:The whole spiel about the timbre pallete is something else though but honestly no less surprising. Most modern pop music seems to focus on vocals with laughably simple music behind it. Just listen to Adele's Someone Like You. It's just the same goddamn piano tune over and over again. It's like that all the time. Or even worse; electronic backing tracks. They're often even more simplistic.
I got up to make a hipster joke about it not applying to hipster bands, but then they applied it to MGMT, so I sat down.DSK- said:I'll just leave this here. Insert more text here.
You can't have missed epic sax guy!Mortis Nuncius said:I can't remember the last time I heard good sax in pop music...
I'm really glad that now there's actually scientific proof to support my arguments.
Take that, you boombox-blasting hooligans!!
well, Last Friday Night by Kathy Perry does have a pretty sweet sax solo done by Kenny G of all people =PMortis Nuncius said:I can't remember the last time I heard good sax in pop music...