I lost it. XDunacomn said:-awesome pic-
Guess that describes it best.
Oh! Oh! Another good idea: Spider-Woman! The new Gwen Stacy version. Have Peter Parker as the VILLAIN. Not an intentional one. Use the same story of Peter Parker morphing into the Lizard as in the comics and dying tragically. Maybe have him turn into a giant spider beast instead since we just had the Lizard.Darth Rosenberg said:Ugh...
In the words of Mr Jensen: I never asked for this. They're retaining creative control? Seriously? Neither Sony nor Fox can match the quality or savvy of Marvel Studios, so if it's still the headless chickens at Sony pulling the strings, then the MCU just took a major hit in quality control.
I hoped Garfield's Spidey would be ditched, quietly forgotten about, and then Miles Morales could've joined the MCU. Sod Parker - he's been done to death on the screen already. Diversity/representation's important, right? Well, Morales both draws a clear line between the Sony clusterfuck and the MCU (making Spidey more than just another Parker reboot), and ticks that box. Also, I think Morales suit design is one of the best Spidey designs of all time, so an MCU version of that could be pretty badass.
Honestly, Marvel is the one with all the power in this relationship. The important thing to remember is that Marvel doesn't *need* Spider Man for their Cinematic Universe. They were doing just fine before, and doing a whole lot better than Sony has been doing on the superhero front. If you go by some of the leaks from before, it was Sony HQ that was pressuring the film division to make a deal with Marvel. They came crawling to Marvel wanting a piece of the pie, not the other way around.mjharper said:Sounds like a temporary fix at best.
If I understand correctly, Marvel gets to incorporate Spiderman into one MCU movie on its own terms, and then Sony continues to produce movies on it's own terms after that, although with guidance coming from Marvel. Marvel gets some control in the direction, and Sony gets a solid springboard for further development.
Problem is, that in no way means that Marvel CAN push Sony in a good direction, or that future Spidey films will be part of the MCU canon.
Best case scenario: Sony defers to Marvel's vision whenever it can, ties Spidey into the MCU whenever possible, does nothing which could upset continuity, and we even see cameos from other MCU characters.
Worst case scenario: Sony uses the MCU tie-in to renew interest in Spidey, then effectively tells Marvel to shove it, because Sony still owns the character and has creative control. Marvel is faced with having to incorporate the ASM universe into the MCU, or pretending it doesn't exist, and ends up regretting its greed at getting one of its favourite characters into the MCU, no matter the cost.
Because Sony is the one still holding all the Spiderman cards.
Heh, your scenario was too meta, but I hadn't thought of an XX Spidey. I'd go with Jessica Drew, though, as I love the red/yellow design with her black hair.ShirowShirow said:Oh! Oh! Another good idea: Spider-Woman!
The only political themes in any of the MCU is purely anti-establishment, anti-government, pro-privacy and pro-individual rights. This is an arc that culminates at the end of Captain America: The Winter Soldier where the big super sekrit quasi-governmental police force that is trying to put spy cameras on all potential "problems" gets infiltrated and then taken down by Captain America.Toadfish1 said:Cool, maybe Sony can impart a bit of their more common man themes from their movies to try and stem Marvels, how do I put this delicately, fascist view of heroes and normals.
Name one significant direct action towards stopping a bad guy, ever, from a non-Superhero. Now, by Superhero, I mean a character with a superhero name, so no using Fury, Black Widow, Falcon, War Machine, Hawkeye or Starlord, abnd by direct, I mean they did it, not they told a Superhero to do it. Iron Man 1 - soldiers all get blown the fuck up, only Tony can stop the terrorists. Climax of Iron man 1 - same deal, but with SHIELD agents instead of soldiers. Iron Man 2 - the entire army is virtually powerless to stop Whiplash and have their entire system completely taken over, only Tony can stop him, the people just run screaming and die. Captain America - Cap breaks ranks, defies his superiors and goes in on a reckless and stupid mission that works. Avengers - we all know the scenes, the cops are utterly freaking clueless to properly evacuate in a time of crisis, they need a man from 1941 to tell them how to deal with post 9/11 attacks on New York. Cap 2 - regular SHIELD agents in the climax get absolutely butchered by the Winter Soldier in nothing flat. GOTG, the Nova corps are just tossed aside by Ronan like tissue paper when he gets bored. Hell, even in Thor 2, the trained Asgardian soldiers are just demolished by the Dark Elves, putting up less than a token resistance. I don't think they even managed to kill one.Jake Martinez said:The only political themes in any of the MCU is purely anti-establishment, anti-government, pro-privacy and pro-individual rights. This is an arc that culminates at the end of Captain America: The Winter Soldier where the big super sekrit quasi-governmental police force that is trying to put spy cameras on all potential "problems" gets infiltrated and then taken down by Captain America.Toadfish1 said:Cool, maybe Sony can impart a bit of their more common man themes from their movies to try and stem Marvels, how do I put this delicately, fascist view of heroes and normals.
This is not anywhere near approaching a fascist political theme. Quite the opposite, it hews strongly to classical Liberalism.
Uh, that's all well and good, but you clearly have no idea what Fascism is. Which is all I think that he was saying.Toadfish1 said:SnipJake Martinez said:The only political themes in any of the MCU is purely anti-establishment, anti-government, pro-privacy and pro-individual rights. This is an arc that culminates at the end of Captain America: The Winter Soldier where the big super sekrit quasi-governmental police force that is trying to put spy cameras on all potential "problems" gets infiltrated and then taken down by Captain America.Toadfish1 said:Cool, maybe Sony can impart a bit of their more common man themes from their movies to try and stem Marvels, how do I put this delicately, fascist view of heroes and normals.
This is not anywhere near approaching a fascist political theme. Quite the opposite, it hews strongly to classical Liberalism.