Dude, calm down.The-Traveling-Bard said:IMAGINATION.
You seriously need everything spelled out for you to understand that people love each other?
Do you need a complex story to understand that two people love each other?
No. You fucking don't.
I understand that the point of the story is that two people love each other, I'm not saying you need a '6 hour backstory' or anything like that. What I'm saying is that if you want to make a love story work you need to actually show a relationship in some detail, it doesn't have to be long. The Darkness (an example Sarkeesian used that I didn't fully agree with) is an example of this. Jackie has one evening with his girlfriend Jenny but there is a lot of time characterization still built into it and she still feels like a real person and even after she dies her presence is felt throughout the story while she still technically fits the trope she still feels like an actual human being and I can be invested in what happens to her.
I don't necessarily want 'big', I want 'well done' a sense of who these characters are and the idea that plotwise the female character is more than just the macguffin killed or stolen in the beginning. I think Anita even said as much in her video that we could at least see the female lead attempt to escape and have agency of her own, the problem with this whole 'loving relationship' thing is that we almost exclusively see if from the perspective of the man and if the woman is barely given any characterization beyond just being the person who needs rescuing or avenging then that's how she becomes less of a character and more of an object.
Anita isn't demonizing loving relationships or devotion or the idea of trying to save or protect a loved one or whatever nonsense thunderf00t likes to drivel, her problem is that such storylines often result in very limited roles for the female character with her principle role to just be kidnapped or killed to advance the story.
The man's love of a woman, determination to protect her and avenge her when she dies is not Sarkeesian's issue, her issue is when, in the form of story telling, that becomes the only role the female lead has and never has a role or agency beyond that. It makes her not really a character or even an active part in the story as much as she is just an extension of the main character. This in turn doesn't create a particularly relatable character for female audiences and certainly not a role model to aspire to. Women want to actually be participants in a story, not the motivational device for someone else's story.
We shouldn't have to imagine things like characterization when we are talking about a main character's characterization. Especially when male characters as the primary focus leave very little to the imagination on a character scale, the only thing female game characters have that leaves little to the imagination for the most part is their outfits.
Not really. That opening is intentionally done to let the player project themselves in the story, it is not the same as a character never being given a role beyond just a love interest.This is almost like saying the opening stage of Skyrim is bad because they didn't detail why you got arrested. Therefor the game is... "ism" against criminals. Now the reason why I put a ISM in their is the symbol of that word.
While it's true there may be a marketing thing going on, I still don't think it's an excuse not to at least try to give female leads more character in dramas like this.Big snip