JournoListOne funny quirk of the anti woke crowd had reared its ugly head again. A lot of the time the anti woke crowd gets sincerely convinced that there's some sort of press allegiance that's out to get their preferred media. This despite there being nothing that suggests this.
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Why would anyone possibly think there was any kind of concerted effort when there has been literal precedent in the form of just that having happened in the past?
Pretty sure it was The Guardian review of it that literally complained that the film didn't acknowledge the 2016 version and so slated it for not doing so despite the fact the 2016 reboot was a reboot supposed to be set in an alternative universe where there were no Ghostbusters before. But no apparently Afterlife not being a sequel to the 2016 version made it bad.Presently the algorithm suggested me some right wing channels that claim the media has it out for Ghost Busters Afterlife because they're still grumpy its not Ghostbusters 2016, or that the media wants to punish Afterlife for ''giving the fans what they want''. Meanwhile the reviews of Afterlife seem to consider it adequate enough. 6-7 out of 10 seems the usual score.
Ghostbusters: Afterlife review – a slimy, stinking corpse of a sequel
Jason Reitman takes over his father’s franchise and immediately tanks it with a tonally misjudged blend of fan service and bizarrely played-straight spectacle
www.theguardian.com
It's quite comedic the idea that certain woke types talk about how everyone is biased to some extent and unconscious bias etc but no couldn't possibly be happening here right? The film critics are beings of pure objectivity right?
Sorry remember when critics (including Moviebob) were kinda slating Jumanji: Welcome to the Jungle because people didn't like The Last Jedi but apparently people were enjoying that film? Then like 5 months on when it was revealed Jumani: Welcome to the Jungle had grossed like $1 Billion and come close to or infact beaten the profits of The Last Jedi that suddenly Bob and a number of other critics were like "Hu, I was really harsh on that film, I was wrong I dunno what got into me, it's a good film"........... yeh.......
As a reminder TLOU2 was nominated for almost every possible Game Award it could get and got a slew of GOTY awards.And this is in fact really common. You had a bunch of right wingers convinced that the press was out to get Ghost of Tsushima to help prop up TLOU2 despite games media universally showering the game with praise. You had the alt right celebrate Joker and gloat that its success made the press ''mad''. With Cyberpunk too you had the narrative that the press had it out for that game despite it turning out that they weren't nearly critical enough and that they had signed embargoes forbidding them from being too hard on the game.
Ghost to Tsushima had a few outlets trying to claim it was supporting Japanese right wing colonialist attitudes and other such BS.
TLOU2 had people defending Abby are realist and mocking people suggesting she wasn't realistic (See Liana K's 2 videos on why Abby actually doesn't have a realistic physique and don't give me "She's based on a real woman" argument when said woman herself admits she can only maintain her peak physique for like 2 weeks max out of an 8-12 week cycle)
Ghost of Tsushima has bullshit about how it wasn't historically accurate (it never claimed to be) and or supporting the Japanese right wing somehow because fighting off invaders is bad or something.....
Ghost of Tsushima, Kurosawa, and the political myth of the samurai
Unpacking the baggage of well-intentioned homage
www.polygon.com
3 Samurai Game Soundtracks to Bump Instead of Playing Ghosts of Tsushima
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I dunno why anyone would think the game had become the target of Ire eh?
Fun fact you can still see people raging and I mean raging on twitter to this day that TLOU2 isn't hailed as some grand masterpiece and yelling how it's only due to bigotry and not due to people not enjoying to story and finding issues with how it was done. Meanwhile people aren't mad about Ghost of Tsushima, they're sitting back going "Yeh it's cool this game is getting recognised more and more by people and it's cool to see it being enjoyed and people talk about the nuances of it's design ideas that really innovate on open world design".This is perhaps connected by their need to artificially create rivalries between ''woke games'' and ''the true games for true gamers''. They tried to insist that Ghost of Tsushima and TLOU2 were engaged in a battle for the soul of the medium and if they want to be the underdog it makes sense that they start imagining the press hates Ghost for not being woke....despite that game being far more woke than TLOU2 ever was. They're a really weird bunch.
The artificially rivalry was made by others. Those who believe that the message is the most important part and wanted to show their dominance of the industry and how it's "Ours now your stupid whiny pissbabies get used to it" and the joke is, they're still mad because TLOU didn't win the fan vote at The Game Awards. It won a ton of other stuff but it not getting that clean sweep has them still throwing tantrums online to this day. I see a good 1-2 a week on twitter still mad.