Because that's not the story. If you begin to change the genders of the characters you make it less about the characters and the story and more about gender politics. Then the movie would have been bad because it was more about gender politics than the story.CloudAtlas said:Change that, and you could easily have a female Legolas too, and a female Haldir (in the movies), and you could show Galadriel actually doing something, and let Arwen not just wait in Rivendell until everything sorts itself out. To see a genuine, non-sexual friendship grow between Legolina and Gimli, wouldn't that be something cool, something which you don't see a lot in any story of any genre for that matter?
And speaking of the Hobbits and friendships, would it be so nonsensical for Sam being a girl? I mean, gardener is not exactly an overly manly profession, is it, and you could say there's some sexual tension between male Sam and Frodo anyway.
Now you just have to give Eowyn's arc a better ending, and these small and ultimately inconsequential changes already give you more and better female characters. And you still have your 'historically accurate' human societies, with armies without a single female soldiers, or women in leadership positions, so nothing has changed in this department.
Also if Sam had been a "girl" it would have made the story nonsensical...because that's not the story. Besides that point, you can joke about sexual tension all you want but what those characters have in that story is a deep and loving friendship, something that our culture can't seem to understand without adding "sexual tension" to it. All of sudden you have a romance instead of something far more rare.
It's like doing an episode of Band of Brothers and adding a black lesbian marine, a Chinese guy in a wheelchair marine and Katy Perry as a marine to it. The only reason they're there is for political reasons and the story has all of a sudden lost it's ability to capture the unique atmosphere of WWII trench.
Why do people think it's such a good idea to pull a Ranma 1/2 on stories in the name of diversity? In this one particular example you've taken perhaps the most endearing story ever written about a man having a loving non-sexual friendship with another man and turned it into a sexual romance between a man and woman, because we certainly don't have a billion of those and only half a handful of the other.
Also, just like every other profession, inequality was rampant in gardening until after the turn of the 20th century, and it's only after that time that gardening began to be a more "feminine" pursuit.
What I feel this is really about is that we, as a society, are no longer comfortable with letting stories be exclusively about white males, it's become sexist and racist to have a story exclusively about white males, and that's not okay, because nobody is saying you can't have a story exclusively about white women, or a story exclusively about black men or a story exclusively about Japanese women, or a story exclusively about black, lesbian, Muslim Atheists. Nobody is saying that you need to put a white male in any of those movies to reflect diversity and not only that, saying that would label you as a racist and a sexist. What we have is a violently slanted criteria for the production of movies and in a broader sense, stories, but that's not surprising considering that it's only been in the past 50 years or so that society has even begun to move ever so slowly towards equality. What we need is more and better stories about different people, not re-purposed stories by white male authors, you not only disrespect the author and the story, you allow the white male author to tell your story and then you've accepted the hegemony instead of attempting to influence it.
All you communicate, is: "Women can be the men in stories" Which is a much worse version of: "Women are women and women can be complex, men are men and men can be complex and both are equal."
The ironic reality is that in a totally egalitarian society nobody would care what the spread of diversity is in a movie.