Casual Shinji said:
Well, just because the show points at itself and goes "Look how skeezy this is, ain't it dumb", doesn't make it any less skeezy.
The whole design is super fetishizing and in no way meant to deter the audience from salivating over it. Which is fine, but don't try to apply some point to it, because there isn't any.
It's trying have its cake and eat it.
That sounds almost like that one other Gainax anime. What was it called again? Nadia of the Blue Water?
Anyway, having cake and eating it is pretty much the signature of contemporary anime. Imaishi's demonstrated it multiple times over, and it's the forte of NisiOisiN, my favorite author. It's an interesting median point between playing tropes purely straight and the complete rejection of them by smart-type people.
About a week back I analyzed the composition of Ryuuko's armor (it was truly arduous labor, I assure you), and I came up with the following...
Despite the dearth of fabric, the outfit manages to incorporate the following fetishes:
>Skin-tight bodysuit
>Heels
>Stockings
>Garter-belts
>Includes underboobs (physically impossible in the real world except on the equator during a lunar eclipse)
>The skirt is
shorter than her underwear. Let that sink in.
>In addition, while the outfit includes a permanent pantie-shot from the front, she isn't wearing anything in back.
>It's still a school uniform. Seriously, look again, the back and shoulders look like a standard anime girls' uniform.
You still with me? Now we've reached the most important part. Remember what Senketsu's power is? Anyone? Anyone? That's right, it's an impenetrable defense. An
impenetrable defense. That """""""armor""""""" (epic air-quotes) forms an impenetrable
defense.
My conclusion I'll copy+paste from my blog:
All this comes together to create a design far too overwrought to be called "sexy", but that doesn't stumble into the grotesque and somehow fails to be "degrading". It's nothing but raw absurdity. In other words, it's
hilarious.
Because as should have been obvious from the very first frame, Kill la Kill - just like Gurren Lagann before it - isn't a condemnation of the elements it incorporates but rather a celebration: a wild outburst of passion and sincerity with at least as much self-worth and self-confidence as what it gently mocks, created by someone who has discovered the cogs of trope and cliche behind stories and - instead of rejecting them - waves them over his head, boldly proclaiming their existence.
In short it is - to borrow some phraseology from NisiOisiN - a fake more real than the original.
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Additionally, the second episode explains what ought to have been obvious to me from the beginning, but wasn't because I am dumb-dumb. The show is about clothes and schoolgirls after all, there's a reason Honnouji Academy is an epic fascist military machine - they're wearing
seira fuku, originally based on naval uniforms. The significance of the armor in this light isn't clear yet. It creates a dichotomy or opposition to the school's uniforms, but that seems to clash with the "lack of clothes represents vulnerability/powerlessness".
tl;dr ANIME OF THE MILLENNIUM