#8 could work if you made the whole thing a comedy, and portrayed the Professional's Pre-Switch Life more sympathetically. They may not have a Spouse and Kids, but they get great satisfaction from their job, they have good friends and admirers, etc. They've got a family in the Switch . . . but their job sucks (and both parents have to work to keep the family afloat), the neighbors are boorish, and while they make the best of it, they find themselves profoundly unsatisfied. At the end, they choose to go back.
Or something like that. What would make especially interesting is if you switch the usual gender role for a film like this, and have it be a woman who faces the Switch (in the Switch World, she's married with kids, and struggles to work to help keep the family afloat along with her husband). That would make the film both thought-provoking and a lightning rod for controversy.
Or something like that. What would make especially interesting is if you switch the usual gender role for a film like this, and have it be a woman who faces the Switch (in the Switch World, she's married with kids, and struggles to work to help keep the family afloat along with her husband). That would make the film both thought-provoking and a lightning rod for controversy.