Wait, what?Kolby Jack said:I think Terminator 3 gets a bad rap. Sure it's not as good as the first two and the T-X was... ill-advised, but it had a lot of great moments and the ending was just beautifully done. Say what you will, but at least T3 had an identity. Genisys pretty much felt like a made-for-TV sequel movie with a huge budget.
I... I can't tell if this is serious or not.Wintermute said:I watched it for Jai Courtney and he delivered an amazing performance.
Except that's not the case. She spends about 7 years fleeing from the T-1000, not fighting wave after wave of machines.Mister K said:Nah, didn't watch it. I just couldn't think of Danaris (or whatever her name is), with her Holywood make up girly looks as of Sarah Connor. If it was a straight up remake of a first movie and she was just a civilian, then maybe. As a person who, supposedly, fought years and years against killer-machines? Naaah.
Still too pretty, not convinced. Next time you try to portay character as "tough survivor" or anything in the same vein, please don't give them "teen girl went shopping and looking for pretty boys" make up.Hawki said:Except that's not the case. She spends about 7 years fleeing from the T-1000, not fighting wave after wave of machines.Mister K said:Nah, didn't watch it. I just couldn't think of Danaris (or whatever her name is), with her Holywood make up girly looks as of Sarah Connor. If it was a straight up remake of a first movie and she was just a civilian, then maybe. As a person who, supposedly, fought years and years against killer-machines? Naaah.
I quite liked Sarah in the film, but it's based on the concept of "Sarah 1.5." To explain, in T1, we have "Sarah 1.0" - waitress, no combat training, has to struggle just to survive, emerges stronger by the end of the film. In T2, we have "Sara 2.0" - far more muscular, far more emotionally distant, pretty much resigned to JD occurring until the "no fate" carving, is willing to kill Miles Dyson to stop the apocalypse, and while she emerges as a more compassionate person by the end of the film, she's clearly damaged by her experiences
Genisys depicts, by this anaogy, "Sarah 1.5," who incorporates a mix of the two characters. She's far more capable than "Sarah 1.0" in that she can handle weapons and whatnot. However, she's distinct from "Sarah 2.0," as her character is less 'hard', more hopeful, more emotional, and most of all, is never resigned to JD being inevitable, but is rather hell-bent on stopping it from the outset. She's a Sarah that's been changed by her experiences, but not to the extent of Sarah in T2. So, honestly, I thought the film did a good job of portraying Sarah in this vein.
By that logic though, doesn't T2 on its own invalidate T1? If Judgement Day can be prevented, there's no need for John Connor, meaning there's no need for Kyle Reese to go back in time. John Connor beats Skynet in the future. That's the whole point, and I like how T3 really hammered that home. T2 is a great action movie but its plot is kinda bullshit.Hawki said:Wait, what?Kolby Jack said:I think Terminator 3 gets a bad rap. Sure it's not as good as the first two and the T-X was... ill-advised, but it had a lot of great moments and the ending was just beautifully done. Say what you will, but at least T3 had an identity. Genisys pretty much felt like a made-for-TV sequel movie with a huge budget.
T3 is easily the most identity-less (is that a word?) Terminator film, as it's basically a remake of the plot beats of T2. Plus the ending is horrible, since it's basically a giant middle finger to the themes/plots of the films that came beforehand. All that talk about there not being any fate? Every effort the protagonists make in T2 to avert the nightmare future? Nup, all for nothing, have fun watching the mushroom clouds in the knowledge that at least half of T2 was a waste of time. Taken by itself, the ending does have some emotional punch, but in the context of a series, it's undermining everything that came before it.
Genisys rides on the coat-trails of T1 and T2 as well, but it's done in a way that feels natural to the plot. T3 does it out of laziness.