CloudAtlas said:
JaymesFogarty said:
Sorry, I don't think I'm making myself clear. All I'm trying to say is that the reason behind Tolkien not having as many women in fighting roles in the novel, isn't because he is a white, middle class sexist bigot.
I don't think lowly of Tolkien, and I won't judge him as person by the same standard as I would apply to people of the present. However, I will judge his work by today's standards, and there simply is a dearth of female characters. Only one female character, Eowyn, in a 1000ish-pages novel like the LOTR that doesn't happily fit into traditional gender roles just isn't really an awful lot. And even her character arc, as you stated yourself later, has an unfortunate, and very traditional end (why couldn't she become queen of Rohan, for example?).
I'm not sure if you've read my previous long post on the Lord of the Rings; if not, scroll up and have a look because I'll just be reiterating what I've probably said above less articulately. If you remember the story of Lord of the Rings, the vast majority of it, and I mean 700+ pure pages of material, focuses on war, and strife, and death, which the main characters all have to traverse. The context that Tolkien used as indirect inspiration, WW1, (which is why the dead marshes exist, making them about a billion times more eerie) was a war fought entirely by men, who fought and died alongside each other. I don't pretend to know what it's like to be a soldier, but my granddad did fight in WW2, and he has often talked of a male camaraderie that exists between soldiers that doesn't exist in any other part of society. This is written about, and seen in a lot of of old fiction, where the male bond between two friends (like Frodo and Sam) can be seen to transcend all sexual desire, and the love between a man and a woman. Bonding with men miles away from your family and home, with the knowledge that everything you do could save their lives, even if you might never even make it back is something that will fundamentally change a person. With this in mind, it would have made no sense for Tolkien to start writing his epic with an equal load of female soldiers as male ones, or even a close amount. He had seen his friends fight and die by his side, so when he wrote the book, which is overwhelmingly about the futility and tragedy of war, he never considered gender, in as much as war has never historically ever been an explicit problem in the lives of women in any society. Women have never been forced to march in front lines and die by the millions for their country, and the families they will never see again.
I think with the current rise of equality, (especially the much anticipated right for women to fight on the front lines) it is easy to forget that some societal issues, like war, are ones that women throughout history haven't faced in the same way men have. With the same logic, I would never expect a white, straight male in 1950s America to write an equivalent of Sylvia Plath's Bell Jar, detailing how misunderstood his gender is, how depressingly lonely it is to be judged because of one's genitals and how prejudice ruins the lives of men. Even though fiction can transcend any social barriers, the best and most powerful books always are written in a strong voice of the writer, who bases their books in a society that functions realistically, whether they are Sylvia Plath or Tolkien. Again, you've got to remember that the use of female characters in fantasy as warriors is a very recent development, purely because it's something that does not, and has not ever happened. In the push for equality of representation, quite rightly, women are seen more and more as fighters, which makes older books seem unfair, even though there are entirely logical and understandable reasons as to why.
That said, I agree with you. In a world as big as Middle Earth, I wanted more female characters, as well as more everything in general too! Let's hope that as the genders in society fight it out over their respective rights, expectations and responsibilities, the use of both genders in fiction becomes more representative and diverse in all aspects. Bring on an age where the race, religion, gender and orientation of a character, when not explicitly needed in the plot, truly does not matter!