Discuss and Rate the Last Film You Watched

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Dwarvenhobble

Is on the Gin
May 26, 2020
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Premise:
Justin Timberlake (yes that Justin Timberlake) stars as Will Salas a guy working a factory job living in basically the slums. He's 28 but in this films world you stop aging at 25 but everyone is only given 1 more year to live and you clock starts counting down with you being given initially 1 year. Your time is also your currency with you spending it as an example a Coffee is 4 minutes but earning it via work. In the zone where Will lives people literally live day to day often spending much of their free year on helping pay for things for their struggling families thus meaning they too end up living day by day hoping to have enough time left to survive until they can be paid more. After a chance encounter at a bar with an 85 year old from another zone who has over a century on his clock who ends up in trouble with the Minutemen (local mobsters) Will ends up rescuing him then being given over a century of time before the mans suicide by Time Out (deliberately running his clock to Zero by having given away most of his time to Will and welcoming his own death). After Will's mother fails to make it to him as she runs out of time and dies just before he can pass any on to her he vows to try and take revenge on the system and those at the top.

He starts by giving 10 years to his best friend before heading to Greenwich the high class zone. Unfortunately for Will the man's suicide is mistaken for being a robbery and murder thus setting the time keepers (basically Police) on his trail hoping to track down and recover what they believe is a stolen century. In Greenwhich Will attractions the attention of Sylvia Weis and after winning 700 years at a Casino playing poker will is introduced to her via her father Philippee Weis who invites will to his party believing Will to be from time (Old money). After learning just how careful the upper classes are as they have all the time in the world being almost immortal they have heavy security details fearing that they will die before their time is up as they can still be killed. Due to this fear they don't do much spontaneous or with any potential risk because why take the risk today when tomorrow still exists. Sylvia however longs for some kind of excitement or change in her life and Will convinces her to shake off her guards and come skinny dipping in the ocean with him. Unfortunately for Will the timekeepers come calling and take all but 2 hours of his time, just enough for him to be processed. Fearing he will be screwed over by the system because he's come from a poorer zone be makes a run for it taking Sylvia as a hostage. Unfortunately the minutemen have also laid a trap and catch Will and Sylvia with them stealing the over 1 century she had on her clock (a gift from her father) leaving her with only 30 minutes to live. Will then shares some of his remaining time with her so they have equal time left. This eventually leads to will trying to get a ransom for Sylvia from her father with the idea being to give it to the local mission in the slums that helps people by donating time to them. When her father refuses to pay the 1,000 years asked for Will decides to let Sylvia go, however angry her father refused to pay and was more than happy to prop up the system and not even give to charity to have her released she chides him over the phone and upon hearing that the timekeepers have already been sent to collect her she turns to see them about to kill Will. Sylvia turns and shoots the Timekeeper with the gun Will gave her for protection and goes on the run with Will believing herself to be a fugitive too now eventually deciding to take to robbing the wealthy and redistribute time to the poor


Longer Thoughts: A while ago I watched the Rian Johnson film Looper, it was stylish but felt ultimately hollow. In Time feels like a film that is at least as stylish but could have been far more or could have become a bit of a franchise with a bit more money but also has far more substance to it than Looper such that it could actually have carried on somehow and been more than a single film thanks to interesting world building .

Rather than being a kind of silly on the nose criticism of Darwinian Capitalism as an idea or silly criticism of capitalism that borders almost on parody like Daybreakers was In Time is a lot more nuanced and a criticism and breakdown of the flaws in the system as a whole. The initial idea being how Will's attempts to help people don't always go as planned with the 10 years he gave his friend seeing his friend burn almost a year of it drinking himself to death rather than him being able to use it to help his own family. Later in the film Will and Sylvia's attempts to get more time for the people in the poorer zone sees the results of their theft and re-distribution with the Minutemen facing more resistance and instead of just stealing peoples time they start killing those who dare stand up to them. Also Will and Sylvia witness how despite everyone being given more time now the system reacts to try and take it back from them by raising prices of goods and services in the Zone to filter the time back up to the top again. It's not merely a commentary on capitalism with some almost moustache twirling evil villain at the top, it's actively showing how the system reinforces itself and reinforces the status quo and how those at the top believe themselves to be wroth of their position but wilfully ignorant or happy to look the other way to the plight of others. It also shows of good intentions don't always end up with good results. It's kind of shame the film feels somewhat cut short near the end with just a fairly vague ending about how things continue on when I'd love to have seen more of the world that was set up and more about the idea of different people being the custodians on time zones there to maintain the system and status quo through controlling the flow of time into and out of each zone and availability in each zone. Also more on the shady other custodians or people possibly above them pushing to have the status quo maintained.
 
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Bob_McMillan

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Aug 28, 2014
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Actor's name is Kit Harington. I think the enjoyment of Eternals really comes down to whether you connect with the characters or not. I connected with a few of them, but Sirse and Ikaris didn't really do anything for me...and having seen the movie, you know why that significantly impacted my enjoyment of the film.

I do agree that the action scenes were fantastic.
Oh I thought the other characters were great too. Which is why I didn't mind the lengthy runtime.

I would have even been fine with Cersei and Ikaris too, if their motivations had been written better. Considering they're essentially robots, I was expecting Ikaris to be designed as some sort of super loyal failsafe that Arishem built, perhaps one who has never lost his memory. But nope, he's just really, really attached to Arishem for some reason. Cersei's powers evolving are never explained, and are just really dumb. She's goes from an unsure leader to being willing to kill her God in a heartbeat.
 

Bob_McMillan

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I will also say that it's ironic that one of the lousiest MCU movies yet had the best Superman and Flash action scenes we've ever had on screen.
 
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XsjadoBlayde

~ just another dread messenger ~
Apr 29, 2020
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The Birthday Cake (NowTV, or HBOMax if in the US)
The cover/thumbnail promises Ewan McGregor and Val Kilmer, but is mostly about some rando cousin walking about town with a nonchalantly eponymous cake trying to maneuver around their Italian-American gangster family conversations and their awkward questions. It's going for something, if I had to guess, it would be a 'sleazier feeling' slice of Goodfellas with the sort of actors who you'd recognise thrive in this genre over the last few decades. There's a lot of close up shots, unfocused and unsteady camera work along with an unsettling, atmospheric, but not wholly original score that is constantly nudging at implied tensions everywhere. I think this style would've benefited immensely from the 'filmed-in-one-shot' look which has been slowly growing in popularity lately, as there isn't much of any jumps in location or time, and it would've elevated the fairly middling experience somewhat.

Ok, maybe slightly above "middling", as there isn't any particular one thing I could point to as a negative, yet by the end it didn't leave much of any fulfilling impressions. It feels like a stage play adapted to film, without much else added. Though I expect more character exploration in those, whereas this appears to focus on a 'slice of life' portrayal where such characters are fleeting and implied by nothing but your own imagination and vague memories of past NY gangster films. So in the end, I got little other choice than to forget about it.

Freaky (NowTV/HBOMax)
Simple premise: What if stereotypical movie serial killer and high school teen girl swap bodies?? Eh?? Eh?!? Imagine the quirky hijinks! And indeed, here they are imagined. Thankfully, and surprisingly executed (lol) far more competently, and dare I say enjoyably that first expected. It's clearly not taking itself seriously, with the intro scene playing into recognisable tropes of a particular brand of dumb US slasher horror with gleeful abandon. And Vince Vaughn pretending to be a teen girl could've easily come off really embarrassing, exploitative and over the top, but is pleasantly restrained to a more believable level that also doesn't settle for the cringy trite jokes one would expect more from out-of-touch boomers writing about being stuck in a girl's body.

That's not to say this isn't dumb, it's proudly dumb along with its dumbo fatalities. Though am not sure what was going on with the early hint at a subplot that never returned later on, with the mother apparently having some kind of alcohol thing maybe that her cop sister disapproves of. I refuse to use the word "alcoholism" because the scene referencing it was the cop sister using the mother's kitchen bin just as she leaves the house, only to spot an empty bottle of chardonnay at the bottom, then giving her sister a disapproving look which was responded to by a look of awkward shame. That isn't...it's just a single bottle of chardonnay you judgy bag of ballsweat! Let the woman have some down time for crying out loud. Talk about toxic sobriety. Not everyone can just imagine jesus cradling all their problems away!

Anyway, you know what, maybe I'm glad that plot point never came back. Film was alright though, was fulfilled by the time the credits fell off the screen. Not inspired, but distracted enough to forget about the sweet ever-calling release of suicide.
 

Ezekiel

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May 29, 2007
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Cruella

This movie is stupid, unfunny and much too long. 90 percent of the things the crime trio does are unbelievable, yet it's not a weird, fantastic enough movie for you to just go with it. It feels too real for all this ridiculousness. So much of their plans rely on luck and happenstance. The movie also feels too real for Cruella to be born with half a head of white hair. I assumed she dyed it like that. The two guys whose names nobody ever cared about are Cruella's friends, brought together on the streets as childhood orphans, not paid henchmen that she treats like dirt. Disney knew nobody would wanna watch a movie about the real Cruella, but their attempt of treating the material with more, I guess, sincerity, is a failure. It's not so much that it's a bad 101 Dalmatians prequel/reinterpretation that's a problem, but more that it's a weakly written movie with confused tone all on its own.

I know Disney likes putting brown actors everywhere, to appear inclusive, but it's a bit much when they pretend the institutions in 1970s London would have let an Indian rise up through the ranks to Police Commissioner.

https://en.wikipedia.org/wiki/Commissioner_of_Police_of_the_Metropolis#List_of_Commissioners

I thought it was late to watch this movie. Nope. The sound is so anemic that I could watch this at two in the morning at the same volume that I normally use until ten or eleven. Now I know what people mean when they single Disney out for their anemic sound mixes. Atmouse is an often used negative term in certain circles, though this was a 7.1 mix.

I liked Emma Stone in the other movies I've seen her in. She was fine here too, but there's only so much that an actress can do with this confused type of storytelling.
 

Breakdown

Oxy Moron
Sep 5, 2014
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The Empty Man

From the name and poster it seems like this should be a boring, generic horror movie, but the Empty Man is actually pretty good. Maybe a bit too long, and the editing could be tightened up a bit, but otherwise a well crafted and atmospheric movie. It reminded me a bit of Don't Look Now.
 

Hawki

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Mar 4, 2014
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Toy Story of Terror (8/10)

Debtable whether this counts as a movie, since it's more a 20 minute TV special, but meh, putting it here.

Anyway, the film takes place between Toy Story 3 and 4. The toys check into a motel with Bonnie and her mother, only to find that something is after them. Cue horror-esque moments and commentary on said moments. In a lesser work, that these tropes are being pointed out could have diminished the work, but here, it really works.

What also works is the focus on Jessie. I don't think this has ever been a problem for the series, but up until this point, every movie has had a clear protagonist (Woody), and deuteragonist (Buzz). Here, while the idea of a main character isn't as clear cut, Jessie's as close to a main character in this short as possible, and on that note, not only is it a nice variation, but it also succeeds on its own terms, especially when dealing with her claustraphobia (how the animation can show bags/boxes closing in on her from the inside. Of course, there's also new toys, namely Combat Carl (who's low-key hilarious), and an assortment of other toys as well who've been lost in the motel, or rather, stolen.

That actually brings me to the only real gripe I have with this film, though it's really a minor one. The premise is that the owner of the motel is using his pet iguana to steal the toys of patrons, said iguana using the ventilation shafts to bring the toys to his office, where he then auctions them off online, and sends them out in parcels. First question is, how did he train the iguana to do this? Second question is, why toys? Why not more valuable items? I guess the assumption is that parents wouldn't really bother about lost toys as opposed to, say, lost wallets, but meh. Third, this is arguably stepping on the toes of Toy Story 2 with Al stealing Woody. Heck, Woody's auctioned off for $2000, and apparently, if only in a deleted scene, Al's the one who bought him.

Still, like I said, it's a minor gripe. The short's well written, charming, and has a number of moments where I burst out laughing. It's testament to Pixar that even this late in their Toy Story...um, stories, that their characters and dialogue are still up to snaff - well written, not dumbed down, etc.
 
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Dwarvenhobble

Is on the Gin
May 26, 2020
6,016
665
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Battlestar Galactica Razor:

(Own copy)

Rating: God awful mostly

So a sort of mini film / stand alone film but also not in the Battlestar Galactica reboot series where god help anyone coming into this blind. The premise is following a mission of the Battlestar Pegasus in the present trying to recover some missing scientists while also flashing back to events of the past to show what happened to the Battlestar Pegasus before it came into the show part way into Season 2.

The story if it was done better would have worked with part of the focus being on a new character Kendra Shaw who was an officer under Admiral Cain who shaped her and mentored her somewhat from daughter of a senator posted on a Battlestar as a stepping stone to bigger things into a person in Cains own image willing to do what it takes driven by anger and a desire for revenge and not deviating from goals due to hesitance due to emotion. Moulding her into a fighting implement. Now under Commander Lee Adama she's been promoted to being his second in command and it shows her conflict as she tries to cope with Cains legacy and the actions Cains influence cause her to undertake such as attacking, killing people on and stealing from a 2nd civilian fleet to restore, resupply and repopulate the Pegasus under Cains orders.

Her situation and actions are contrasted with the mini film showing her past actions under Cain compared with the more moral less ruthless Lee Adama and the even more moral and less ruthless fleet commander William Adama. Along with her having a short conflict with Starbuck only for the two to discover they are more alike than they thought and Starbuck managing to offer counter ideas to some of Cain's teaching.

If you'd not seen the series then a lot of plot points would be lost on your such as characters being killed, what happened to Cain, what happened to the captured Cylon agent and other aspects of the film.

Part of the issue I think is it tries to do too much with the idea of the Cylon hybrids being explored more along with a bit about commander William Adama and Lee Adama with the idea of subjective morality vs objective morality and how two different courses of action can both be right in their own way and the only difference can be justifying it to yourself vs having to justify it to others and see things from their perspective and how they react to it.

So they find out that some old Cylon hybrid is still active and has sort of gone rogue with it's own bunch of old school cylons and that's who has captured the scientists because it wants to make more / new hybrids because it's dying.

Kenda Shaw is secretly using drugs to help her cope with her guilt over murdering civilians under Admiral Cain's orders and the idea of how Cain moulded her with her struggling to be anything else than what Cain made her into.

Starbuck and Shaw along with some marines pull off a operation to recover the scientists which goes south when the Cylon guards start showing up. with Shaws ruthless streak coming through again as she shoots one of her own team rather then let the Cylons drag him off to be experimented on only for her to get shot in return.
The nuke they brought with them is damage in the firefight with the remote detonator breaking and Lee Adama order Starbuck to complete the mission. Shaw counters that order saying she will stay behind, a last selfless act as she's injured but not dead and wishes Cain's legacy to die with her as she sees herself as the continuation of Cain's tortured terrible legacy. Before setting off the nuke she meets the Hybrid who knows a lot about her and gives her a warning to pass on that Starbuck will end up as the destroyer of humanity. Shaw only manages to pass on part of the message though before coms are jammed and she detonates the nuke destroying the base star from within.

Part of the secondary conflict is William Adama countering Lee's orders to lauch a nuke at the basestar before the incursion team have got out with William Adma being proven right to wait in the end but pointing out to his son that his son's actions were also correct and by the book its just due to experience and understanding looking at things from other perspectives than straight up survival an military code that Willaim Adama knew it was worth a try to wait was the right choice and he could look others in the face and say he why he did it and have them see it the same way easily while Lee like Shaw may well have been judged harshly for his actions which were more for survival and or some kind of solace or revenge against the Cylons.
 
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BrawlMan

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Is this a weird opinion? I'd argue no. I say "Aladdin," "Little Mermaid," or "Beauty and the Beast," and for better or worse, there's a strong chance you'd think of the Disney versions. I say "Tarzan?" I'd wager that there's no guarantee you'd think of this one. It might be that Tarzan is arguably an anachronism, and certainly the Disney version is free of a lot of problematic elements, but as a film in of itself? Could have been good, but ends up just okay.
I would watch Tarzan any day over Little Mermaid.
 

SilentPony

Previously known as an alleged "Feather-Rustler"
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Corner of No and Where
I just saw Death on the Nile. Its...good? Great? Like I dunno, I liked, I enjoyed it, I liked the characters, I was invested in the story, I wanted more, I want more in this cinematic universe. I want to see it again and see what I missed the first time. But when I got to my car, my only thought was "Fuck me, thank god that's over."
I dunno, maybe because its a murder mystery you're always looking for clues and hidden details and its exhausting mentally. And, unfortunately, the movie thinks very poorly of its audience and not only show the clues, but shows ONLY the clues to the right answer, no false leads or red herrings. No "Oh the bellhop was caught with the gun in his hand, he must be the murderer!" followed by "Oh the bellhop was the good guy the whole time"
Nope. Not this one. It establishes the villains in the first two scenes and does nothing to draw attention away from them, and then boom, they're the villains.

Its a very well acted, visceral, believable sexual and passionate, beautifully shot episode of Scooby Doo.
I give it: Jinkies/10
 

Agema

Do everything and feel nothing
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Werewolves Within (2021)

Comedy horror set in a remote and declining township in winter, beset by... well, the title gives it away. Sam Richardson plays a newly deployed Forest Ranger who arrives into this quirky community in the midst of a dispute over whether to agree to an oil pipeline through the territory, with a hint of romance in the air with Milana Vayntrub's postal worker. Then it becomes clear a predator is in their midst.

The leads and the wider cast - many of them recognisable comedy stalwarts - do the very best they can, but the script and the direction don't quite make it gel. It's a credit to the cast's engaging performances that this movie is quite pleasant to watch, but it never quite gets the escape velocity to overcome its core limitations: not scary or funny or original or thrilling, failing to excel at anything.
 
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Xprimentyl

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Home Team: Exactly What You'd Expect / Great

Based on the true story of New Orleans Saints' head coach Sean Payton who, while serving a suspension from the league, coached his son's grade school football team.

It's hard to tell how much of this is actually "true" as it checks almost every box for every movie you've seen that regards a ragtag bunch of "loser" children who come together as a team under the inspiring leadership of an unlikely coach, it's that on-rails formulaic. I imagine the description above is 99% the whole truth, then they cast Kevin James as Payton, and said "do a 'you' movie, but be competent in this one."
 

thebobmaster

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I would watch Tarzan any day over Little Mermaid.
I wouldn't go that far...but I do think Tarzan is the most unfairly overlooked Disney movie. Makes me sad every time I think about it, but then I stop my crying. It will be all right.
 
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BrawlMan

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I wouldn't go that far...but I do think Tarzan is the most unfairly overlooked Disney movie.
I most definitely would go that far. I don't know about the rest of you, but I could not stand the Little Mermaid. You think I'm bad with it, my older brother is even worse. We really don't care much for the movie,aside from Sebastian and Flounder. Those are the only two characters we care about in that movie. Ursula is a great villain and everything, and she has an awesome death, but not worth a 90 minutes to sit through again.

Tarzan is not perfect, but I was never bored. The movie kept me engaged whenever I watched it. I still don't own a DVD or Blu-ray copy, but I might pick it up someday. After The Three Musketeers. The one with Mickey, Donald, and Goofy.
 

thebobmaster

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Fair enough. Not going to tell someone they are wrong just because they disagree with me on a movie. Tarzan does get points for being pretty dark by Disney standards. For example, the villain's death.
 
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XsjadoBlayde

~ just another dread messenger ~
Apr 29, 2020
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The Privilege (Netflix)
German mystery horror? It's not too good. Some half-interesting, half-trite plot executed with increasing ineptitude as it ploughs on. The actors are doing their best, some more adept that others, in a film going for a high-school satanic paranoia vibe. I dunno, it all felt lacking a vital organ to give it life. The was never any fear, only a CGI arthritic demon-ghost with the face of every hack videogame enemy design used for Cannon fodder, especially those games as a service models. The mushroom plot could've been way more intriguing and disturbing, but no, of course I am denied my creepy European fungal horror movie! (Though Ben Wheatley's 'Into the Earth' is on my list, the chance hasn't cropped up to observe yet).
Oh there's a softcore threesome scene some way through too, which I initially assumed may have been a part of a stealth satanic ritual future twist, but nooo of course that was giving the film too much credit and someone just wanted to get their threesome moment on screen. It's likely possible to extract some messages about class from this if one desires. But whether the film is hoping for class-aware metaphors here or not doesn't even matter when the rest fails to engage on any emotional level.
 

Gordon_4

The Big Engine
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Jurassic Park - 10/10

The movie is actually guilty of a shitload of continuity errors, and most of them are sort of on purpose. The T-Rex paddock goes from being level with the road until the thrilling escape is needed and suddenly its so damn deep that there'd be no way to see Rexy without sticking your head dangerously close to that 50,000 volt fence. Then there's the massively improbably situation where no one sees OR hears the Brachiosaurus and the dozen other sauropods and hadrosaurs over the same hill when they're driving ostensibly towards them.

And yet...I do not care. The movie still plays at a wonderful breezy pace, the Dinosaurs are still like 90% amazing to look at - Thanks for that, Stan and ILM - and all the actors put in really good performances. Sam Neil was the avatar of every dinosaur loving boy in the seats of cinemas around the world when he, shocked and barely coherent pointed up at that amazing movie magic and said “It’s a, it’s a dinosaur.”

On that note, fuck you, Fallen Kingdom. Fuck you right in the ear.

Also I don’t know if this was criticism of the time or not but apparently in recent reviews or retrospectives it’s pretty common to point to Laura Dern as being bad in a lot of her scenes, but for the life of me I just don’t see it.
 

Xprimentyl

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Jurassic Park - 10/10

On that note, fuck you, Fallen Kingdom. Fuck you right in the ear.
Honestly, fuck every movie after the first one. The '93 film was magical, and will forever be an iconic milestone in cinema history and will hold a special place in the hearts of movie-goers everywhere. Then someone said "Look! Money!", and shat out clear cash grab sequels of diminishing quality what felt like every other year. Jeff Goldblum and his constant finger-wagging at everyone after the first movie who just won't leave the island alone or, God forbid, try the experiment again, is about the only thing that makes sense after the first movie.
 
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Gordon_4

The Big Engine
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Honestly, fuck every movie after the first one. The '93 film was magical, and will forever be an iconic milestone in cinema history and will hold a special place in the hearts of movie-goers everywhere. Then someone said "Look! Money!", and shat out clear cash grab sequels of diminishing quality what felt like every other year. Jeff Goldblum and his constant finger-wagging at everyone after the first movie who just won't leave the island alone or, God forbid, try the experiment again, is about the only thing that makes sense after the first movie.
I actually liked The Lost World a lot, but I’d prefer it was closer to the book in some aspects. JP3 is a weak movie on all fronts which only bothers me because it’s the one they got Sam Neil back for. And truthfully I liked the first Jurassic World, if only because it played on my nostalgia with grace for most of the movie and saved the big fan service bit for when it counted.
 
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