I'm not sure if that holds though. The galaxy is divided into a number of regions, some of which are more lawless than others. Further out you go, more lawless things get, which allows power blocs like the Hutts or Chiss Ascendency.The Yuzang Vong is conceptually an ok idea but ended up being stupid. What is even stupider is having the series set in a single galaxy and having a galaxy spanning empire/republic. It pretty much ensures that only these two factions will ever be represented. Disney should have retconned some stuff and had more factions that could oppose the empire/republic.
Sturgeon's Law comes to mind, but that's a different kettle of fish.It's amazing really: the EU was chock full of Sun Crushers, Palpatine clones, plucky Skywalker kids upstaging 30 year veterans, and a particularly dumb moment of Luke Skywalker's dark side clone Luuke Skywalker (from the "considered to be great" Thrawn trilogy, no less)...and the Yuuzhan Vong is still considered a low point in writing
No matter how it shakes out, Disney did everybody a service with that "none of the EU is canon" decision.
The Vong struck me as someone borrowing a few bits of different WH40K factions and throwing them in a blender to create a “Take that, Jedi!” villain for the setting. And wholly to give unwarranted support to “The Empire did nothing wrong” crowd.The Yuzang Vong is conceptually an ok idea but ended up being stupid. What is even stupider is having the series set in a single galaxy and having a galaxy spanning empire/republic. It pretty much ensures that only these two factions will ever be represented. Disney should have retconned some stuff and had more factions that could oppose the empire/republic.
The Death Star was an inside job!The Vong struck me as someone borrowing a few bits of different WH40K factions and throwing them in a blender to create a “Take that, Jedi!” villain for the setting. And wholly to give unwarranted support to “The Empire did nothing wrong” crowd.
Indeed it was, Galen Erso made the exploitable fault.The Death Star was an inside job!
Palpatine did nothing wrong!
I never really read the comics they were in but to me the Vong always seemed like an attempt at creating a foreign and alien threat to the star wars galaxy and the force. Unfortunately the people in charge of the idea made them needlessly edgy and dumb. Dunno about the empire being right stuff.The Vong struck me as someone borrowing a few bits of different WH40K factions and throwing them in a blender to create a “Take that, Jedi!” villain for the setting. And wholly to give unwarranted support to “The Empire did nothing wrong” crowd.
I've been saying this since the announcement was made, but at this point the evidence is ubiquitous and damning, especially after multiple lawsuits: the only reason Disney declared the EU non-canon, was to steal from it and change just enough to avoid paying royalties.Cards on the table, I've never been that fond of the Star Wars EU, and especially not anything post-Return. There's been some genuinely good stuff, but that aside, what has Disney produced that's better, as an aggregate? Because certainly not the films. They retconned the EU post-Return, only to give us the sequel trilogy.
And I get it, really. I understand why they'd retcon the post-Return stuff, even if I don't understand why they'd retcon absolutely everything (e.g. KOTOR), but from a question of quality, how has Disney done a better job? Instead of the EU, we get the sequel trilogy. Instead of The Old Republic, we get the High Republic. So far, based on everything I've read, I can't say that Disney's material is better than the old material.
I mean, they're already just not paying Alan Dean Foster royalties for his actual, unchanged, I don't think even canon Star Wars books. If big daddy Disney wants to avoid paying people, they just don't.I've been saying this since the announcement was made, but at this point the evidence is ubiquitous and damning, especially after multiple lawsuits: the only reason Disney declared the EU non-canon, was to steal from it and change just enough to avoid paying royalties.
Why I think a lot of folks rejected the Vong, was because they were little more than a hodgepodge of tropes, some already in Star Wars, some not. And, that audiences were just...expected...to treat them as a serious antagonist faction, without much justification. Like, everything Star Wars fans found mildly irksome if not outright annoying, all piled into one.Even as a huge EU fan, that whole era of Star Wars is lost to me. I haven't read a single book or comic about the Vong war. Conceptually, they work, they've even been teased for literally decades. But they just aren't Star Wars enough to me, they stick out like a sore thumb aesthetically and I now know they're a huge ripoff of the Tyrannids from WH40K. Filoni made their species canon again, and that's about as far as I'm okay with them taking it.
How does that work though? The old EU books are still being published under the "Legends" label. But I don't think the status of a work in terms of canon has bearing legally.I've been saying this since the announcement was made, but at this point the evidence is ubiquitous and damning, especially after multiple lawsuits: the only reason Disney declared the EU non-canon, was to steal from it and change just enough to avoid paying royalties.
Hawki: You know them?Ah, the Yuuzhan Vong. That's a name I've not heard in a long time.
Its interesting because thats literally what happened with the MCU after Iron Man and up until Age Of Ultron. Essentially everything was constantly being run through this thing called the comics council and then through execs literally during filming and it was a big mess. After Wedon quit Bob Igor put Kevin Fiege in charge with explicit intent to have a single voice. Kevin has a team now that co-ordinates any timeline stuff and helps with easter eggs, but its much more of an artist collaborative effort with directors and writers.Star Wars: Rogue Squadron Reportedly Delayed Due to Patty Jenkins' "Creative Differences" With Lucasfilm
The latest report comes from former THR editor Matthew Belloni, who says Jenkins was frustrated by the micromanagement of select Lucasfilm executives, eventually opting to pursue other opportunities while Lucasfilm worked on fixing its internal problems.
"That's not unusual, of course, but it's a laughably recurring problem at Lucasfilm under president Kathleen Kennedy, say agents: Top filmmakers are dying to make a Star Wars movie—until they sign on and experience the micromanagement and plot-point-by-committee process," Belloni writes in the latest issue of his newsletter.
He adds, "It happened to the Game of Thrones guys, David Benioff and Dan Weiss, who were hired to create a new trilogy but bailed. It also happened to Rian Johnson, writer and director of 2017's The Last Jedi, whose own planned trilogy was shelved. Jenkins wasn't willing to dick around, and she has other projects, notably Wonder Woman 3 at Warner Bros., where she enjoys more creative freedom."
The one Star Wars project I was even slightly interested in. But if it was going to be another micromanaged committee movie...
Patty Jenkins is just the wrong pick for Star Wars. I only really saw her WW movies, and while I'm not impressed with either, that's hardly a complete view of her skills. But she's just not the right person to do Star Wars.The one Star Wars project I was even slightly interested in. But if it was going to be another micromanaged committee movie...
Huh? I thought she only made three movies. I didn't watch Wonder Woman 1984 and thought Wonder Woman was average, but I'm not into capeshit save for a select few entities anyway. Monster was pretty good. What's ST?Patty Jenkins is just the wrong pick for Star Wars. I only really saw her ST movies and Wonder Woman, and while I'm not impressed with either, that's hardly a complete view of her skills. But she's just not the right person to do Star Wars.
Sorry, meant WW84. Typo. I'll correct itHuh? I thought she only made three movies. I didn't watch Wonder Woman 1984 and thought Wonder Woman was average, but I'm not into capeshit save for a select few entities anyway. Monster was pretty good. What's ST?
This is the same Disney that shut down all of their game studios, because they weren't dominating the entire gaming industry and not making all the money in the fucking universe. Keep in mind, most of their games did financially well, but went home crying like bitches and destroyed everything around them in a spoiled fit. Fuck'em!The one Star Wars project I was even slightly interested in. But if it was going to be another micromanaged committee movie...
How does that work? Wonder Woman and Star Wars aren't as far removed as you might think (swords and magic for instance)Patty Jenkins is just the wrong pick for Star Wars. I only really saw her WW movies, and while I'm not impressed with either, that's hardly a complete view of her skills. But she's just not the right person to do Star Wars.
Is this really a surprise though? All of these franchises are continuity-heavy.Star Wars: Rogue Squadron Reportedly Delayed Due to Patty Jenkins' "Creative Differences" With Lucasfilm
The latest report comes from former THR editor Matthew Belloni, who says Jenkins was frustrated by the micromanagement of select Lucasfilm executives, eventually opting to pursue other opportunities while Lucasfilm worked on fixing its internal problems.
"That's not unusual, of course, but it's a laughably recurring problem at Lucasfilm under president Kathleen Kennedy, say agents: Top filmmakers are dying to make a Star Wars movie—until they sign on and experience the micromanagement and plot-point-by-committee process," Belloni writes in the latest issue of his newsletter.
He adds, "It happened to the Game of Thrones guys, David Benioff and Dan Weiss, who were hired to create a new trilogy but bailed. It also happened to Rian Johnson, writer and director of 2017's The Last Jedi, whose own planned trilogy was shelved. Jenkins wasn't willing to dick around, and she has other projects, notably Wonder Woman 3 at Warner Bros., where she enjoys more creative freedom."
The one Star Wars project I was even slightly interested in. But if it was going to be another micromanaged committee movie...
It doesn’t sync in with the two major tent poles of the DCEU: Batman v. Superman and Justice League (either version) but it looks to me like something that will sit happily next to its own first movie, Aquaman and Shazam. And to a lesser extent the three…let’s call them acquired tastes that are the Suicide Squad movies and Birds of Prey.How does that work? Wonder Woman and Star Wars aren't as far removed as you might think (swords and magic for instance)
Is this really a surprise though? All of these franchises are continuity-heavy.
The irony is that Jenkins did WW1984, and not only is that a pretty tepid film IMO, but it really doesn't sync in well with the DCEU as a whole.